Muse (source of inspiration) in the context of "Sweet Charity"

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⭐ Core Definition: Muse (source of inspiration)

A muse is a person who provides creative inspiration to a person of the arts (such as a writer, artist, composer, and so on). In the course of history, these have usually (but not necessarily) been women. The term is derived from the Muses, ancient Greek goddesses of inspiration.

Human muses are woven throughout history. In modern times, specific people are called muses; as a rule, these are close friends and sometimes lovers or spouses, who inspire or affect the works of an artist due to their disposition, charisma, wisdom, sophistication, eroticism, intimate friendship, or other traits. Sometimes muses directly provide models for specific paintings and sculptures and for characters in literary works, but sometimes not, rather providing inspiration for the artist's work as a whole.

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👉 Muse (source of inspiration) in the context of Sweet Charity

Sweet Charity is a musical with music by Cy Coleman, lyrics by Dorothy Fields, and book by Neil Simon, based on the screenplay for the 1957 Italian film Nights of Cabiria. It was directed and choreographed for Broadway by Bob Fosse starring his wife and muse Gwen Verdon as a dancer-for-hire at a Times Square dance hall, alongside John McMartin.

The musical premiered on Broadway in 1966, where it was nominated for nine Tony Awards, winning the Tony Award for Best Choreography. The production also ran in the West End and has run several revivals and international productions. It was adapted for the screen in 1969, directed and choreographed by Fosse in his feature-film directorial debut. Shirley MacLaine starred as the title character, and McMartin reprised his Broadway role as Oscar Lindquist.

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Muse (source of inspiration) in the context of Kathleen Newton

Kathleen Irene Ashburnham Newton (née Kelly; 1854–1882) was an Irish-British model, best known for her many sittings with the French artist James Tissot. Her artistic relationship with Tissot quickly turned into a romantic one, and the two lived together, representing themselves as a married couple, for the rest of her life, which was cut short by tuberculosis. She modeled for Tissot constantly throughout their time together, and Tissot's biographers remembered her as his muse.

Although Tissot's contemporary audience understood his relationship with Newton, biography published during his lifetime did not mention her, and magazine coverage of his work only discussed her obliquely. Tissot referred to her by pseudonyms like la mystérieuse (the mysterious) and la belle irlandaise (the Irish beauty) in the titles of his paintings. His biographers started including her in his story soon after he died in 1902, referring to her by a nickname, Kitty, that he had used. Her full identity entered the historical record in 1954, when her niece Lilian Hervey answered a journalist's plea for information about her.

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Muse (source of inspiration) in the context of Nancy Cunard

Nancy Clara Cunard (10 March 1896 – 17 March 1965) was a British writer, heiress and political activist. She was born into the British upper class, and devoted much of her life to fighting racism and fascism. She became a muse to some of the 20th century's most distinguished writers and artists, including Wyndham Lewis, Aldous Huxley, Tristan Tzara, Ezra Pound and Louis Aragon—who were among her lovers—as well as Ernest Hemingway, James Joyce, Constantin Brâncuși, Langston Hughes, Man Ray and William Carlos Williams. MI5 documents reveal that she was involved with Indian diplomat, orator, and statesman V. K. Krishna Menon.

In later years she suffered from mental illness, and her physical health deteriorated. When she died in the Hôpital Cochin, Paris, she weighed only 26 kilograms (57 pounds; 4 stone 1 pound).

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