Terence in the context of "Comedy of manners"

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⭐ Core Definition: Terence

Publius Terentius Afer (/təˈrɛnʃiəs, -ʃəs/; c. 195/185c. 159 BC), better known in English as Terence (/ˈtɛrəns/), was a playwright during the Roman Republic. He was the author of six comedies based on Greek originals by Menander or Apollodorus of Carystus. All six of Terence's plays survive complete and were originally produced between 166–160 BC.

According to ancient authors, Terence was born in Carthage and was brought to Rome as a slave, where he gained an education and his freedom; around the age of 25, Terence is said to have made a voyage to the east in search of inspiration for his plays, where he died either of disease in Greece, or by shipwreck on the return voyage. However, Terence's traditional biography is often thought to consist of speculation by ancient scholars who lived too long after Terence to have access to reliable facts about his life.

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Terence in the context of Latin

Latin (lingua Latina or Latinum) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally spoken by the Latins in Latium (now known as Lazio), the lower Tiber area around Rome, Italy. Through the expansion of the Roman Republic, it became the dominant language in the Italian Peninsula and subsequently throughout the Roman Empire. It has greatly influenced many languages, including English, having contributed many words to the English lexicon, particularly after the Christianisation of the Anglo-Saxons and the Norman Conquest. Latin roots appear frequently in the technical vocabulary used by fields such as theology, the sciences, medicine, and law.

By the late Roman Republic, Old Latin had evolved into standardised Classical Latin. Vulgar Latin refers to the less prestigious colloquial registers, attested in inscriptions and some literary works such as those of the comic playwrights Plautus and Terence and the author Petronius. While often called a "dead language", Latin did not undergo language death. Between the 6th and 9th centuries, natural language change in the vernacular Latin of different regions evolved into distinct Romance languages. After the fall of the Western Roman Empire, Latin remained the common language of international communication, science, scholarship and academia in Europe into the early 19th century, by which time modern languages had supplanted it in common academic and political usage.

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Terence in the context of Menander

Menander (/məˈnændər/; Ancient Greek: Μένανδρος, romanizedMénandros; c. 342/341 – c. 290 BC) was a Greek playwright and the best-known representative of Athenian New Comedy. He wrote 108 comedies and took the prize at the Lenaia festival eight times. His record at the City Dionysia is unknown.

He was one of the most popular writers and most highly admired poets in antiquity, but his work was considered lost before the early Middle Ages. It now survives only in Latin-language adaptations by Terence and Plautus and, in the original Greek, in highly fragmentary form, most of which were discovered on papyrus in Egyptian tombs during the early to mid-20th century. In the 1950s, to the great excitement of Classicists, it was announced that a single play by Menander, Dyskolos, had finally been rediscovered in the Bodmer Papyri intact enough to be performed.

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Terence in the context of Atellan Farce

The Atellan Farce (Latin: Atellanae Fabulae or Fabulae Atellanae, "favola atellana"; Atellanicum exhodium, "Atella comedies"), also known as the Oscan Games (Latin: ludi Osci, "Oscan plays"), were masked improvised farces in Ancient Rome. The Oscan athletic games were very popular, and usually preceded by longer pantomime plays. The origin of the Atellan Farce is uncertain, but the farces are similar to other forms of ancient theatre such as the South Italian Phlyakes, the plays of Plautus and Terence, and Roman mime. Most historians believe the name is derived from Atella, an Oscan town in Campania. The farces were written in Oscan and imported to Rome in 391 BC. In later Roman versions, only the ridiculous characters speak their lines in Oscan, while the others speak in Latin.

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Terence in the context of Theatre of Ancient Rome

The architectural form of theatre in Rome has been linked to later, more well-known examples from the 1st century BC to the 3rd Century AD. The theatre of ancient Rome referred to a period of time in which theatrical practice and performance took place in Rome. The tradition has been linked back even further to the 4th century BC, following the state’s transition from monarchy to republic. Theatre during this era is generally separated into genres of tragedy and comedy, which are represented by a particular style of architecture and stage play, and conveyed to an audience purely as a form of entertainment and control. When it came to the audience, Romans favored entertainment and performance over tragedy and drama, displaying a more modern form of theatre that is still used in contemporary times.

'Spectacle' became an essential part of an everyday Romans expectations when it came to theatre. Some works by Plautus, Terence, and Seneca the Younger that survive to this day, highlight the different aspects of Roman society and culture at the time, including advancements in Roman literature and theatre. Theatre during this period of time would come to represent an important aspect of Roman society during the Republican and Imperial periods of Rome.

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