Bob Fosse in the context of "List of awards and nominations received by Bob Fosse"

Jazz Dance is a performance dance and style that arose in the United States in the early 20th century. Jazz Dance may allude to vernacular Jazz, Broadway or dramatic Jazz. The two types expand on African American vernacular styles of dance that arose with Jazz Music. Vernacular dance refers to dance forms that emerge from everyday life and cultural practices of a specific community, often reflecting the social, cultural, and historical contexts of that community. In the context of African American culture, vernacular dance encompasses styles that developed organically within African American communities, influenced by African traditions, European dance forms, and the unique experiences of African Americans in the United States.

Vernacular Jazz Dance incorporates ragtime moves, Charleston, Lindy hop and mambo. Popular vernacular Jazz Dance performers include The Whitman Sisters, Florence Mills, Ethel Waters, Al Minns and Leon James, Frankie Manning, Norma Miller, Dawn Hampton, and Katherine Dunham. Dramatic Jazz Dance performed on the show stage was promoted by Jack Cole, Bob Fosse, Eugene Louis Faccuito, and Gus Giordano.

Jack Cole (born John Ewing Richter; April 27, 1911 – February 17, 1974) was an American dancer, choreographer, and theatre director known as "the Father of Theatrical Jazz Dance" for his role in codifying African-American jazz dance styles, as influenced by the dance traditions of other cultures, for Broadway and Hollywood. Asked to describe his style he described it as "urban folk dance".

His work as a dancer and choreographer began in the 1930s and lasted until the mid-1960s. Beginning in modern dance, he worked in nightclubs, on the Broadway stage, and in Hollywood films, ending his career as a teacher. He was an innovative choreographer for the camera and a hugely influential choreographer and teacher, training Gwen Verdon, Carol Haney, and Buzz Miller, among many others, and influencing later choreographers, such as Bob Fosse, Jerome Robbins, and Alvin Ailey, all of whom drew heavily from his innovations.

Jacqueline “Jay” Presson Allen (March 3, 1922 – May 1, 2006) was an American screenwriter, playwright, and novelist. Known for her withering wit and sometimes off-color wisecracks, she was one of the few women making a living as a screenwriter at a time when women were a rarity in the profession. She was twice nominated for the Academy Award for Best Adapted Screenplay, for Bob Fosse’s Cabaret (1972) and Sidney Lumet’s Prince of the City (1981), among several other accolades.

Chicago is an American musical with music by John Kander, lyrics by Fred Ebb, and book by Ebb and Bob Fosse. Set in Chicago in the Jazz Age, the musical is based on the 1926 play of the same name by Maurine Dallas Watkins, then a journalist covering the city's courthouse beat. A satire on corruption in the administration of criminal justice, the plot follows felons who manipulate their stories to develop celebrity status.

The original Broadway production opened in June 1975 at the 46th Street Theatre and ran for 936 performances, closing in August 1977. Fosse directed and choreographed the original production, and his style is strongly identified with the show. The original West End production opened in 1979, running for 600 performances.

Joel Grey (born Joel David Katz; April 11, 1932) is an American actor, singer, dancer, photographer, and theatre director. He is best known for portraying the Master of Ceremonies in the musical Cabaret on Broadway and in Bob Fosse's 1972 film adaptation. He has won an Academy Award, a BAFTA Award, a Golden Globe Award, and a Tony Award for his performances in the Cabaret stage musical and film. He was presented a Lifetime Achievement Tony Award at the 76th Tony Awards in 2023.

Grey's Tony-nominated roles include for the musical George M! (1968), Goodtime Charley (1975), and The Grand Tour (1979). After portraying Amos Hart in the Broadway revival of Chicago (1996), he originated the role of the Wizard of Oz in the musical Wicked (2003) and played Moonface Martin in the 2011 revival of Anything Goes.He co-directed the 2011 revival of Larry Kramer's The Normal Heart with George C. Wolfe, earning a Tony Award nomination for Best Direction of a Play at the 65th Tony Awards.

Gwyneth Evelyn "Gwen" Verdon (January 13, 1925 – October 18, 2000) was an American actress and dancer. She won four Tony Awards for her musical comedy performances, and she served as an uncredited choreographer's assistant and specialty dance coach for theater and film. Verdon was a critically acclaimed performer on Broadway in the 1950s, 1960s, and 1970s, having originated many roles in musicals, including Lola in Damn Yankees, the title character in Sweet Charity, and Roxie Hart in Chicago.

Her second husband was director-choreographer Bob Fosse, with whom she worked on a number of theater and film projects. After Fosse's death, she worked to preserve his legacy.

The Pajama Game is a musical based on the 1953 novel 7½ Cents by Richard Bissell.The book is by George Abbott and Richard Bissell; the music and lyrics are by Richard Adler and Jerry Ross. Dances were staged by Bob Fosse in his choreography debut. The story deals with labor troubles and romance in a pajama factory.

The original Broadway production opened on May 13, 1954, at the St. James Theatre, and ran for 1,063 performances, with a brief stop at the Shubert Theatre at the end of the run. It was revived in 1973, and again in 2006 by The Roundabout Theatre Company. The original production, produced by Frederick Brisson, Robert E. Griffith and Harold S. Prince, won a Tony Award for Best Musical. The 2006 Broadway revival won a Tony Award for Best Revival of a Musical. The musical is a popular choice for community and school group productions.

Sweet Charity is a musical with music by Cy Coleman, lyrics by Dorothy Fields, and book by Neil Simon, based on the screenplay for the 1957 Italian film Nights of Cabiria. It was directed and choreographed for Broadway by Bob Fosse starring his wife and muse Gwen Verdon as a dancer-for-hire at a Times Square dance hall, alongside John McMartin.

The musical premiered on Broadway in 1966, where it was nominated for nine Tony Awards, winning the Tony Award for Best Choreography. The production also ran in the West End and has run several revivals and international productions. It was adapted for the screen in 1969, directed and choreographed by Fosse in his feature-film directorial debut. Shirley MacLaine starred as the title character, and McMartin reprised his Broadway role as Oscar Lindquist.