Vienna Secession in the context of Moritz Nähr

The Modern Style is a style of architecture, art, and design that first emerged in the United Kingdom in the mid-1880s. It was the first Art Nouveau style worldwide, and it represents the evolution of the Arts and Crafts movement which was native to Great Britain. The Modern Style provided the base and intellectual background for the Art Nouveau movement and was adapted by other countries, giving birth to local variants such as Jugendstil and the Vienna Secession. It was cultivated and disseminated through the Liberty department store and The Studio magazine.

The most important person in the field of design in general, and architecture in particular, was Charles Rennie Mackintosh. He created one of the key motifs of the movement, now known as the "Mackintosh rose" or "Glasgow rose". The Glasgow School circle was also of tremendous importance, particularly the group closely associated with Mackintosh known as "The Four". The Liberty store's nurturing of style gave birth to two metalware lines, Cymric and Tudric, designed by Archibald Knox. In the field of ceramic and glass Christopher Dresser is a standout figure: not only did he work with the most prominent ceramic manufacturers but became a crucial person behind James Couper & Sons' trademarking of Clutha glass, inspired by ancient Rome, in 1888.

Art Deco, short for the French Arts décoratifs (lit. 'Decorative Arts'), is a style of visual arts, architecture, and product design that first appeared in Paris in the 1910s just before World War I and flourished internationally during the 1920s to early 1930s, through styling and design of the exterior and interior of anything from large structures to small objects, including clothing, fashion, and jewelry. Art Deco has influenced buildings from skyscrapers to cinemas, bridges, ocean liners, trains, cars, trucks, buses, furniture, and everyday objects, including radios and vacuum cleaners.

The name Art Deco came into use after the 1925 Exposition internationale des arts décoratifs et industriels modernes (International Exhibition of Modern Decorative and Industrial Arts) held in Paris. It has its origin in the bold geometric forms of the Vienna Secession and Cubism. From the outset, Art Deco was influenced by the bright colors of Fauvism and the Ballets Russes, and the exoticized styles of art from China, Japan, India, Persia, ancient Egypt, and the Maya. In its time, Art Deco was tagged with other names such as style moderne, Moderne, modernistic, or style contemporain, and it was not recognized as a distinct and homogeneous style.

Gustav Klimt (14 July 1862 – 6 February 1918) was an Austrian symbolist painter and a founding member of the Vienna Secession movement. His work helped define the Art Nouveau style in Europe. Klimt is known for his paintings, murals, sketches, and other objets d'art. Klimt's primary subject was the female body, and his works are marked by a frank eroticism. Amongst his figurative works, which include allegories and portraits, he painted landscapes. He is best known for The Kiss and Portrait of Adele Bloch-Bauer I. Among the artists of the Vienna Secession, Klimt was the most influenced by Japanese art and its methods.

Early in his career, he was a successful painter of architectural decorations in a conventional manner. As he began to develop a more personal style, his work was the subject of controversy that culminated when the paintings he completed around 1900 for the ceiling of the Great Hall of the University of Vienna were criticised as pornographic. He subsequently accepted no more public commissions, but achieved a new success with the paintings of his "golden phase", many of which include gold leaf. Klimt's work was an important influence on his younger peer Egon Schiele.

Otto Koloman Wagner (German: [ˈɔto ˈkoːloman ˈvaːɡnɐ] ; 13 July 1841 – 11 April 1918) was an Austrian architect, furniture designer and urban planner. He was a leading member of the Vienna Secession movement of architecture, founded in 1897, and the broader Art Nouveau movement. Many of his works are found in his native city of Vienna, and illustrate the rapid evolution of architecture during the period. His early works were inspired by classical architecture. By mid-1890s, he had already designed several buildings in what became known as the Vienna Secession style. Beginning in 1898, with his designs of Vienna Metro stations, his style became floral and Art Nouveau, with decoration by Koloman Moser. His later works, 1906 until his death in 1918, had geometric forms and minimal ornament, more clearly expressing their modern structure and materials. Although they are considered predecessors to modern architecture they remain within the larger classical tradition of the Schinkel School in Germany and Central Europe.

The Solkan Bridge (Slovene: Solkanski most, Italian: Ponte di Salcano) is a 219.7-meter (721 ft) arch bridge over the Soča River near Nova Gorica in western Slovenia (by railway terminology it is a viaduct). With an arch span of 85 meters (279 ft), it is the world's longest stone arch railroad bridge (and second-longest stone arch bridge, after Germany's Syratal Viaduct (de), a road bridge). It holds this record because later construction technology used reinforced concrete to build bridges. It was originally built to carry the Bohinj Railway in the time of the Vienna Secession, between 1900 and 1905, and officially opened in 1906.

Joseph Maria Olbrich (22 December 1867 – 8 August 1908) was an Austrian architect and one of the Vienna Secession founders.

Koloman Moser (German: [ˈkoːloman ˈmoːzɐ]; 30 March 1868 – 18 October 1918) was an Austrian artist who exerted considerable influence on twentieth-century graphic art. He was one of the foremost artists of the Vienna Secession movement and a co-founder of Wiener Werkstätte.

Moser designed a wide array of art works, including books and graphic works from postage stamps to magazine vignettes; fashion; stained glass windows, porcelains and ceramics, blown glass, tableware, silver, jewelry, and furniture.

In art history, secession refers to a historic break between a group of avant-garde artists and conservative European standard-bearers of academic and official art in the late 19th and early 20th century. The name was first suggested by Georg Hirth (1841–1916), the editor and publisher of the influential German art magazine Jugend (Youth), which also went on to lend its name to the Jugendstil. His word choice emphasized the tumultuous rejection of legacy art while it was being reimagined.

Of the various secessions, the Vienna Secession (1897) remains the most influential. Led by Gustav Klimt, who favored the ornate Art Nouveau style over the prevailing styles of the time, it was inspired by the Munich Secession (1892), and the nearly contemporaneous Berlin Secession (1898), all of which begot the term Sezessionstil, or "Secession style."

The Kiss (German: Der Kuss) is an oil-on-canvas painting with added gold leaf, silver and platinum by the Austrian Symbolist painter Gustav Klimt. It was painted at some point in 1907 and 1908, during the height of what scholars call his "Golden Period". It was exhibited in 1908 under the title Liebespaar (the lovers) as stated in the catalogue of the exhibition. The painting depicts a couple embracing each other, their bodies entwined in elaborate robes decorated in a style influenced by the contemporary Art Nouveau style and the organic forms of the earlier Arts and Crafts movement.

The painting now hangs in the Österreichische Galerie Belvedere museum in the Upper Belvedere Palace in Vienna, and is considered a masterpiece of Vienna Secession – the local variation of Art Nouveau – and probably Klimt's most important work.

Josef Hoffmann (15 December 1870 – 7 May 1956) was an Austrian-Moravian architect and designer. He was among the founders of Vienna Secession and co-establisher of the Wiener Werkstätte. His most famous architectural work is the Stoclet Palace, in Brussels, (1905–1911) a pioneering work of Modern Architecture, Art Deco and peak of Vienna Secession architecture.

The Secession Building (German: Secessionsgebäude) is a contemporary art exhibition hall in Vienna, Austria. It was completed in 1898 by Joseph Maria Olbrich as an architectural manifesto for the Vienna Secession, a group of rebel artists that seceded from the long-established fine art institution.

Ver Sacrum (meaning "Sacred Spring" in Latin) was the official magazine of the Vienna Secession. Founded by Gustav Klimt and Max Kurzweil, it was published from 1898 to 1903, featuring drawings and designs in the Secession style along with literary contributions from distinguished writers from across Europe. These included Rainer Maria Rilke, Hugo von Hofmannsthal, Maurice Maeterlinck, Knut Hamsun, Otto Julius Bierbaum, Richard Dehmel, Ricarda Huch, Conrad Ferdinand Meyer, Josef Maria Auchentaller and Arno Holz. Koloman Moser was the magazine's chief designer.

Modernisme (Catalan pronunciation: [muðərˈnizmə], Catalan for "modernism"), also known as Catalan modernism and Catalan art nouveau, is the historiographic denomination given to an art and literature movement associated with the search of a new entitlement of Catalan culture, one of the most predominant cultures within Spain. Nowadays, it is considered a movement based on the cultural revindication of a Catalan identity. Its main form of expression was Modernista architecture, but it also encompassed many other arts, such as painting and sculpture, and especially the design and the decorative arts (cabinetmaking, carpentry, forged iron, ceramic tiles, ceramics, glass-making, silver and goldsmith work, etc.), which were particularly important, especially in their role as support to architecture. Modernisme was also a literary movement (poetry, fiction, drama).

Although Modernisme was part of a general trend that emerged in Europe around the turn of the 20th century, in Catalonia the trend acquired its own unique personality. Modernisme's distinct name comes from its special relationship, primarily with Catalonia and Barcelona, which were intensifying their local characteristics for socio-ideological reasons after the revival of Catalan culture and in the context of spectacular urban and industrial development. It is equivalent to a number of other fin de siècle art movements going by the names of Art Nouveau in France and Belgium, Jugendstil in Germany, Vienna Secession in Austria-Hungary, Liberty style in Italy, and Modern or Glasgow Style in Scotland.