Classical Athens in the context of "Republic (Plato)"

Athens is the capital and largest city of Greece. A significant coastal urban area in the Mediterranean, Athens is also the capital of the Attica region and is the southernmost capital on the European mainland. With its urban area's population numbering over 3.6 million, it is the eighth-largest urban area in the European Union (EU). The Municipality of Athens (also City of Athens), which constitutes a small administrative unit of the entire urban area, had a population of 643,452 in 2021, within its official limits, and a land area of 38.96 km (15.04 sq mi).

Athens is one of the world's oldest cities, with its recorded history spanning over 3,400 years, and its earliest human presence beginning somewhere between the 11th and 7th millennia BCE. According to Greek mythology the city was named after Athena, the ancient Greek goddess of wisdom, but modern scholars generally agree that the goddess took her name after the city. Classical Athens was one of the most powerful city-states in ancient Greece. It was a centre for democracy, the arts, education and philosophy, and was highly influential throughout the European continent, particularly in Ancient Rome. For this reason it is often regarded as the cradle of Western civilisation and the birthplace of democracy in its own right independently from the rest of Greece.

Ancient Greece (Ancient Greek: Ἑλλάς, romanized: Hellás) was a northeastern Mediterranean civilization, existing from the Greek Dark Ages of the 12th–9th centuries BC to the end of classical antiquity (c. 600 AD), that comprised a loose collection of culturally and linguistically related city-states and communities. Prior to the Roman period, most of these regions were officially unified only once under the Kingdom of Macedon from 338 to 323 BC. In Western history, the era of classical antiquity was immediately followed by the Early Middle Ages and the Byzantine period.

Three centuries after the decline of Mycenaean Greece during the Bronze Age collapse, Greek urban poleis began to form in the 8th century BC, ushering in the Archaic period and the colonization of the Mediterranean Basin. This was followed by the age of Classical Greece, from the Greco-Persian Wars to the death of Alexander the Great in 323 BC, and which included the Golden Age of Athens and the Peloponnesian War between Athens and Sparta. The unification of Greece by Macedon under Philip II and subsequent conquest of the Achaemenid Empire by Alexander the Great spread Hellenistic civilization across the Middle East. The Hellenistic period is considered to have ended in 30 BC, when the last Hellenistic kingdom, Ptolemaic Egypt, was annexed by the Roman Republic.

Athenian democracy developed around the 6th century BC in the Greek city-state (known as a polis) of Athens, comprising the city of Athens and the surrounding territory of Attica, and focusing on supporting liberty, equality, and security. Although Athens is the most familiar of the democratic city-states in ancient Greece, it was not the only one, nor was it the first; multiple other city-states adopted similar democratic constitutions before Athens. By the late 4th century BC, as many as half of the over one thousand existing Greek cities might have been democracies. Athens practiced a political system of legislation and executive bills. Participation was open to adult, free male citizens (i.e., not a metic, woman or slave). Adult male citizens probably constituted no more than 30 percent of the total adult population.

Solon (in 594 BC), Cleisthenes (in 508–07 BC), and Ephialtes (in 462 BC) contributed to the development of Athenian democracy. Cleisthenes broke up the unlimited power of the nobility by organizing citizens into ten groups based on where they lived, rather than on their wealth. The longest-lasting democratic leader was Pericles. After his death, Athenian democracy was twice briefly interrupted by oligarchic revolutions in 411 and 404 BC, towards the end of the Peloponnesian War. It was modified somewhat after it was restored under Eucleides; the most detailed accounts of the system are of this fourth-century modification, rather than the Periclean system. Democracy was suppressed by the Macedonians in 322 BC. The Athenian institutions were later revived, but how close they were to the original forms of democracy is debated.

The history of theatre charts the development of theatre over the past 2,500 years. While performative elements are present in every society, it is customary to acknowledge a distinction between theatre as an art form and entertainment, and theatrical or performative elements in other activities. The history of theatre is primarily concerned with the origin and subsequent development of the theatre as an autonomous activity. Since classical Athens in the 5th century BC, vibrant traditions of theatre have flourished in cultures across the world.

Philip II of Macedon (Ancient Greek: Φίλιππος, romanized: Phílippos; 382 BC – October 336 BC) was the king (basileus) of Macedon from 359 BC until his death in 336 BC. The rise of Macedon, from a kingdom initially at the periphery of classical Greek affairs, to a power that came to dominate Ancient Greece in the span of less than 25 years, was largely thanks to the character and policies of Philip. He was the father of Alexander the Great and a member of the ruling Argead dynasty that founded the kingdom of the Macedonians.

Philip achieved to dominate Greece during his reign by the reformation of the Macedonian army, including the establishment of the Macedonian phalanx, the use of combined arms tactics and his extensive use of siege engines and artillery, as well as by the use of effective diplomacy and marriage alliances. After defeating the Greek city-states of Athens and Thebes at the Battle of Chaeronea in 338 BC, Philip II led the effort to establish a federation of Greek states known as the Hellenic League, with him as the elected hegemon and commander-in-chief of Greece for a planned invasion of the Achaemenid Empire. However, his assassination by a royal bodyguard, Pausanias of Orestis, led to the immediate succession of his son Alexander, who would go on to invade the Achaemenid Empire in his father's stead.

Attica (Greek: Αττική, romanised: Attikí, Greek pronunciation: [atiˈci]; Ancient Greek: Ἀττική, romanised: Attikḗ, Ancient Greek pronunciation: [atːikɛ̌ː]), or the Attic Peninsula, is a historical region that encompasses the entire Athens metropolitan area, which consists of the city of Athens, the capital of Greece and the core city of the metropolitan area, as well as its surrounding suburban cities and towns. It is a peninsula projecting into the Aegean Sea, bordering on Boeotia to the north and Megaris to the west. The mines of Laurion were an important mining region located at Lavrio, on the southern tip of the peninsula.

The history of Attica is closely linked with that of Athens. In ancient times, Attica corresponded with the classical Athens city‑state. It was the most prominent region in Ancient Greece, specifically during the Golden Age of Athens in the classical period. Ancient Attica was divided into demoi, or municipalities, from the reform of Cleisthenes in 508/7 BC, grouped into three zones: urban (astu) in the region of Athens main town, and Piraeus (the port), coastal (paralia) along the coastline, and inland (mesogeia) in the interior.

A tragedy is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character or cast of characters. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain [that] awakens pleasure," for the audience. While many cultures have developed forms that provoke this paradoxical response, the term tragedy often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it.

Originating in the theatre of ancient Greece 2500 years ago, where only a fraction of the works of Aeschylus, Sophocles and Euripides survive, as well as many fragments from other poets, and the later Roman tragedies of Seneca; through its singular articulations in the works of Shakespeare, Lope de Vega, Jean Racine, and Friedrich Schiller to the more recent naturalistic tragedy of Henrik Ibsen and August Strindberg; Nurul Momen's Nemesis' tragic vengeance & Samuel Beckett's modernist meditations on death, loss and suffering; Heiner Müller postmodernist reworkings of the tragic canon, tragedy has remained an important site of cultural experimentation, negotiation, struggle, and change. A long line of philosophers—which includes Plato, Aristotle, Saint Augustine, Voltaire, Hume, Diderot, Hegel, Schopenhauer, Kierkegaard, Nietzsche, Freud, Benjamin, Camus, Lacan, and Deleuze—have analysed, speculated upon, and criticised the genre.

Ancient Greek comedy (Ancient Greek: κωμῳδία, romanized: kōmōidía) was one of the final three principal dramatic forms in the theatre of classical Greece; the others being tragedy and the satyr play. Greek comedy was distinguished from tragedy by its happy endings and use of comically exaggerated character archetypes, the latter feature being the origin of the modern concept of the comedy. Athenian comedy is conventionally divided into three periods; Old Comedy survives today largely in the form of the eleven extant plays of Aristophanes; Middle Comedy is largely lost and preserved only in relatively short fragments by authors such as Athenaeus of Naucratis; New Comedy is known primarily from the substantial papyrus fragments of Menander. A burlesque dramatic form that blended tragic and comic elements, known as phlyax play or hilarotragedy, developed in the Greek colonies of Magna Graecia by the late 4th century BC.

The philosopher Aristotle wrote in his Poetics (c. 335 BC) that comedy is a representation of laughable people and involves some kind of blunder or ugliness which does not cause pain or disaster. C. A. Trypanis wrote that comedy is the last of the great species of poetry Greece gave to the world.