Culture hero in the context of "National poet"

Cecrops (/ˈsiːkrɒps/; Ancient Greek: Κέκροψ, romanized: Kekrops; gen Κέκροπος, Kékropos) was a legendary king of Attica which derived from him its name Cecropia, according to the Parian Chronicle having previously borne the name of Acte or Actice (from Actaeus). He was the founder and the first king of Athens itself though preceded in the region by the earth-born king Actaeus of Attica. Cecrops was a culture hero, teaching the Athenians marriage, reading and writing, and ceremonial burial.

The Yellow Emperor, also known as the Yellow Thearch or Huangdi (traditional Chinese: 黃帝; simplified Chinese: 黄帝), was a mythical Chinese sovereign and culture hero included among the legendary Three Sovereigns and Five Emperors. He is revered as a deity individually or as part of the Five Regions Highest Deities (Chinese: 五方上帝; pinyin: Wǔfāng Shàngdì) in Chinese folk religion. Regarded as the initiator of Chinese culture, he is traditionally credited with numerous innovations – including the traditional Chinese calendar, Taoism, wooden houses, boats, carts, the compass needle, "the earliest forms of writing", and cuju, a ball game. Calculated by Jesuit missionaries, as based on various Chinese chronicles, Huangdi's traditional reign dates begin in either 2698 or 2697 BC, spanning one hundred years exactly, later accepted by the twentieth-century promoters of a universal calendar starting with the Yellow Emperor.

Huangdi's cult is first attested in the Warring States period, and became prominent late in that same period and into the early Han dynasty, when he was portrayed as the originator of the centralized state, as a cosmic ruler, and as a patron of esoteric arts. A large number of texts – such as the Huangdi Neijing, a medical classic, and the Huangdi Sijing, a group of political treatises – were thus attributed to him. Having waned in influence during most of the imperial period, in the early twentieth century Huangdi became a rallying figure for Han Chinese attempts to overthrow the rule of the Qing dynasty, remaining a powerful symbol within modern Chinese nationalism.

The King Wen sequence (Chinese: 文王卦序) is an arrangement of the sixty-four divination figures in the I Ching (often translated as the Book of Changes). They are called hexagrams in English because each figure is composed of six 爻 yáo—broken or unbroken lines, that represent yin or yang respectively.

The King Wen sequence is also known as the "received" or "classical" sequence because it is the oldest surviving arrangement of the hexagrams. Its true age and authorship are unknown. Traditionally, it is said that King Wen of Zhou arranged the hexagrams in this sequence while imprisoned by King Zhou of Shang in the 12th century BC. A different arrangement, the "binary sequence" named in honor of the mythic culture hero Fu Xi, originated in the Song dynasty. It is believed to be the work of scholar Shao Yong (1011–1077 AD). As mirrored by the 先天 Earlier Heaven and 後天 Later Heaven arrangements of the eight trigrams, or bagua, it was customary to attribute authorship to these legendary figures. Of the two hexagram arrangements, the King Wen sequence is, however, of much greater antiquity than the Fu Xi sequence.

A flood myth or a deluge myth is a myth in which a great flood, usually sent by a deity or deities, destroys civilization, often in an act of divine retribution. Parallels are often drawn between the flood waters of these myths and the primeval cosmic ocean which appear in certain creation myths, as the flood waters are described as a measure for the cleansing of humanity, for example in preparation for rebirth. Most flood myths also contain a culture hero, who "represents the human craving for life".

The oldest known narrative of a divinely inititated flood originates from the Sumerian culture in Mesopotamia, among others expressed in the Akkadian Atra-Hasis epic, which dates to the 18th century BCE. Comparable flood narratives appear in many other cultures, including the biblical Genesis flood narrative, manvantara-sandhya in Hinduism, Deucalion in Greek mythology, and in indigenous North American cultures.

Nanabozho (in syllabics: ᓇᓇᐳᔓ, [nɐˌnɐbʊˈʒʊ]), also known as Nanabush, is a spirit in Anishinaabe aadizookaan (traditional storytelling), particularly among the Ojibwe of North America. Nanabozho figures prominently in their storytelling, including the story of the world's creation. Nanabozho is the Ojibwe trickster figure and culture hero (these two archetypes are often combined into a single figure in First Nations mythologies, among others).

Nanabozho can take the shape of male or female animals or humans in storytelling. Most commonly it is an animal such as a raven or coyote which lives near the tribe and which is cunning enough to make capture difficult.

In Greek mythology, Lycaon (/laɪˈkeɪɒn/; Attic Greek: Λυκάων, romanized: Lukáōn, Attic Greek: [ly.kǎː.ɔːn]) was a king of Arcadia who, in the most popular version of the myth, killed and cooked his son Nyctimus and served him to Zeus, to see whether the god was sufficiently all-knowing to recognize human flesh. Disgusted, Zeus transformed Lycaon into a wolf, while Nyctimus was restored to life.

Despite being notorious for his horrific deeds, Lycaon was also remembered as a culture hero: he was believed to have founded the city Lycosura, to have established a cult of Zeus Lycaeus and to have started the tradition of the Lycaean Games, which Pausanias thinks were older than the Panathenaic Games. According to Gaius Julius Hyginus (d. AD 17), Lycaon dedicated the first temple to Hermes of Cyllene.