Minstrels' gallery in the context of "Great hall"

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👉 Minstrels' gallery in the context of Great hall

A great hall is the main room of a royal palace, castle or a large manor house or hall house in the Middle Ages. It continued to be built in the country houses of the 16th and early 17th centuries, although by then the family used the great chamber for eating and relaxing. At that time the word "great" simply meant big and had not acquired its modern connotations of excellence. In the medieval period, the room would simply have been referred to as the "hall" unless the building also had a secondary hall. The term "great hall" has been mainly used for surviving rooms of this type for several centuries to distinguish them from the different type of hall found in post-medieval houses. Great halls were found especially in France, England and Scotland, but similar rooms were also found in some other European countries.

A typical great hall was a rectangular room between one and a half and three times as long as it was wide, and also higher than it was wide. It was entered through a screens passage at one end, and had windows on the long sides, often including a large bay window. There was usually a minstrels' gallery above the screens passage. The screens passage was divided from the hall by a timber screen with two openings. The portion of the screen between these openings could be movable, such as the one at Rufford Old Hall. At the other end of the hall was the dais where the high table was situated. The ceiling above the dais was often ornamented to denote its higher status. The lord's family's more private rooms lay beyond the dais end of the hall, and the kitchen, buttery and pantry were on the opposite side of the screens passage. The dais end is generally referred to as the 'upper' end, and the screens end as the 'lower' end.

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Minstrels' gallery in the context of Production control room

The production control room (PCR) or studio control room (SCR) is the area in a television studio in which the configuration of the outgoing program takes place.

The production control room is occasionally also called an SCR, or, in British English, a gallery – the latter name comes from the original placement of the director on an ornately carved bridge spanning the BBC's first television studio at Alexandra Palace which was once referred to as like a minstrels' gallery. Master control is the technical hub of a broadcast operation common among most over-the-air television stations and television networks. Master control is distinct from a PCR in television studios where the activities such as switching from camera to camera are coordinated. A transmission control room (TCR) is usually smaller in size and is a scaled-down version of centralcasting.

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Minstrels' gallery in the context of Bal des Ardents

The Bal des Ardents (Ball of the Burning Men), or the Bal des Sauvages (Ball of the Wild Men), was a masquerade ball held on 28 January 1393 in Paris, France, at which King Charles VI had a dance performance with five members of the French nobility. Four of the dancers were killed in a fire caused by a torch brought in by Louis I, Duke of Orléans, the king's brother.

The ball, held at the royal palace of Saint-Pol, was one of a series of events organised to entertain Charles, who had suffered an attack of insanity in the previous summer of that year. The circumstances of the fire undermined confidence in the king's capacity to rule; Parisians considered it proof of courtly decadence and threatened to rebel against the more powerful members of the nobility. The public's outrage forced Charles and his brother Orléans, whom a contemporary chronicler accused of attempted regicide and sorcery, to offer penance for the event.

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