Joseph Pulitzer in the context of "Yellow Kid"

In journalism, yellow journalism is the use of eye-catching headlines and sensationalized exaggerations for increased sales, while the yellow press are American newspapers which do so. This term is chiefly used in American English, whereas in the United Kingdom, the similar term tabloid journalism is more common. Other languages, e.g. Russian (жёлтая пресса zhyoltaya pressa), sometimes have terms derived from the American term. Yellow journalism emerged in the intense battle for readers by two newspapers in New York City in the 1890s. It was not common in other cities.

Joseph Pulitzer purchased the New York World in 1883 and told his editors to use sensationalism, crusades against corruption, and lavish use of illustrations to boost circulation. William Randolph Hearst then purchased the rival New York Journal in 1895. They engaged in an intense circulation war, at a time when most men bought one copy every day from rival street vendors shouting their paper's headlines. The term "yellow journalism" originated from the innovative popular "Yellow Kid" comic strip that was published first in the World and later in the Journal.

The Pulitzer Prizes (/ˈpʊlɪtsər/ PUUL-it-sər) are 23 annual awards given by Columbia University in New York City for achievements in the United States in "journalism, arts and letters". They were established in 1917 by the will of Joseph Pulitzer, who had made his fortune as a newspaper publisher.

Prizes in 2024 were awarded in these categories, with three finalists named for each:

William Randolph Hearst (/hɜːrst/; April 29, 1863 – August 14, 1951) was an American newspaper publisher and politician who developed the nation's largest newspaper chain and media company, Hearst Communications. His extravagant methods of yellow journalism in violation of ethics and standards influenced the nation's popular media by emphasizing sensationalism and human-interest stories. Hearst entered the publishing business in 1887 with Mitchell Trubitt after being given control of The San Francisco Examiner by his wealthy father, Senator George Hearst.

After moving to New York City, Hearst acquired the New York Journal and fought a bitter circulation war with Joseph Pulitzer's New York World. Hearst sold papers by printing giant headlines over lurid stories featuring crime, corruption, sex, and innuendos. Hearst acquired more newspapers and created a chain that numbered nearly 30 papers in major American cities at its peak. He later expanded to magazines, creating the largest newspaper and magazine business in the world. Hearst controlled the editorial positions and coverage of political news in all his papers and magazines, and thereby often published his personal views. He sensationalized Spanish atrocities in Cuba while calling for war in 1898 against Spain. Historians, however, reject his subsequent claims to have started the war with Spain as overly exaggerated.

The Sunday comics or Sunday strip is the comic strip section carried in some Western newspapers. Compared to weekday comics, Sunday comics tend to be full pages and are in color. Many newspaper readers called this section the Sunday funnies, the funny papers or simply the funnies.

The first US newspaper comic strips appeared in the late 19th century, closely allied with the invention of the color press. Jimmy Swinnerton's The Little Bears introduced sequential art and recurring characters in William Randolph Hearst's San Francisco Examiner. In the United States, the popularity of color comic strips sprang from the newspaper war between Hearst and Joseph Pulitzer. Some newspapers, such as Grit, published Sunday strips in black-and-white, and some (mostly in Canada) print their Sunday strips on Saturday.

The New York World was a newspaper published in New York City from 1860 to 1931. The paper played a major role in the history of American newspapers as a leading national voice of the Democratic Party. From 1883 to 1911 under publisher Joseph Pulitzer, it was a pioneer in yellow journalism, capturing readers' attention with sensation, sports, sex and scandal and pushing its daily circulation to the one-million mark. It was sold in 1931 and merged into the New York World-Telegram.

Hermann Raster (May 6, 1827 – July 24, 1891) was an American editor, abolitionist, writer, and anti-temperance political boss who served as chief editor and part-owner of the Illinois Staats-Zeitung, a widely circulated newspaper in the German language in the United States, between 1867 and 1891. Together with publisher A.C. Hesing, Raster exerted considerable control over the German vote in the Midwest and forced the Republican Party to formally adopt an anti-prohibition platform in 1872, known as the Raster Resolution. He was appointed as Collector of Internal Revenue for the First District of Illinois by President Ulysses S. Grant but resigned from this post shortly thereafter. Raster returned to Europe in 1890 when his health began to fail him and died filling a minor diplomatic role in Berlin. Today he is best remembered for his extensive correspondence with Western intellectual and political figures of the time, such as Joseph Pulitzer, Elihu Washburne, and Francis Wayland Parker, much of which is preserved at the Newberry Library in Chicago.

Citizen Kane is a 1941 American drama film directed and produced by, and starring Orson Welles and co-written by Welles and Herman J. Mankiewicz. It was Welles's first feature film. The quasi-biographical film examines the life and legacy of Charles Foster Kane, played by Welles, a composite character based on American media barons William Randolph Hearst and Joseph Pulitzer, Chicago tycoons Samuel Insull and Harold McCormick, as well as aspects of the screenwriters' own lives.

After the Broadway success of Welles's Mercury Theatre and the controversial 1938 radio broadcast "The War of the Worlds" on The Mercury Theatre on the Air, Welles was courted by Hollywood. He signed a contract with RKO Pictures in 1939. Although it was unusual for an untried director, he was given freedom to develop his own story, to use his own cast and crew, and to have final cut privilege. Following two abortive attempts to get a project off the ground, he wrote the screenplay for Citizen Kane with Herman J. Mankiewicz. Principal photography took place in 1940, the same year its innovative trailer was shown, and the film was released in 1941.