Gwen Verdon in the context of "Sweet Charity"

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⭐ Core Definition: Gwen Verdon

Gwyneth Evelyn "Gwen" Verdon (January 13, 1925 – October 18, 2000) was an American actress and dancer. She won four Tony Awards for her musical comedy performances, and she served as an uncredited choreographer's assistant and specialty dance coach for theater and film. Verdon was a critically acclaimed performer on Broadway in the 1950s, 1960s, and 1970s, having originated many roles in musicals, including Lola in Damn Yankees, the title character in Sweet Charity, and Roxie Hart in Chicago.

Her second husband was director-choreographer Bob Fosse, with whom she worked on a number of theater and film projects. After Fosse's death, she worked to preserve his legacy.

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👉 Gwen Verdon in the context of Sweet Charity

Sweet Charity is a musical with music by Cy Coleman, lyrics by Dorothy Fields, and book by Neil Simon, based on the screenplay for the 1957 Italian film Nights of Cabiria. It was directed and choreographed for Broadway by Bob Fosse starring his wife and muse Gwen Verdon as a dancer-for-hire at a Times Square dance hall, alongside John McMartin.

The musical premiered on Broadway in 1966, where it was nominated for nine Tony Awards, winning the Tony Award for Best Choreography. The production also ran in the West End and has run several revivals and international productions. It was adapted for the screen in 1969, directed and choreographed by Fosse in his feature-film directorial debut. Shirley MacLaine starred as the title character, and McMartin reprised his Broadway role as Oscar Lindquist.

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Gwen Verdon in the context of Jack Cole (choreographer)

Jack Cole (born John Ewing Richter; April 27, 1911 – February 17, 1974) was an American dancer, choreographer, and theatre director known as "the Father of Theatrical Jazz Dance" for his role in codifying African-American jazz dance styles, as influenced by the dance traditions of other cultures, for Broadway and Hollywood. Asked to describe his style he described it as "urban folk dance".

His work as a dancer and choreographer began in the 1930s and lasted until the mid-1960s. Beginning in modern dance, he worked in nightclubs, on the Broadway stage, and in Hollywood films, ending his career as a teacher. He was an innovative choreographer for the camera and a hugely influential choreographer and teacher, training Gwen Verdon, Carol Haney, and Buzz Miller, among many others, and influencing later choreographers, such as Bob Fosse, Jerome Robbins, and Alvin Ailey, all of whom drew heavily from his innovations.

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