The New York Journal-American was a daily newspaper published in New York City from 1937 to 1966. The Journal-American was the product of a merger between two New York newspapers owned by William Randolph Hearst: the New York American (originally the New York Journal, renamed American in 1901), a morning paper, and the New York Evening Journal, an afternoon paper. Both were published by Hearst from 1895 to 1937. The American and Evening Journal merged in 1937.
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👉 New York Journal-American in the context of Yellow journalism
In journalism, yellow journalism is the use of eye-catching headlines and sensationalized exaggerations for increased sales, while the yellow press are American newspapers which do so. This term is chiefly used in American English, whereas in the United Kingdom, the similar term tabloid journalism is more common. Other languages, e.g. Russian (жёлтая пресса zhyoltaya pressa), sometimes have terms derived from the American term. Yellow journalism emerged in the intense battle for readers by two newspapers in New York City in the 1890s. It was not common in other cities.
Joseph Pulitzer purchased the New York World in 1883 and told his editors to use sensationalism, crusades against corruption, and lavish use of illustrations to boost circulation. William Randolph Hearst then purchased the rival New York Journal in 1895. They engaged in an intense circulation war, at a time when most men bought one copy every day from rival street vendors shouting their paper's headlines. The term "yellow journalism" originated from the innovative popular "Yellow Kid" comic strip that was published first in the World and later in the Journal.
In this Dossier
New York Journal-American in the context of Skyline
A skyline is the outline or shape viewed near the horizon. It can be created by a city's overall structure, or by human intervention in a rural setting, or in nature that is formed where the sky meets buildings or the land.
City skylines serve as a pseudo-fingerprint as no two skylines are alike. For this reason, news and sports programs, television shows, and movies often display the skyline of a city to set a location. The term The Sky Line of New York City was introduced in 1896, when it was the title of a color lithograph by Charles Graham for the color supplement of the New York Journal. Paul D. Spreiregen, FAIA, has called a [city] skyline "a physical representation [of a city's] facts of life ... a potential work of art ... its collective vista."
New York Journal-American in the context of Joseph Pulitzer
Joseph Pulitzer (/ˈpʊlɪtsər/ PUUL-it-sər; born Pulitzer József, Hungarian: [ˈpulit͡sɛr ˈjoːʒɛf]; April 10, 1847 – October 29, 1911) was a Hungarian-American politician and a newspaper publisher of the St. Louis Post-Dispatch and the New York World. He became a leading national figure in the U.S. Democratic Party and served one term representing New York's 9th congressional district.
In the 1890s, the fierce competition between his World and William Randolph Hearst's New York Journal led both to develop the techniques of yellow journalism, which won over readers with sensationalism, sex, crime, and graphic horrors. Circulation reached a million copies a day and the journalism opened the way to mass-circulation newspapers that depended on advertising revenue, rather than on cover price or on political-party subsidies. Such newspapers attracted readers by using multiple forms of news, gossip, entertainment, and advertising.
New York Journal-American in the context of Hearst family
The Hearst family is a wealthy American family based in California. Their fortune was originally earned in the mining industry during the late 19th century under the entrepreneurial leadership of George Hearst. George's son, William Randolph Hearst, subsequently used his father's wealth to build a mass media empire comprising the New York Evening Journal, Cosmopolitan, Good Housekeeping, Town & Country and Harper's Bazaar among others. To this day, the Hearst family continues to be involved in the media industry through their ownership and control of the mass media conglomerate, Hearst Communications.