Culture hero in the context of "Dazhboh"

Cecrops (/ˈsiːkrɒps/; Ancient Greek: Κέκροψ, romanized: Kekrops; gen Κέκροπος, Kékropos) was a legendary king of Attica which derived from him its name Cecropia, according to the Parian Chronicle having previously borne the name of Acte or Actice (from Actaeus). He was the founder and the first king of Athens itself though preceded in the region by the earth-born king Actaeus of Attica. Cecrops was a culture hero, teaching the Athenians marriage, reading and writing, and ceremonial burial.

The Yellow Emperor, also known as the Yellow Thearch or Huangdi (traditional Chinese: 黃帝; simplified Chinese: 黄帝), was a mythical Chinese sovereign and culture hero included among the legendary Three Sovereigns and Five Emperors. He is revered as a deity individually or as part of the Five Regions Highest Deities (Chinese: 五方上帝; pinyin: Wǔfāng Shàngdì) in Chinese folk religion. Regarded as the initiator of Chinese culture, he is traditionally credited with numerous innovations – including the traditional Chinese calendar, Taoism, wooden houses, boats, carts, the compass needle, "the earliest forms of writing", and cuju, a ball game. Calculated by Jesuit missionaries, as based on various Chinese chronicles, Huangdi's traditional reign dates begin in either 2698 or 2697 BC, spanning one hundred years exactly, later accepted by the twentieth-century promoters of a universal calendar starting with the Yellow Emperor.

Huangdi's cult is first attested in the Warring States period, and became prominent late in that same period and into the early Han dynasty, when he was portrayed as the originator of the centralized state, as a cosmic ruler, and as a patron of esoteric arts. A large number of texts – such as the Huangdi Neijing, a medical classic, and the Huangdi Sijing, a group of political treatises – were thus attributed to him. Having waned in influence during most of the imperial period, in the early twentieth century Huangdi became a rallying figure for Han Chinese attempts to overthrow the rule of the Qing dynasty, remaining a powerful symbol within modern Chinese nationalism.

A national poet or national bard is a poet held by tradition and popular acclaim to represent the identity, beliefs and principles of a particular national culture. The national poet as culture hero is a long-standing symbol, to be distinguished from successive holders of a bureaucratically-appointed poet-laureate office. The idea and honoring of national poets emerged primarily during Romanticism, as a figure that helped consolidation of the nation states, as it provided validation of their ethno-linguistic groups.

Most national poets are historic figures, though a few contemporary writers working in relatively new or revived national literatures are also considered "national poets". Though not formally elected, national poets play a role in shaping a country's understanding of itself. Some nations may have more than one national poet; the idea of a single one is always a simplification. It has been argued that a national poet "must write poetry that closely identifies with the nation's cause – or is thought to do so", with an additional assumption being that "a national poet must write in a national language".

The King Wen sequence (Chinese: 文王卦序) is an arrangement of the sixty-four divination figures in the I Ching (often translated as the Book of Changes). They are called hexagrams in English because each figure is composed of six 爻 yáo—broken or unbroken lines, that represent yin or yang respectively.

The King Wen sequence is also known as the "received" or "classical" sequence because it is the oldest surviving arrangement of the hexagrams. Its true age and authorship are unknown. Traditionally, it is said that King Wen of Zhou arranged the hexagrams in this sequence while imprisoned by King Zhou of Shang in the 12th century BC. A different arrangement, the "binary sequence" named in honor of the mythic culture hero Fu Xi, originated in the Song dynasty. It is believed to be the work of scholar Shao Yong (1011–1077 AD). As mirrored by the 先天 Earlier Heaven and 後天 Later Heaven arrangements of the eight trigrams, or bagua, it was customary to attribute authorship to these legendary figures. Of the two hexagram arrangements, the King Wen sequence is, however, of much greater antiquity than the Fu Xi sequence.

A flood myth or a deluge myth is a myth in which a great flood, usually sent by a deity or deities, destroys civilization, often in an act of divine retribution. Parallels are often drawn between the flood waters of these myths and the primeval cosmic ocean which appear in certain creation myths, as the flood waters are described as a measure for the cleansing of humanity, for example in preparation for rebirth. Most flood myths also contain a culture hero, who "represents the human craving for life".

The oldest known narrative of a divinely inititated flood originates from the Sumerian culture in Mesopotamia, among others expressed in the Akkadian Atra-Hasis epic, which dates to the 18th century BCE. Comparable flood narratives appear in many other cultures, including the biblical Genesis flood narrative, manvantara-sandhya in Hinduism, Deucalion in Greek mythology, and in indigenous North American cultures.

Nanabozho (in syllabics: ᓇᓇᐳᔓ, [nɐˌnɐbʊˈʒʊ]), also known as Nanabush, is a spirit in Anishinaabe aadizookaan (traditional storytelling), particularly among the Ojibwe of North America. Nanabozho figures prominently in their storytelling, including the story of the world's creation. Nanabozho is the Ojibwe trickster figure and culture hero (these two archetypes are often combined into a single figure in First Nations mythologies, among others).

Nanabozho can take the shape of male or female animals or humans in storytelling. Most commonly it is an animal such as a raven or coyote which lives near the tribe and which is cunning enough to make capture difficult.

In Greek mythology, Lycaon (/laɪˈkeɪɒn/; Attic Greek: Λυκάων, romanized: Lukáōn, Attic Greek: [ly.kǎː.ɔːn]) was a king of Arcadia who, in the most popular version of the myth, killed and cooked his son Nyctimus and served him to Zeus, to see whether the god was sufficiently all-knowing to recognize human flesh. Disgusted, Zeus transformed Lycaon into a wolf, while Nyctimus was restored to life.

Despite being notorious for his horrific deeds, Lycaon was also remembered as a culture hero: he was believed to have founded the city Lycosura, to have established a cult of Zeus Lycaeus and to have started the tradition of the Lycaean Games, which Pausanias thinks were older than the Panathenaic Games. According to Gaius Julius Hyginus (d. AD 17), Lycaon dedicated the first temple to Hermes of Cyllene.

The Epic of King Gesar (Tibetan: གླིང་གེ་སར།, Wylie: gling ge sar), also spelled Kesar (/ˈkɛzər, ˈkɛs-/) or Geser (especially in Mongolian contexts), is a traditional epic originating from Tibet and Central Asia. Folk balladeers continued to transmit the story orally, enriching its plot and embellished its language over time. The narrative reached its "final" form and peak popularity in the early 12th century.

The epic recounts the heroic deeds of the culture hero Gesar, the fearless lord of the legendary kingdom of Ling (Wylie: gling). It is preserved in both poetry and prose, primarily through oral poetic performance, and is widely sung across Central Asia and South Asia. Its classic version originates in central Tibet.

Nüwa, also read Nügua, is a mother goddess, culture hero, and/or member of the Three Sovereigns of Chinese mythology. She is a goddess in Chinese folk religion, Chinese Buddhism, Confucianism and Taoism. She is credited with creating humanity and repairing the Pillar of Heaven.

As creator of mankind, she molded humans individually by hand with yellow clay. In other stories where she fulfills this role, she only created nobles and/or the rich out of yellow soil. The stories vary on the other details about humanity's creation, but it was a tradition commonly believed in ancient China that she created commoners from brown mud. A story holds that she was tired when she created "the rich and the noble", so all others, or "cord-made people", were created from her "dragg[ing] a string through mud".

Shennong (Chinese: 神農; pinyin: Shénnóng), variously translated as "Divine Farmer" or "Divine Husbandman", born Jiang Shinian (姜石年), was a mythological Chinese ruler known as the first Yan Emperor who has become a deity in Chinese folk religion. He is venerated as a culture hero in China.

Shennong has at times been counted amongst the Three Sovereigns (also known as "Three Kings" or "Three Patrons"), a group of ancient deities or deified kings of prehistoric China. Shennong has been thought to have taught the ancient Chinese not only their practices of agriculture, but also the use of herbal medicine. Shennong was credited with various inventions: these include the hoe, plow (both leisi (耒耜) style and the plowshare), axe, digging wells, agricultural irrigation, preserving stored seeds by using boiled horse urine (to ward off the borers), trade, commerce, money, the weekly farmers market, the Chinese calendar (especially the division into the 24 jieqi or solar terms). He is also attributed to have refined the therapeutic understanding of taking pulse measurements, acupuncture, and moxibustion, as well as having instituted the harvest thanksgiving ceremony (zhaji (蜡祭) sacrificial rite, later known as the laji (腊祭) rite).

Hou Ji (or Houji; Chinese: 后稷; pinyin: Hòu Jì; Wade–Giles: Hou Chi) was a legendary Chinese culture hero credited with introducing millet to humanity during the time of the Xia dynasty. Millet was the original staple grain of northern China, prior to the introduction of wheat. His name translates as Lord of Millet and was a title granted to him by Emperor Shun, according to Records of the Grand Historian. Houji was credited with developing the philosophy of Agriculturalism and with service during the Great Flood in the reign of Yao; he was also claimed as an ancestor of the Ji clan that became the ruling family of the Zhou dynasty or a founder of the Zhou.

After the Zhou dynasty, ancient Chinese historians, folklorists, and religious practitioners had a variety of opinions on Hou Ji, including the opinion that he became deified as the god Shennong after his death.

Fuxi or Fu Hsi (Chinese: 伏羲) is a culture hero in Chinese mythology, credited along with his sister and wife Nüwa with creating humanity and the invention of music, hunting, fishing, domestication, and cooking, as well as the Cangjie system of writing Chinese characters around 2900 BC or 2000 BC. He is also said to be the originator of bagua (the eight trigrams) after observing that there were eight fundamental building blocks in nature: heaven, earth, water, fire, thunder, wind, mountain, and lake. These eight are all made of different combinations of yin and yang, which are what came to be called bagua.

Fuxi was counted as the first mythical emperor of China, "a divine being with a serpent's body" who was miraculously born, a Taoist deity, and/or a member of the Three Sovereigns at the beginning of the Chinese dynastic period. Some representations show him as a human with snake-like characteristics, "a leaf-wreathed head growing out of a mountain", "or as a man clothed with animal skins."

Dan, Duke Wen of Zhou, commonly known as the Duke of Zhou, was a member of the royal family of the early Zhou dynasty who played a major role in consolidating the kingdom established by his elder brother King Wu. He was renowned for acting as a capable and loyal regent for his young nephew King Cheng, and for successfully suppressing the Rebellion of the Three Guards and establishing firm rule of the Zhou dynasty over eastern China. He is also a Chinese culture hero, with the authorship of the I Ching and the Classic of Poetry having traditionally been attributed to him, as well as the establishment of the Rites of Zhou.

Lin Zexu (30 August 1785 – 22 November 1850), courtesy name Yuanfu, was a Chinese political philosopher and politician. He was a head of state (Viceroy), Governor General, scholar-official, and under the Daoguang Emperor of the Qing dynasty best known for his role in the First Opium War of 1839–42. He was from Fuzhou, Fujian Province. Lin's forceful opposition to the opium trade was a primary catalyst for the First Opium War. He is praised for his constant position on the "moral high ground" in his fight, but he is also blamed for a rigid approach which failed to account for the domestic and international complexities of the problem. The Emperor endorsed the hardline policies and anti-drugs movement advocated by Lin, but placed all responsibility for the resulting disastrous Opium War onto Lin. However, Lin's efforts against the opium trade was appreciated by drug prohibition activists and revered as a culture hero in Chinese culture, symbolizes drug abuse resistance in China.

Like other Mesoamerican peoples, the Maya peoples recognize in their staple crop, maize, a vital force with which they strongly identify. This is clearly shown by their mythological traditions. In the Mesoamerican Classic period (200–900), the Maize God shows aspects of a culture hero. According to the 16th-century Popol Vuh, the Hero Twins have maize plants as alter egos and humanity was created from maize. The discovery and opening of Maize Mountain, the place where the corn seeds were hidden, remains one of the most popular tales.