New York World in the context of "William Randolph Hearst"

Frederick Victor Gillam (c. 1858 – January 29, 1920) was an American political cartoonist, known for his work in Judge magazine for twenty years, as well as the St. Louis Dispatch, Denver Times, New York World, and New York Globe. He was a member of the New York Press Club and Lotos Club. Born in Yorkshire, England, he emigrated to the United States at age six.

His notable work included support of William McKinley's 1896 presidential campaign. The younger brother of famed cartoonist Bernhard Gillam (1856–1896), he signed his work "Victor" or "F. Victor" until his brother's death. Victor died (aged 61-62) at Kings County Hospital and was buried in Evergreens Cemetery, Brooklyn.

In journalism, yellow journalism is the use of eye-catching headlines and sensationalized exaggerations for increased sales, while the yellow press are American newspapers which do so. This term is chiefly used in American English, whereas in the United Kingdom, the similar term tabloid journalism is more common. Other languages, e.g. Russian (жёлтая пресса zhyoltaya pressa), sometimes have terms derived from the American term. Yellow journalism emerged in the intense battle for readers by two newspapers in New York City in the 1890s. It was not common in other cities.

Joseph Pulitzer purchased the New York World in 1883 and told his editors to use sensationalism, crusades against corruption, and lavish use of illustrations to boost circulation. William Randolph Hearst then purchased the rival New York Journal in 1895. They engaged in an intense circulation war, at a time when most men bought one copy every day from rival street vendors shouting their paper's headlines. The term "yellow journalism" originated from the innovative popular "Yellow Kid" comic strip that was published first in the World and later in the Journal.

The tabulating machine was an electromechanical machine designed to assist in summarizing information stored on punched cards. Invented by Herman Hollerith, the machine was developed to help process data for the 1890 U.S. Census. Later models were widely used for business applications such as accounting and inventory control. It spawned a class of machines, known as unit record equipment, and the data processing industry.

The term "Super Computing" was used by the New York World newspaper in 1931 to refer to a large custom-built tabulator that IBM made for Columbia University.

A crossword (or crossword puzzle) is a word game consisting of a grid of black and white squares, into which solvers enter words or phrases ("entries") crossing each other horizontally ("across") and vertically ("down") according to a set of clues. Each white square is typically filled with one letter, while the black squares are used to separate entries. The first white square in each entry is typically numbered to correspond to its clue.

Crosswords commonly appear in newspapers and magazines. The earliest crosswords that resemble their modern form were popularized by the New York World in the 1910s. Many variants of crosswords are popular around the world, including cryptic crosswords and many language-specific variants.

Pork barrel, or simply pork, is a metaphor for allocating government spending to localized projects in the representative's district or for securing direct expenditures primarily serving the sole interests of the representative. The usage originated in American English, and it indicates a negotiated way of political particularism.

The Port Arthur massacre (Chinese: 旅順大屠殺) took place during the First Sino-Japanese War from 21 November 1894 for three days, in the Chinese coastal city of Port Arthur (now Lüshunkou District of Dalian, Liaoning), when advance elements of the First Division of the Japanese Second Army under the command of General Yamaji Motoharu (1841–1897) killed somewhere between 2,600 civilians and 20,000 people including Chinese soldiers, although one eyewitness reporter estimated a total death toll of 60,000, including civilians, soldiers, and residents of the outlying rural district.

Reports of a massacre were first published by the Canadian journalist James Creelman of the New York World, whose account was widely circulated within the United States. In 1894, the State Department ordered its ambassador to Japan, Edwin Dun, to conduct an independent investigation of Creelman's reports.

Joseph Pulitzer (/ˈpʊlɪtsər/ PUUL-it-sər; born Pulitzer József, Hungarian: [ˈpulit͡sɛr ˈjoːʒɛf]; April 10, 1847 – October 29, 1911) was a Hungarian-American politician and a newspaper publisher of the St. Louis Post-Dispatch and the New York World. He became a leading national figure in the U.S. Democratic Party and served one term representing New York's 9th congressional district.

In the 1890s, the fierce competition between his World and William Randolph Hearst's New York Journal led both to develop the techniques of yellow journalism, which won over readers with sensationalism, sex, crime, and graphic horrors. Circulation reached a million copies a day and the journalism opened the way to mass-circulation newspapers that depended on advertising revenue, rather than on cover price or on political-party subsidies. Such newspapers attracted readers by using multiple forms of news, gossip, entertainment, and advertising.

The Yellow Kid (Mickey Dugan) is an American comic-strip character that appeared from 1895 to 1898 in Joseph Pulitzer's New York World, and later William Randolph Hearst's New York Journal. Created and drawn by Richard F. Outcault in the comic strip Hogan's Alley (and later under other names as well), the strip was one of the first Sunday supplement comic strips in an American newspaper, although its graphical layout had already been thoroughly established in political and other, purely-for-entertainment cartoons. Outcault's use of word balloons in The Yellow Kid influenced the basic appearance and use of balloons in subsequent newspaper comic strips and comic books.

The Yellow Kid is also famous for its connection to the coining of the term "yellow journalism". The idea of "yellow journalism" referred to stories that were sensationalized for the sake of selling papers, and was so named after the "Yellow Kid" cartoons. Through his cartoons, Outcault's work aimed his humor and social commentary at Pulitzer's adult readership. The strip has been described as "a turn-of-the-century theater of the city, in which class and racial tensions of the new urban, consumerist environment were acted out by a mischievous group of New York City kids from the wrong side of the tracks".