Victorian morality in the context of "Sexual revolution"

Victoria (Alexandrina Victoria; 24 May 1819 – 22 January 1901) was Queen of the United Kingdom of Great Britain and Ireland from 20 June 1837 until her death. Her reign of 63 years and 216 days, which was longer than those of any of her predecessors, constituted the Victorian era, a period of industrial, political, scientific, and military change within the United Kingdom marked by a great expansion of the British Empire. In 1876, the British parliament voted to grant her the additional title of Empress of India.

Victoria was the daughter of Prince Edward, Duke of Kent and Strathearn (the fourth son of King George III), and Princess Victoria of Saxe-Coburg-Saalfeld. After the deaths of her father and grandfather in 1820, she was raised under close supervision by her mother and her comptroller, John Conroy. She inherited the throne aged 18 after her father's three elder brothers died without surviving legitimate issue. Victoria attempted privately to influence government policy and ministerial appointments; publicly, she became a national icon who was identified with strict standards of personal morality.

Victoria (Alexandrina Victoria; 24 May 1819 – 22 January 1901) was Queen of the United Kingdom of Great Britain and Ireland from 20 June 1837 until her death in 1901. Her reign of 63 years and 216 days, which was longer than those of any of her predecessors, constituted the Victorian era, a period of industrial, political, scientific, and military change within the United Kingdom marked by a great expansion of the British Empire. In 1876, the British parliament voted to grant her the additional title of Empress of India.

Victoria was the daughter of Prince Edward, Duke of Kent and Strathearn (the fourth son of King George III), and Princess Victoria of Saxe-Coburg-Saalfeld. After the deaths of her father and grandfather in 1820, she was raised under close supervision by her mother and her comptroller, John Conroy. She inherited the throne aged 18 after her father's three elder brothers died without surviving legitimate issue. Victoria attempted privately to influence government policy and ministerial appointments; publicly, she became a national icon who was identified with strict standards of personal morality.

Erewhon: or, Over the Range (/ɛrɛhwɒn/) is a utopian novel by English writer Samuel Butler, first published in 1872, set in a fictional country discovered and explored by the protagonist. The book is a satire on Victorian society.

The first few chapters of the novel dealing with the discovery of Erewhon are based on Butler's own experiences in New Zealand, where, as a young man, he worked as a sheep farmer on Mesopotamia Station for four years (1860–1864), exploring parts of the interior of the South Island and writing about it in A First Year in Canterbury Settlement (1863).

The Way of All Flesh (originally titled Ernest Pontifex or the Way of All Flesh) is a semi-autobiographical novel by Samuel Butler that attacks Victorian-era hypocrisy. Written between 1873 and 1884, it traces four generations of the Pontifex family. Butler dared not publish it during his lifetime, but when it was published posthumously in 1903 as The Way of All Flesh it was accepted as part of the general reaction against Victorianism. Butler's first literary executor, R. A. Streatfeild, made substantial changes to Butler's manuscript. The original manuscript was first published in 1964 as Ernest Pontifex or the Way of All Flesh by Houghton Mifflin Company, Boston, edited by Daniel F. Howard.

The title is a quotation from the Douay–Rheims Bible's translation of a Biblical Hebrew expression that is literally translated "to go the way of all the earth" and which signifies "to die". It is found in the First Book of Kings: "I am going the way of all flesh: take thou courage and shew thyself a man." (1 Kings 2.2).

In English literature, the term comedy of manners (also anti-sentimental comedy) describes a genre of realistic, satirical comedy that questions and comments upon the manners and social conventions of a greatly sophisticated, artificial society. The satire of fashion, manners, and outlook on life of the social classes, is realised with stock characters, such as the braggart soldier of Ancient Greek comedy, and the fop and the rake of English Restoration comedy. The clever plot of a comedy of manners (usually a scandal) is secondary to the social commentary thematically presented through the witty dialogue of the characters, e.g. The Importance of Being Earnest (1895), by Oscar Wilde, which satirises the sexual hypocrisies of Victorian morality.

The comedy-of-manners genre originated in the New Comedy period (325–260 BC) of Classical Greece (510–323 BC), and is known from fragments of works by the playwright Menander, whose style of writing, elaborate plots, and stock characters were imitated by Roman playwrights, such as Plautus and Terence, whose comedies were known to and staged during the Renaissance. In the 17th century, the comedy of manners is best realised in the plays of Molière, such as The School for Wives (1662), The Imposter (1664), and The Misanthrope (1666), which satirise the hypocrisies and pretensions of the ancien régime that ruled France from the late 15th century to the 18th century. In the early 18th century, William Congreve's play The Way of the World (1700) became popular among the public for its strong depiction of the comedy of manners genre.