William Randolph Hearst in the context of "Journalism ethics and standards"

Little Nemo is a fictional character created by American cartoonist Winsor McCay. He originated in an early comic strip by McCay, Dream of the Rarebit Fiend, before receiving his own spin-off series, Little Nemo in Slumberland. The full-page weekly strip depicted Nemo having fantastic dreams that were interrupted by his awakening in the final panel. The strip is considered McCay's masterpiece for its experiments with the form of the comics page, its use of color and perspective, its timing and pacing, the size and shape of its panels, and its architectural and other details.

Little Nemo in Slumberland ran in the New York Herald from October 15, 1905 until July 23, 1911. The strip was renamed In the Land of Wonderful Dreams when McCay brought it to William Randolph Hearst's New York American, where it ran from September 3, 1911 until July 26, 1914. When McCay returned to the Herald in 1924, he revived the strip, and it ran under its original title from August 3, 1924 until January 9, 1927, when McCay returned to Hearst.

In journalism, yellow journalism is the use of eye-catching headlines and sensationalized exaggerations for increased sales, while the yellow press are American newspapers which do so. This term is chiefly used in American English, whereas in the United Kingdom, the similar term tabloid journalism is more common. Other languages, e.g. Russian (жёлтая пресса zhyoltaya pressa), sometimes have terms derived from the American term. Yellow journalism emerged in the intense battle for readers by two newspapers in New York City in the 1890s. It was not common in other cities.

Joseph Pulitzer purchased the New York World in 1883 and told his editors to use sensationalism, crusades against corruption, and lavish use of illustrations to boost circulation. William Randolph Hearst then purchased the rival New York Journal in 1895. They engaged in an intense circulation war, at a time when most men bought one copy every day from rival street vendors shouting their paper's headlines. The term "yellow journalism" originated from the innovative popular "Yellow Kid" comic strip that was published first in the World and later in the Journal.

Lights of Old Broadway is a 1925 American silent drama film directed by Monta Bell, produced by William Randolph Hearst's Cosmopolitan Productions, and released by Metro-Goldwyn-Mayer. The film stars Marion Davies in a dual role and Conrad Nagel, and is an adaptation of the play The Merry Wives of Gotham by Laurence Eyre (USA). The film has color sequences using tinting, Technicolor, and the Handschiegl color process.

The play was produced on Broadway at Henry Miller's Theatre from January 16, 1924 to April 1924. Davies' role was played on the stage by actress Mary Ellis.

The New York Journal-American was a daily newspaper published in New York City from 1937 to 1966. The Journal-American was the product of a merger between two New York newspapers owned by William Randolph Hearst: the New York American (originally the New York Journal, renamed American in 1901), a morning paper, and the New York Evening Journal, an afternoon paper. Both were published by Hearst from 1895 to 1937. The American and Evening Journal merged in 1937.

The Sunday comics or Sunday strip is the comic strip section carried in some Western newspapers. Compared to weekday comics, Sunday comics tend to be full pages and are in color. Many newspaper readers called this section the Sunday funnies, the funny papers or simply the funnies.

The first US newspaper comic strips appeared in the late 19th century, closely allied with the invention of the color press. Jimmy Swinnerton's The Little Bears introduced sequential art and recurring characters in William Randolph Hearst's San Francisco Examiner. In the United States, the popularity of color comic strips sprang from the newspaper war between Hearst and Joseph Pulitzer. Some newspapers, such as Grit, published Sunday strips in black-and-white, and some (mostly in Canada) print their Sunday strips on Saturday.

Joseph Pulitzer (/ˈpʊlɪtsər/ PUUL-it-sər; born Pulitzer József, Hungarian: [ˈpulit͡sɛr ˈjoːʒɛf]; April 10, 1847 – October 29, 1911) was a Hungarian-American politician and a newspaper publisher of the St. Louis Post-Dispatch and the New York World. He became a leading national figure in the U.S. Democratic Party and served one term representing New York's 9th congressional district.

In the 1890s, the fierce competition between his World and William Randolph Hearst's New York Journal led both to develop the techniques of yellow journalism, which won over readers with sensationalism, sex, crime, and graphic horrors. Circulation reached a million copies a day and the journalism opened the way to mass-circulation newspapers that depended on advertising revenue, rather than on cover price or on political-party subsidies. Such newspapers attracted readers by using multiple forms of news, gossip, entertainment, and advertising.

The Yellow Kid (Mickey Dugan) is an American comic-strip character that appeared from 1895 to 1898 in Joseph Pulitzer's New York World, and later William Randolph Hearst's New York Journal. Created and drawn by Richard F. Outcault in the comic strip Hogan's Alley (and later under other names as well), the strip was one of the first Sunday supplement comic strips in an American newspaper, although its graphical layout had already been thoroughly established in political and other, purely-for-entertainment cartoons. Outcault's use of word balloons in The Yellow Kid influenced the basic appearance and use of balloons in subsequent newspaper comic strips and comic books.

The Yellow Kid is also famous for its connection to the coining of the term "yellow journalism". The idea of "yellow journalism" referred to stories that were sensationalized for the sake of selling papers, and was so named after the "Yellow Kid" cartoons. Through his cartoons, Outcault's work aimed his humor and social commentary at Pulitzer's adult readership. The strip has been described as "a turn-of-the-century theater of the city, in which class and racial tensions of the new urban, consumerist environment were acted out by a mischievous group of New York City kids from the wrong side of the tracks".

The Lilienthal Normalsegelapparat (German: "Normal soaring apparatus") is a glider designed by Otto Lilienthal in Germany in the late 19th century. It is considered to be the first aeroplane to be serially produced, examples being made between 1893 and 1896.

Nine examples are known to have been sold, the buyers including Nikolai Zhukovsky and William Randolph Hearst. Three original "normal gliders" are preserved in museums in London, Moscow, and Washington, and a fragment of one is preserved in Munich. A similar glider, the Sturmflügelapparat ("storm wing apparatus") is preserved in the Technisches Museum in Vienna.