Ciborium (architecture) in the context of "Dais"

The Codex Aureus of Saint Emmeram (Munich, Bayerische Staatsbibliothek, Clm 14000) is a 9th-century illuminated Gospel Book. It takes its name from Saint Emmeram's Abbey in Bavaria, where it was for most of its history (named after Emmeram of Regensburg) and is lavishly illuminated. The cover of the codex is decorated with gems and relief figures in gold, can be precisely dated to 870, and is an important example of Carolingian art, as well as one of very few surviving treasure bindings of this date.

The upper cover of the Lindau Gospels is probably a product of the same workshop, though there are differences of style. This workshop is associated with the Holy Roman Emperor Charles II (the Bald), and often called his "Palace School". Its location (if it had a fixed one) remains uncertain and much discussed, but Saint-Denis Abbey outside Paris is one leading possibility. The Arnulf Ciborium (a miniature architectural ciborium rather than the vessel for hosts), now in the Munich Residenz, is the third major work in the group, along with the frame of an antique serpentine dish in the Louvre. Recent scholars tend to group the Lindau Gospels and the Arnulf Ciborium in closer relation to each other than the Codex Aureus to either.

The Albert Memorial is a Gothic Revival ciborium in Kensington Gardens, London, designed and dedicated to the memory of Prince Albert of Great Britain. Located directly north of the Royal Albert Hall, it was commissioned by Queen Victoria in memory of her husband, who died in 1861. Designed by Sir George Gilbert Scott, it takes the form of an ornate canopy or pavilion 176 feet (54 m) tall over the high altar of a church, sheltering a statue of the prince facing south. It took over ten years to complete, the £120,000 cost (the equivalent of about £15,000,000 in 2025) met by public subscription.

The memorial was opened in July 1872 by Queen Victoria, with the statue of Albert ceremonially "seated" in 1876. It has been Grade I listed since 1970.

A ciborium (plural ciboria; Medieval Latin ciborium "drinking cup", from the Ancient Greek κιβώριον kibōrion, "drinking cup") is a vessel, normally in metal. It was originally a particular shape of drinking cup in ancient Greece and Rome, but the word later came to refer to a large covered cup designed to hold hosts for, and after, the Eucharist, thus the counterpart (for the bread) of the chalice (for the wine).

The word is also used for a large canopy over the altar of a church, which was a common feature of Early Medieval church architecture, now relatively rare.

A baldachin, or baldaquin (from Italian: baldacchino), is a canopy of state typically placed over an altar or throne. It had its beginnings as a cloth canopy, but in other cases it is a sturdy, permanent architectural feature, particularly over high altars in cathedrals, where such a structure is more correctly called a ciborium when it is sufficiently architectural in form. Baldachins are often supported on columns, especially when they are disconnected from an enclosing wall.

A cloth of honour or cloth of estate is a simpler cloth hanging vertically behind the throne, usually continuing to form a canopy. It can also be used for similar canopies in interior design, for example above beds, and for processional canopies used in formal state ceremonies such as coronations, held up by four or more men with poles attached to the corners of the cloth.

St. Peter's Baldachin (Italian: Baldacchino di San Pietro, L'Altare di Bernini) is a large Baroque sculpted bronze canopy, technically called a ciborium or baldachin, over the high altar of St. Peter's Basilica in Vatican City, the city-state and papal enclave surrounded by Rome, Italy. The baldachin is at the center of the crossing, and directly under the dome of the basilica. Designed by the Italian artist Gian Lorenzo Bernini, it was intended to mark, in a monumental way, the place of Saint Peter's tomb underneath. Under its canopy is the high altar of the basilica. Commissioned by Pope Urban VIII, the work began in 1623 and ended in 1634. The baldachin acts as a visual focus within the basilica; it is itself a very large structure and forms a visual mediation between the enormous scale of the building and the human scale of the people officiating at the religious ceremonies at the papal altar beneath its canopy.

In heraldry, a mantle is a symbol of sovereign power and is generally reserved for royalty. In some cases, its use has also been granted to other nobles, in recognition of particular merits. In ordinary rendering, the mantle is usually crimson and lined with ermine.

Certain coats of arms may also display a pavilion (similar to a baldachin) surmounting the mantle. The pavilion is said to be the invention of the Frenchman Philip Moreau. Some republics have displayed a mantle and pavillon in their coats of arms, contemporarily Serbia.