Chinese gods and immortals are beings in various Chinese religions seen in a variety of ways and mythological contexts.
Many are worshiped as deities because traditional Chinese religion is polytheistic, stemming from a pantheistic view that divinity is inherent in the world.
Fuxi or Fu Hsi (Chinese: 伏羲) is a culture hero in Chinese mythology, credited along with his sister and wife Nüwa with creating humanity and the invention of music, hunting, fishing, domestication, and cooking, as well as the Cangjie system of writing Chinese characters around 2900 BC or 2000 BC. He is also said to be the originator of bagua (the eight trigrams) after observing that there were eight fundamental building blocks in nature: heaven, earth, water, fire, thunder, wind, mountain, and lake. These eight are all made of different combinations of yin and yang, which are what came to be called bagua.
Fuxi was counted as the first mythical emperor of China, "a divine being with a serpent's body" who was miraculously born, a Taoist deity, and/or a member of the Three Sovereigns at the beginning of the Chinese dynastic period. Some representations show him as a human with snake-like characteristics, "a leaf-wreathed head growing out of a mountain", "or as a man clothed with animal skins."
Confucianism, also known as Ruism or Ru classicism, is a system of thought and behavior originating in ancient China, and is variously described as a tradition, philosophy, religion, theory of government, or way of life. Founded by Confucius in the Hundred Schools of Thought era (c. 500 BCE), Confucianism integrates philosophy, ethics, and social governance, with a core focus on virtue, social harmony, and familial responsibility.
Confucianism emphasizes virtue through self-cultivation and communal effort. Key virtues include ren (仁, "benevolence"), yi (義; "righteousness"), li (禮; "propriety"), zhi (智; "wisdom"), and xin (信; "sincerity"). These values, deeply tied to the notion of tian (天; "Heaven"), present a worldview where human relationships and social order are manifestations of sacred moral principles. While Confucianism does not emphasize an omnipotent deity, it upholds tian as a transcendent moral order.
Chinese temple architecture refer to a type of structures used as place of worship of Chinese Buddhism, Taoism, Confucianism, or Chinese folk religion, where people revere ethnic Chinese gods and ancestors. They can be classified as:
Gōng (宮), meaning "palace" is a term used for a templar complex of multiple buildings, while yuàn (院), meaning "institution," is a generic term meaning "sanctuary" or "shrine". Táng (堂) means courtyard or room, and ān (庵) means dome or nunnery.
Shuilu ritual paintings (Chinese: 水陸畫; pinyin: Shuǐlù huà; lit: "Paintings of Water and Land") are a style of traditional Chinese painting based on Buddhist and Taoist divinities that are used during the eponymous Chinese Buddhist Shuilu Fahui ceremony where these figures are invoked. The paintings are mainly intricate portraits of deities, historical figures, and the contrasting lives of common people and tragedies, in an ornate style with rich use of vivid colors and patterns. The paintings can encompass a wide range of mediums, including scroll-painting, murals, and even sculptures.
Despite their often mythological subject matter, the parts of the Shuilu ritual paintings that are dedicated to commoners show a realistic, often downtrodden and tragic view of their everyday lives, as part of the ritual to reflect on the suffering of the deceased. The paintings preserve the intricacies of their respective eras' fashions and give a greater view of their cultural and spiritual landscape. The visual similarities in the portraits between the divine figures and traditional Chinese opera costumes also illuminate the mutual inspiration between the two art forms.
Chinese theology, which comes in different interpretations according to the Chinese classics and Chinese folk religion, and specifically Confucian, Taoist, and other philosophical formulations, is fundamentally monistic, that is to say it sees the world and the gods of its phenomena as an organic whole, or cosmos, which continuously emerges from a simple principle. This is expressed by the concept that "all things have one and the same principle" (Chinese: 萬物一理; pinyin: wànwù yīlǐ). This principle is commonly referred to as 天; Tiān, a concept generally translated as "Heaven", referring to the northern culmen and starry vault of the skies and its natural laws which regulate earthly phenomena and generate beings as their progenitors. Ancestors are therefore regarded as the equivalent of Heaven within human society, and hence as the means connecting back to Heaven which is the "utmost ancestral father" (曾祖父; zēngzǔfù). Chinese theology may be also called Tiānxué (天學; "study of Heaven"), a term already in use in the 17th and 18th centuries.
The universal principle that gives origin to the world is conceived as transcendent and immanent to creation at the same time. The Chinese idea of the universal God is expressed in different ways; there are many names of God from the various sources of Chinese tradition, reflecting a "hierarchic, multiperspective" observation of the supreme God.