Western literature in the context of "Divine Comedy"

⭐ In the context of *Divine Comedy*, the three-part structure of *Inferno*, *Purgatorio*, and *Paradiso* most directly symbolizes what aspect of medieval thought regarding the human condition?

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⭐ Core Definition: Western literature

Western literature, also known as European literature, is the literature written in the context of Western culture in the languages of Europe, and is shaped by the periods in which they were conceived, with each period containing prominent western authors, poets, and pieces of literature.

The best of Western literature is considered to be the Western canon. The list of works in the Western canon varies according to the critic's opinions on Western culture and the relative importance of its defining characteristics. Different literary periods held great influence on the literature of Western and European countries, with movements and political changes impacting the prose and poetry of the period. The 16th Century is known for the creation of Renaissance literature, while the 17th century was influenced by both Baroque and Jacobean forms. The 18th century progressed into a period known as the Enlightenment Era for many western countries. This period of military and political advancement influenced the style of literature created by French, Russian and Spanish literary figures. The 19th century was known as the Romantic era, in which the style of writing was influenced by the political issues of the century, and differed from the previous classicist form.

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Western literature in the context of Greece

Greece, officially the Hellenic Republic, is a country in Southeast Europe. Located on the southern tip of the Balkan peninsula, it shares land borders with Albania to the northwest, North Macedonia and Bulgaria to the north, and Turkey to the east. The Aegean Sea lies to the east of the mainland, the Ionian Sea to the west, and the Sea of Crete and the Mediterranean Sea to the south. Greece has the longest coastline on the Mediterranean basin, spanning thousands of islands and nine traditional geographic regions. It has a population of over 10 million. Athens is the nation's capital and largest city, followed by Thessaloniki, Patras and Heraclion.

Greece is considered the cradle of Western civilisation and the birthplace of democracy, Western philosophy, Western literature, historiography, political science, major scientific and mathematical principles, theatre, and the Olympic Games. The Ancient Greeks were organised into independent city-states, or poleis (singular polis), that spanned the Mediterranean and Black seas. Philip II of Macedon united most of present-day Greece in the fourth century BC, with his son Alexander the Great conquering much of the known ancient world from the Near East to northwestern India. The subsequent Hellenistic period saw the height of Greek culture and influence in antiquity. Greece was annexed by Rome in the second century BC and became an integral part of the Roman Empire and its continuation, the Byzantine Empire, where Greek culture and language were dominant. The Greek Orthodox Church, which emerged in the first century AD, helped shape modern Greek identity and transmitted Greek traditions to the wider Orthodox world.

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Western literature in the context of Epic poetry

In poetry, an epic is a lengthy narrative poem typically about the extraordinary deeds of extraordinary characters who, in dealings with gods or other superhuman forces, gave shape to the mortal universe for their descendants. With regard to oral tradition, epic poems consist of formal speech and are usually learnt word for word, contrasted with narratives that consist of everyday speech, categorised into 'factual' or fiction, the former of which is less susceptible to variation.

Influential epics that have shaped Western literature and culture include Homer's Iliad and Odyssey; Virgil's Aeneid; and the anonymous Beowulf, Epic of Manas and Epic of Gilgamesh. The genre has inspired the adjective epic as well as derivative works in other mediums (such as epic films) that evoke or emulate the characteristics of epics.

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Western literature in the context of Iliad

The Iliad (/ˈɪliəd/ ; Ancient Greek: Ἰλιάς, romanizedIliás, [iː.li.ás]; lit.'[a poem] about Ilion (Troy)') is one of two major ancient Greek epic poems attributed to Homer. It is one of the oldest extant works of literature still widely read by modern audiences. Like the Odyssey, the poem is divided into 24 books and was written in dactylic hexameter. It contains 15,693 lines in its most widely accepted version. The Iliad is often regarded as the first substantial piece of European literature and is a central part of the Epic Cycle.

Set toward the end of the Trojan War, a 10-year siege of the city of Troy by a coalition of Mycenaean Greek states, the poem depicts significant events in the war's final weeks. In particular, it traces the anger (μῆνις) of Achilles, a celebrated warrior, from a fierce quarrel between him and King Agamemnon, to the death of the Trojan prince Hector. The narrative moves between wide battleground scenes and more personal interactions.

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Western literature in the context of Histories (Herodotus)

The Histories (Greek: Ἱστορίαι, Historíai; also known as The History) of Herodotus is considered the founding work of history in Western literature. Although not a fully impartial record, it remains one of the West's most important sources regarding these affairs. Moreover, it established the genre and study of history in the Western world (despite the existence of historical records and chronicles beforehand).

The Histories also stands as one of the earliest accounts of the rise of the Persian Empire, as well as the events and causes of the Greco-Persian Wars between the Persian Empire and the Greek city-states in the 5th century BC. Herodotus portrays the conflict as one between the forces of slavery (the Persians) on the one hand, and freedom (the Athenians and the confederacy of Greek city-states which united against the invaders) on the other. The Histories was at some point divided into the nine books that appear in modern editions, conventionally named after the nine Muses.

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Western literature in the context of Virgil

Publius Vergilius Maro (Classical Latin: [ˈpuːbliʊs wɛrˈɡɪliʊs ˈmaroː]; 15 October 70 BC – 21 September 19 BC), usually called Virgil or Vergil (/ˈvɜːrɪl/ VUR-jil) in English, was an ancient Roman poet of the Augustan period. He composed three of the most famous poems in Latin literature: the Eclogues (or Bucolics), the Georgics, and the epic Aeneid. Some minor poems, collected in the Appendix Vergiliana, were attributed to him in ancient times, but modern scholars regard these as spurious, with the possible exception of some short pieces.

Already acclaimed in his lifetime as a classic author, Virgil rapidly replaced Ennius and other earlier authors as a standard school text, and stood as the most popular Latin poet through late antiquity, the Middle Ages, and early modernity, exerting major influence on Western literature. Geoffrey Chaucer assigned Virgil a uniquely prominent position in history in The House of Fame (1374–85), describing him as standing on a pilere / that was of tinned yren clere ("on a pillar that was of bright tin-plated iron"), and in the Divine Comedy, in which Virgil appears as the author's guide through Hell and Purgatory, Dante pays tribute to Virgil with the words tu se' solo colui da cu'io tolsi / lo bello stile che m'ha fatto onore (Inf. I.86–7) ("thou art alone the one from whom I took the beautiful style that has done honour to me"). In the 20th Century, T. S. Eliot famously began a lecture on the subject "What Is a Classic?" by asserting as self-evidently true that "whatever the definition we arrive at, it cannot be one which excludes Virgil – we may say confidently that it must be one which will expressly reckon with him."

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Western literature in the context of Ovid

Publius Ovidius Naso (Latin: [ˈpuːbliʊs ɔˈwɪdiʊs ˈnaːsoː]; 20 March 43 BC – AD 17/18), known in English as Ovid (/ˈɒvɪd/ OV-id), was a Roman poet who lived during the reign of Augustus. He was a younger contemporary of Virgil and Horace, with whom he is often ranked as one of the three canonical poets of Latin literature. The Imperial scholar Quintilian considered him the last of the Latin love elegists. Although Ovid enjoyed enormous popularity during his lifetime, the emperor Augustus exiled him to Tomis, the capital of the newly organised province of Moesia, on the Black Sea, where he remained for the last nine or ten years of his life. Ovid himself attributed his banishment to a carmen et error ("poem and a mistake"), but his reluctance to disclose specifics has resulted in much speculation among scholars.

Ovid is most famous for the Metamorphoses, a continuous mythological narrative in fifteen books written in dactylic hexameters. He is also known for works in elegiac couplets such as Ars Amatoria ("The Art of Love") and Fasti. His poetry was much imitated during Late Antiquity and the Middle Ages, and greatly influenced Western art and literature. The Metamorphoses remains one of the most important sources of classical mythology today.

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Western literature in the context of Johann Wolfgang von Goethe

Johann Wolfgang von Goethe (28 August 1749 – 22 March 1832) was a German polymath who is widely regarded as the most influential writer in the German language. His work has had a wide-ranging influence on literary, political, and philosophical thought in the Western world from the late 18th century to the present. A poet, playwright, novelist, scientist, statesman, theatre-director, and critic, Goethe wrote a wide range of works, including plays, poetry and aesthetic criticism, as well as treatises on botany, anatomy, and colour.

Goethe took up residence in Weimar in 1775 following the success of his first novel, The Sorrows of Young Werther (1774), and joined a thriving intellectual and cultural environment under the patronage of Duchess Anna Amalia that formed the basis of Weimar Classicism. He was ennobled by Karl August, Duke of Saxe-Weimar, in 1782. Goethe was an early participant in the Sturm und Drang literary movement. During his first ten years in Weimar, Goethe became a member of the Duke's privy council (1776–1785), sat on the war and highway commissions, oversaw the reopening of silver mines in nearby Ilmenau, and implemented a series of administrative reforms at the University of Jena. He also contributed to the planning of Weimar's botanical park and the rebuilding of its Ducal Palace.

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Western literature in the context of Joseon

Joseon (English: /ˈsʌn/ CHOH-sun; Korean: 조선; Hanja: 朝鮮; MR: Chosŏn; pronounced [tɕo.sʰʌn]; also romanized as Chosun), officially Great Joseon (대조선국; 大朝鮮國; [tʰɛ.dʑo.sʰʌn.ɡuk̚]), was a dynastic kingdom of Korea that existed for 505 years. It was founded by Taejo of Joseon in July 1392 and replaced by the Korean Empire in October 1897. The kingdom was founded after the overthrow of Goryeo in what is today the city of Kaesong. Early on, Korea was retitled and the capital was moved to modern-day Seoul. The kingdom's northernmost borders were expanded to the natural boundaries at the rivers of Amnok and Tuman through the subjugation of the Jurchens.

Over the centuries, Joseon encouraged the entrenchment of Confucian ideals and doctrines in Korean society. Neo-Confucianism was installed as the new state's ideology. Buddhism was accordingly discouraged, and occasionally Buddhists faced persecution. Joseon consolidated its effective rule over the Korean peninsula and saw the height of classical Korean culture, trade, literature, and science and technology. The kingdom was severely weakened by failed Japanese invasions in 1592 and 1598, which were followed by invasions by the Later Jin dynasty in 1627 and the Qing dynasty in 1636–1637. The country pursued an increasingly harsh isolationist policy, becoming known as the "hermit kingdom" in Western literature. After the end of these invasions from Manchuria, Joseon experienced a nearly 200-year period of peace and prosperity, along with cultural and technological development. What power the kingdom recovered during its isolation waned as the 18th century came to a close. Faced with internal strife, power struggles, international pressure, and rebellions at home, the kingdom declined rapidly in the late 19th century.

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