Aphrodite Areia

Aphrodite (/ˌæfrəˈdaɪtiː/ , AF-rə-DY-tee) is an ancient Greek goddess associated with love, lust, beauty, pleasure, passion, procreation, and as her syncretised Roman counterpart Venus, desire, sex, fertility, prosperity, and victory. Aphrodite's major symbols include seashells, myrtles, roses, doves, sparrows, and swans. The cult of Aphrodite was largely derived from that of the Phoenician goddess Astarte, a cognate of the East Semitic goddess Ishtar, whose cult was based on the Sumerian cult of Inanna. Aphrodite's main cult centers were Cythera, Cyprus, Corinth, and Athens. Her main festival was the Aphrodisia, which was celebrated annually in midsummer. In Laconia, Aphrodite was worshipped as a warrior goddess. She was also the patron goddess of prostitutes, an association which led early scholars to propose the concept of sacred prostitution in Greco-Roman culture, an idea which is now generally seen as erroneous.

A major goddess in the Greek pantheon, Aphrodite featured prominently in ancient Greek literature. According to many sources, like Homer's Iliad and Sappho's Ode to Aphrodite, she is the daughter of Zeus and Dione. In Hesiod's Theogony, however, Aphrodite is born off the coast of Cythera from the foam (ἀφρός, aphrós) produced by Uranus's genitals, which his son Cronus had severed and thrown into the sea. In his Symposium, Plato asserts that these two origins actually belong to separate entities; Aphrodite Urania (a transcendent "Heavenly" Aphrodite, who "partakes not of the female but only of the male", with Plato describing her as inspiring love between men, but having nothing to do with the love of women) and Aphrodite Pandemos (Aphrodite common to "all the people" who Plato described as "wanton", to contrast her with the virginal Aphrodite Urania, who did not engage in sexual acts at all. Pandemos inspired love between men and women, unlike her older counterpart). The epithet Aphrodite Areia (the "Warlike") reveals her contrasting nature in ancient Greek religion. Aphrodite had many other epithets, each emphasizing a different aspect of the same goddess or used by a different local cult. Thus she was also known as Cytherea (Lady of Cythera) and Cypris (Lady of Cyprus), because both locations claimed to be the place of her birth. Sappho's Ode to Aphrodite is one of the earliest poems dedicated to the goddess and survives from the Archaic period nearly complete.

The Armed Aphrodite (Greek: Ένοπλη Αφροδίτη) is a marble Roman lifesize sculpture of the first century AD, depicting Aphrodite Areia, or the war-like aspect of the Greek goddess Aphrodite (known to the Romans as Venus), who was more commonly worshipped as a goddess of beauty and love. It is modelled after a lost Greek original of the fourth century BC made by Polykleitos the Younger, and adorned the sanctuary of Asclepius in Epidaurus.

It was unearthed during excavations in the ancient site in 1886, and is now part of the collection of the National Archaeological Museum of Greece in capital Athens with accession number 262. The statue is missing its right forearm, lower legs and feet, and bears significant wear in its face.

The Temple of Aphrodite Kytherea was a sanctuary in ancient Kythira dedicated to the goddess Aphrodite. It was famous for reportedly being the eldest temple of Aphrodite in Greece. It was dedicated to the goddess under her name and aspect as Aphrodite Ourania and contained a statue of an Armed Aphrodite. The temple is dated to the 6th century BCE. While considered a significant sanctuary, it was described as a small building.

According to Hesiod, Kythira was the first island that Aphrodite passed as she rose from the sea.