Classical Sanskrit in the context of "Pāṇini"

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👉 Classical Sanskrit in the context of Pāṇini

Pāṇini (/ˈpɑːnɪni/; Sanskrit: पाणिनि, pāṇini [páːɳin̪i]) was a Sanskrit grammarian, logician, philologist, and revered scholar in ancient India during the mid-1st millennium BCE, dated variously by most scholars between the 6th–5th and 4th centuries BCE.

The historical facts of his life are unknown, except only what can be inferred from his works, and legends recorded long after. His most notable work, the Aṣṭādhyāyī, is conventionally taken to mark the start of Classical Sanskrit. His work formally codified Classical Sanskrit as a refined and standardized language, making use of a technical metalanguage consisting of a syntax, morphology, and lexicon, organised according to a series of meta-rules.

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Classical Sanskrit in the context of Sanskrit language

Sanskrit (/ˈsænskrɪt/; stem form संस्कृत; nominal singular संस्कृतम्, saṃskṛtam,) is a classical language belonging to the Indo-Aryan branch of the Indo-European languages. It arose in northwest South Asia after its predecessor languages had diffused there from the northwest in the late Bronze Age. Sanskrit is the sacred language of Hinduism, the language of classical Hindu philosophy, and of historical texts of Buddhism and Jainism. It was a link language in ancient and medieval South Asia, and upon transmission of Hindu and Buddhist culture to Southeast Asia, East Asia and Central Asia in the early medieval era, it became a language of religion and high culture, and of the political elites in some of these regions. As a result, Sanskrit had a lasting effect on the languages of South Asia, Southeast Asia and East Asia, especially in their formal and learned vocabularies.

Sanskrit generally connotes several Old Indo-Aryan language varieties. The most archaic of these is the Vedic Sanskrit found in the Rigveda, a collection of 1,028 hymns composed between 1500 and 1200 BCE by Indo-Aryan tribes migrating east from the mountains of what is today northern Afghanistan across northern Pakistan and into northwestern India. Vedic Sanskrit interacted with the preexisting ancient languages of the subcontinent, absorbing names of newly encountered plants and animals; in addition, the ancient Dravidian languages influenced Sanskrit's phonology and syntax. Sanskrit can also more narrowly refer to Classical Sanskrit, a refined and standardized grammatical form that emerged in the mid-1st millennium BCE and was codified in the most comprehensive of ancient grammars, the Aṣṭādhyāyī ('Eight chapters') of Pāṇini. The greatest dramatist in Sanskrit, Kālidāsa, wrote in classical Sanskrit, and the foundations of modern arithmetic were first described in classical Sanskrit. The two major Sanskrit epics, the Mahābhārata and the Rāmāyaṇa, however, were composed in a range of oral storytelling registers called Epic Sanskrit which was used in northern India between 400 BCE and 300 CE, and roughly contemporary with classical Sanskrit. In the following centuries, Sanskrit became tradition-bound, stopped being learned as a first language, and ultimately stopped developing as a living language.

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Classical Sanskrit in the context of Sanskrit literature

Sanskrit literature is a broad term for all literature composed in Sanskrit. This includes texts composed in the earliest attested descendant of the Proto-Indo-Aryan language known as Vedic Sanskrit, texts in Classical Sanskrit as well as some mixed and non-standard forms of Sanskrit. Literature in the older language begins during the Vedic period with the composition of the Rigveda between about 1500 and 1000 BCE, followed by other Vedic works right up to the time of the grammarian Pāṇini around 6th or 4th century BCE (after which Classical Sanskrit texts gradually became the norm).

Vedic Sanskrit is the language of the extensive liturgical works of the Vedic religion, while Classical Sanskrit is the language of many of the prominent texts associated with the major Indian religions, especially Hinduism and the Hindu texts, but also Buddhism, and Jainism. Some Sanskrit Buddhist texts are also composed in a version of Sanskrit often called Buddhist Hybrid Sanskrit or Buddhistic Sanskrit, which contains many Middle Indic (prakritic) elements not found in other forms of Sanskrit.

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Classical Sanskrit in the context of Asvaghosa

Aśvaghoṣa, also transliterated Ashvaghosha (Sanskrit: [ˌɐɕʋɐˈɡʱoːʂɐ], अश्वघोष; lit. "Having a Horse-Voice"; Tibetan: སློབ་དཔོན་དཔའ་བོ།, Wylie: slob dpon dpa' bo; Chinese: 馬鳴菩薩; pinyin: Mǎmíng púsà; lit. 'Bodhisattva with a Horse-Voice') (c. 80 – c. 150 CE), was a Buddhist philosopher, dramatist, poet, musician, and orator from India. He was born in Saketa, today known as Ayodhya.

He is believed to have been the first Sanskrit dramatist, and is considered the greatest Indian poet prior to Kālidāsa. It seems probable that he was the contemporary and spiritual adviser of Kanishka in the first century of our era. He was the most famous in a group of Buddhist court writers, whose epics rivaled the contemporary Ramayana. Whereas much of Buddhist literature prior to the time of Aśvaghoṣa had been composed in Pāli and Prakrit, Aśvaghoṣa wrote in Classical Sanskrit. He may have been associated with the Sarvāstivāda or the Mahasanghika schools.

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Classical Sanskrit in the context of Kalidasa

Kālidāsa (Sanskrit: कालिदास, "Servant of Kali"; 4th–5th century CE) was a Classical Sanskrit author who is often considered ancient India's greatest poet and playwright. His plays and poetry are primarily based on Hindu Puranas and philosophy. His surviving works consist of three plays, two epic poems and two shorter poems.

Much about his life is unknown except what can be inferred from his poetry and plays. His works cannot be dated with precision, but they were most likely authored before the 5th century CE during the Gupta era. Kalidas is mentioned as one of the seven Brahma avatars in Dasam Granth, written by Guru Gobind Singh.

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Classical Sanskrit in the context of Romanization of Sanskrit

Devanagari transliteration is the process of representing text written in Devanagari script—an Indic script used for Classical Sanskrit and many other Indic languages—in the Latin script, preserving pronunciation and spelling conventions. There are several methods of transliteration from Devanagari to the Latin script (i.e., romanisation), including the IAST notation. Romanised Devanagari is also called Romanagari.

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Classical Sanskrit in the context of Mahakavya

Mahākāvya (lit. great kāvya, court epic), also known as sargabandha, is a genre of Indian epic poetry in Classical Sanskrit. The genre is characterised by ornate and elaborate descriptions of phenomena such as scenery, love, and battles. Typical examples of mahākāvya are the Kumarasambhava and the Kiratarjuniya.

The genre evolved from earlier epics, the Mahabharata and the Ramayana. Despite the length of mahākāvyas (15-30 cantos, a total of about 1500-3000 verses), they are still much shorter than the Ramayana (500 cantos, 24000 verses) and the Mahabharata (about 100000 verses).

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