The Eclogues (/ˈɛklɒɡz/; Latin: Eclogae [ˈɛklɔɡae̯], lit. 'selections'), also called the Bucolics, is the first of the three major works of the Latin poet Virgil.
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👉 Eclogues in the context of Virgil
Publius Vergilius Maro (Classical Latin: [ˈpuːbliʊs wɛrˈɡɪliʊs ˈmaroː]; 15 October 70 BC – 21 September 19 BC), usually called Virgil or Vergil (/ˈvɜːrdʒɪl/ VUR-jil) in English, was an ancient Roman poet of the Augustan period. He composed three of the most famous poems in Latin literature: the Eclogues (or Bucolics), the Georgics, and the epic Aeneid. Some minor poems, collected in the Appendix Vergiliana, were attributed to him in ancient times, but modern scholars regard these as spurious, with the possible exception of some short pieces.
Already acclaimed in his lifetime as a classic author, Virgil rapidly replaced Ennius and other earlier authors as a standard school text, and stood as the most popular Latin poet through late antiquity, the Middle Ages, and early modernity, exerting major influence on Western literature. Geoffrey Chaucer assigned Virgil a uniquely prominent position in history in The House of Fame (1374–85), describing him as standing on a pilere / that was of tinned yren clere ("on a pillar that was of bright tin-plated iron"), and in the Divine Comedy, in which Virgil appears as the author's guide through Hell and Purgatory, Dante pays tribute to Virgil with the words tu se' solo colui da cu'io tolsi / lo bello stile che m'ha fatto onore (Inf. I.86–7) ("thou art alone the one from whom I took the beautiful style that has done honour to me"). In the 20th Century, T. S. Eliot famously began a lecture on the subject "What Is a Classic?" by asserting as self-evidently true that "whatever the definition we arrive at, it cannot be one which excludes Virgil – we may say confidently that it must be one which will expressly reckon with him."
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Eclogues in the context of Lucretius
Titus Lucretius Carus (/ˈtaɪtəs luːˈkriːʃəs/ TY-təs loo-KREE-shəs; Latin: [ˈtitus luˈkreːti.us ˈkaːrus]; c. 99 – October 15, 55 BC) was a Roman poet and philosopher. His only known work is the philosophical poem De rerum natura, a didactic work about the tenets and philosophy of Epicureanism, which usually is translated into English as On the Nature of Things—and somewhat less often as On the Nature of the Universe. Very little is known about Lucretius's life; the only certainty is that he was either a friend or client of Gaius Memmius, to whom the poem was addressed and dedicated. De rerum natura was a considerable influence on the Augustan poets, particularly Virgil (in his Aeneid and Georgics, and to a lesser extent on the Eclogues) and Horace. The work was almost lost during the Middle Ages, but was rediscovered in 1417 in a monastery in Germany by Poggio Bracciolini. It played an important role both in the development of atomism (Lucretius was an important influence on Pierre Gassendi) and the efforts of various figures of the Enlightenment era to construct a new Christian humanism.
Eclogues in the context of Georgics
The Georgics (/ˈdʒɔːrdʒɪks/ JOR-jiks; Latin: Georgica [ɡeˈoːrɡɪka]) is a poem by Latin poet Virgil, likely published in 29 BCE. As the name suggests (from the Greek word γεωργικά, geōrgiká, i.e. "agricultural [things]"), the subject of the poem is agriculture; but far from being an example of peaceful rural poetry, it is a work characterized by tensions in both theme and purpose.
The Georgics is considered Virgil's second major work, following his Eclogues and preceding the Aeneid. The poem draws on a variety of prior sources and has influenced many later authors from antiquity to the present.
Eclogues in the context of Vergilius Romanus
The Vergilius Romanus (Vatican City, Biblioteca Apostolica, Cod. Vat. lat. 3867), also known as the Roman Vergil, is a 5th-century illustrated manuscript of the works of Virgil. It contains the Aeneid, the Georgics, and some of the Eclogues. It is one of the oldest and most important Vergilian manuscripts. It is 332 by 323 mm with 309 vellum folios. It was written in rustic capitals with 18 lines per page.
Eclogues in the context of Adonais
Adonais: An Elegy on the Death of John Keats, Author of Endymion, Hyperion, etc. (/ˌædoʊˈneɪ.ɪs/) is a pastoral elegy written by Percy Bysshe Shelley for John Keats in 1821, and widely regarded as one of Shelley's best and best-known works. The poem, which is in 495 lines in 55 Spenserian stanzas, was composed in the spring of 1821 immediately after 11 April, when Shelley heard of Keats's death (seven weeks earlier). It is a pastoral elegy, in the English tradition of John Milton's Lycidas. Shelley had studied and translated classical elegies. The title of the poem is modelled on ancient works, such as Achilleis (a poem about Achilles), an epic poem by the 1st-century AD Roman poet Statius, and refers to the untimely death of the Greek Adonis, a god of fertility. Some critics suggest that Shelley used Virgil's tenth Eclogue, in praise of Cornelius Gallus, as a model.
It was published by Charles Ollier in July 1821 (see 1821 in poetry) with a preface in which Shelley made the mistaken assertion that Keats had died from a rupture of the lung induced by rage at the unfairly harsh reviews of his verse in the Quarterly Review and other journals. He also thanked Joseph Severn for caring for Keats in Rome. This praise increased literary interest in Severn's works.