Utopia in the context of "Atlantis"

⭐ In the context of Atlantis, the concept of Utopia is considered…

Ad spacer

⭐ Core Definition: Utopia

A utopia (/jˈtpiə/ yoo-TOH-pee-ə) typically describes an imagined community or society that possesses highly desirable or near-perfect qualities for its members. It was coined by Sir Thomas More for his 1516 book Utopia, which describes a fictional island society in the New World.

Hypothetical utopias and actually-existing utopian intentional communities focus on, among other things, equality in categories such as economics, government and justice, with the method and structure of proposed implementation varying according to ideology. Lyman Tower Sargent argues that the nature of a utopia is inherently contradictory because societies are not homogeneous. Their members have desires that conflict and therefore cannot simultaneously be satisfied. To quote:

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<

👉 Utopia in the context of Atlantis

Atlantis (Ancient Greek: Ἀτλαντὶς νῆσος, romanizedAtlantìs nêsos, lit.'island of Atlas') is a fictional island mentioned in Plato's works Timaeus and Critias as part of an allegory on the hubris of nations. Purposely creating a literary contrast with the Achaemenid Empire, the great land-based power that ruled the east (what the Greeks called Asia), Plato describes Atlantis as a naval empire from the west that had conquered most of Europe and Libya, but then loses divine favor after an ill-fated campaign against a fictionalized Athens and subsequently submerges into the Atlantic Ocean. By portraying the victorious Athens in the image of his ideal state from the Republic, Plato intended the Atlantis story to bear witness to the superiority of his concept of a state.

Despite its minor importance in Plato's work, the Atlantis story has had a considerable impact on literature. The allegorical aspect of Atlantis was taken up in utopian works of several Renaissance writers, such as Francis Bacon's New Atlantis and Thomas More's Utopia. On the other hand, nineteenth-century amateur scholars misinterpreted Plato's narrative as historical tradition, most famously Ignatius L. Donnelly in his Atlantis: The Antediluvian World. Plato's vague indications of the time of the events (more than 9,000 years before his time) and the alleged location of Atlantis ("beyond the Pillars of Hercules") gave rise to much pseudoscientific speculation. As a consequence, Atlantis has become a byword for any and all supposed advanced prehistoric lost civilizations and continues to inspire contemporary fiction, from comic books to films.

↓ Explore More Topics
In this Dossier

Utopia in the context of Brave New World

Brave New World is a dystopian novel by English author Aldous Huxley, written in 1931, and published in 1932. Largely set in a futuristic World State, whose citizens are environmentally engineered into an intelligence-based social hierarchy, the novel anticipates huge scientific advancements in reproductive technology, sleep-learning, psychological manipulation and classical conditioning that are combined to make a dystopian society which is challenged by the story's protagonist. Huxley followed this book with a reassessment in essay form, Brave New World Revisited (1958), and with his final novel, Island (1962), the utopian counterpart. This novel is often used as a companion piece, or inversion counterpart to George Orwell's Nineteen Eighty-Four (1949).

In 1998 and 1999, the Modern Library ranked Brave New World at number 5 on its list of the 100 Best Novels in English of the 20th century. In 2003, Robert McCrum, writing for The Observer, included Brave New World chronologically at number 53 in "the top 100 greatest novels of all time", and the novel was listed at number 87 on The Big Read survey by the BBC. Brave New World has frequently been banned and challenged since its original publication. It has landed on the American Library Association list of top 100 banned and challenged books of the decade since the association began the list in 1990.

↑ Return to Menu

Utopia in the context of Republic (Plato)

The Republic (Ancient Greek: Πολιτεία, romanizedPoliteia; Latin: De Republica) is a Socratic dialogue authored by Plato around 375 BC, concerning justice (dikaiosúnē), the order and character of the just city-state, and the just man. It is Plato's best-known work, and one of the world's most influential works of philosophy and political theory, both intellectually and historically.

In the dialogue, Socrates discusses with various Athenians and foreigners the meaning of justice and whether the just man is happier than the unjust man. He considers the natures of existing regimes and then proposes a series of hypothetical cities in comparison, culminating in Kallipolis (Καλλίπολις), a utopian city-state ruled by a class of philosopher-kings. They also discuss ageing, love, theory of forms, the immortality of the soul, and the role of the philosopher and of poetry in society. The dialogue's setting seems to be the time of the Peloponnesian War.

↑ Return to Menu

Utopia in the context of Longevity

Longevity may refer to especially long-lived members of a population, whereas life expectancy is defined statistically as the average number of years remaining at a given age. For example, a population's life expectancy at birth is the same as the average age at death for all people born in the same year (in the case of cohorts).

Longevity studies may involve putative methods to extend life. Longevity has been a topic not only for the scientific community but also for writers of travel, science fiction, and utopian novels. The legendary fountain of youth appeared in the work of the Ancient Greek historian Herodotus.

↑ Return to Menu

Utopia in the context of Nation of Islam

The Nation of Islam (NOI) is a religious organization founded in the United States by Wallace Fard Muhammad in 1930. A centralized and hierarchical organization, the NOI is committed to black nationalism and focuses its attention on the black African diaspora, especially on African Americans. While describing itself as Islamic and using Islamic terminology, its religious tenets differ substantially from orthodox Islamic traditions. Scholars of religion characterize it as a new religious movement.

The Nation teaches that there has been a succession of mortal gods, each a black man named Allah, of whom Fard Muhammad is the latest. It claims that the first Allah created the earliest humans, the dark-skinned Original Asiatic Race, whose members possessed inner divinity and from whom all people of color descend. It maintains that a scientist named Yakub then created the white race, a group that lacked inner divinity and whose intrinsic violence led them to overthrow the Original Asiatic Race and achieve global dominance. Setting itself against the white-dominated society of the United States, the NOI campaigns for the creation of an independent African American nation-state and calls for African Americans to be economically self-sufficient and separatist. A millenarian tradition, it maintains that Fard Muhammad will soon return aboard a spaceship, the "Mother Plane" or "Mother Ship", to wipe out the white-dominated order and establish a utopia. Members worship in buildings, varyingly called temples or mosques. Practitioners are expected to live disciplined lives, adhering to strict dress codes, specific dietary requirements, and patriarchal gender roles.

↑ Return to Menu

Utopia in the context of Arcadia (utopia)

Arcadia (/ɑːrˈkdiə/; Greek: Ἀρκαδία, romanizedArkadía) refers to a vision of pastoralism and harmony with nature. The term is derived from the Greek province of the same name which dates to antiquity; the province's mountainous topography and sparse population of pastoralists later caused the word Arcadia to develop into a poetic byword for an idyllic vision of unspoiled wilderness. Arcadia is a poetic term associated with bountiful natural splendor and harmony. The 'Garden' is often inhabited by shepherds. The concept also figures in Renaissance mythology. Although commonly thought of as being in line with Utopian ideals, Arcadia differs from that tradition in that it is more often specifically regarded as unattainable. Furthermore, it is seen as a lost, Edenic form of life, contrasting to the progressive nature of Utopian desires.

The inhabitants were often regarded as having continued to live after the manner of the Golden Age, without the pride and avarice that corrupted other regions. It is also sometimes referred to in English poetry as Arcady (/ˈɑːrkədi/). The inhabitants of this region bear an obvious connection to the figure of the noble savage, both being regarded as living close to nature, uncorrupted by civilization, and virtuous.

↑ Return to Menu

Utopia in the context of Utopian and dystopian fiction

Utopian and dystopian fiction are subgenres of speculative fiction that explore extreme forms of social and political structures. A utopia is a setting that agrees with the author's ethos, having various attributes of another reality intended to appeal to readers. A dystopia offers the opposite: the portrayal of a setting that completely disagrees with the author's ethos. Some novels depict both types of society to more directly contrast their properties. Both utopias and dystopias are commonly found in science fiction and other types of speculative fiction.

More than 400 utopian works in the English language were published prior to the year 1900, with more than a thousand others appearing during the 20th century. This increase is partially associated with the rise in popularity of science fiction and young adult fiction more generally, but also larger scale social change that brought awareness of larger societal or global issues, such as technology, climate change, and growing human population. Some of these trends have created distinct subgenres such as climate fiction, young adult dystopian novels, and feminist dystopian novels.

↑ Return to Menu

Utopia in the context of Dystopia

A dystopia (lit. "bad place") is an imagined world or society in which people lead wretched, dehumanized, fearful lives. It is an imagined place (possibly state) in which everything is unpleasant or bad, typically a totalitarian or environmentally degraded one. Dystopia is widely seen as the opposite of utopia – a concept coined by Thomas More in 1516 to describe an ideal society. Both topias are common topics in fiction. Dystopia is also referred to as cacotopia or anti-utopia.

Dystopias are often characterized by fear or distress, tyrannical governments, environmental disaster, or other characteristics associated with a cataclysmic decline in society. Themes typical of a dystopian society include: complete control over the people in a society through the use of propaganda and police state tactics, heavy censorship of information or denial of free thought, worship of an unattainable goal, the complete loss of individuality, and heavy enforcement of conformity. Despite certain overlaps, dystopian fiction is distinct from post-apocalyptic fiction, and an undesirable society is not necessarily dystopian. Dystopian societies appear in many sub-genres of fiction and are often used to draw attention to society, environment, politics, economics, religion, psychology, ethics, science, or technology. Some authors use the term to refer to existing societies, many of which are, or have been, totalitarian states or societies in an advanced state of collapse. Dystopias, through an exaggerated worst-case scenario, often present a criticism of a current trend, societal norm, or political system.

↑ Return to Menu

Utopia in the context of Island (Huxley novel)

Island is a 1962 utopian manifesto and novel by English writer Aldous Huxley, the author's final work before his death in 1963. Although it has a plot, the plot largely serves to further conceptual explorations rather than setting up and resolving conventional narrative tension.

It is the account of Will Farnaby, a cynical journalist who is shipwrecked on the fictional island of Pala. Island is Huxley's utopian counterpart to his most famous work, the 1932 dystopian novel Brave New World. The ideas that would become Island can be seen in a foreword he wrote in 1946 to a new edition of Brave New World:

↑ Return to Menu