Unfinished creative work in the context of "Portrait of a Musician"

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⭐ Core Definition: Unfinished creative work

An unfinished creative work is a painting, novel, musical composition, or other creative work, that has not been brought to a completed state. Its creator may have chosen not to finish it, deferred its completion indefinitely, or may have been prevented from doing so by circumstances beyond their control, such as death. Such pieces are often the subject of speculation as to what the finished piece would have been like had the creator completed the work. Sometimes artworks are finished by others and released posthumously. Unfinished works have had profound influences on their genres and have inspired others in their own projects. The term can also refer to ongoing work which could eventually be finished (i.e. the creator is still living) and is distinguishable from "incomplete work", which can be a work that was finished but is no longer in its complete form.

There are many reasons that a work is not completed. Works are usually stopped when their creator dies, although some, aware of their failing health, make sure that they set up the project for completion. If the work involves other people, such as a cast of actors or the subject of a portrait, it may be halted because of their unavailability. Projects that are too grandiose might never have been finished, while others should be feasible but their creator's continual unhappiness with them leads to abandonment.

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👉 Unfinished creative work in the context of Portrait of a Musician

The Portrait of a Musician is an unfinished painting by the Italian Renaissance artist Leonardo da Vinci, dated to c. 1483–1487. Produced while Leonardo was in Milan, the work is painted in oils, and perhaps tempera, on a small panel of walnut wood. It is his only known male portrait painting, and the identity of its sitter has been closely debated among scholars.

Perhaps influenced by Antonello da Messina's introduction of the Early Netherlandish style of portrait painting to Italy, the work marks a dramatic shift from the profile portraiture that predominated in 15th-century Milan. It shares many similarities with other paintings Leonardo executed there, such as the Louvre Virgin of the Rocks and the Lady with an Ermine, but the Portrait of a Musician is his only panel painting remaining in the city, where it has been in the Pinacoteca Ambrosiana since at least 1672. One of Leonardo's best preserved paintings, there are no extant contemporary records of the commission. Based on stylistic resemblances to other works by Leonardo, virtually all current scholarship attributes at least the sitter's face to him. Uncertainty over the rest of the painting arises from the stiff and rigid qualities of the body, which are uncharacteristic of Leonardo's work. While this may be explained by the painting's unfinished state, some scholars believe that Leonardo was assisted by one of his students.

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Unfinished creative work in the context of List of works by Leonardo da Vinci

The Italian polymath Leonardo da Vinci (1452–1519) was one of the founding figures of the High Renaissance, and exhibited enormous influence on subsequent artists. Only around eight major works—The Adoration of the Magi, Saint Jerome in the Wilderness, the Louvre Virgin of the Rocks, The Last Supper, the ceiling of the Sala delle Asse, The Virgin and Child with Saint Anne and Saint John the Baptist, The Virgin and Child with Saint Anne, and the Mona Lisa—are universally attributed to him, and have aroused little or no controversy in the past. Ten additional works are now widely attributed to his oeuvre, though most have previously incited considerable controversy or doubt: the Annunciation, Madonna of the Carnation, The Baptism of Christ (with his teacher, Verrocchio), Ginevra de' Benci, the Benois Madonna, the Portrait of a Musician (with possible studio assistance), the Lady with an Ermine, La Belle Ferronnière, the London Virgin of the Rocks (with studio assistance), the Portrait of Isabella d'Este, and Saint John the Baptist.

Other attributions are more complicated. La Scapigliata appears to be attributed by most scholars, but some prominent specialists are silent on the issue. Salvator Mundi's attribution remains extremely controversial, and the extensive nature of the restoration may never allow a definitive resolution. The small number of surviving paintings is due in part to Leonardo's habit of disastrous experimentation with new techniques and his chronic procrastination, resulting in many incomplete works. It is thought that he created many more works that are now lost, though records and copies have survived for some.

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Unfinished creative work in the context of Reveries of the Solitary Walker

The Reveries of the Solitary Walker (French: Les Rêveries du promeneur solitaire) is an unfinished book by Genevan philosopher Jean-Jacques Rousseau, written between 1776 and 1778. It was the last of a number of works composed toward the end of his life that were deeply autobiographical. Previous such works include The Confessions and Dialogues: Rousseau, Judge of Jean-Jacques.

The book is divided into ten chapters called "Walks" ("Promenades" in the original French). Walks One to Seven are complete, the Eighth and Ninth Walks were completed but not revised by Rousseau, while the Tenth Walk was incomplete at the author's death in 1778. The first publication was in 1782.

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Unfinished creative work in the context of Adoration of the Magi (Leonardo)

The Adoration of the Magi is an unfinished early painting by the Italian Renaissance artist Leonardo da Vinci. Leonardo was given the commission by the Augustinian monks of San Donato in Scopeto [it] in Florence in 1481, but he departed for Milan the following year, leaving merely more than the preparatory underdrawing in charcoal, ink and watercolor. It has been in the Uffizi Gallery in Florence since 1670.

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Unfinished creative work in the context of Saint Jerome in the Wilderness (Leonardo)

Saint Jerome in the Wilderness is an unfinished painting by the Italian Renaissance artist Leonardo da Vinci, dated c. 1480–1490. A recent study linked to the Lady with an Ermine carried out by Leonardo da Vinci at the same time supports this hypothesis. The composition of the painting has been drafted in monochrome onto the primed wooden panel. At an unknown date after Leonardo's death, the panel was cut into five pieces before eventually being restored into its original form (minus a very small triangle).

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Unfinished creative work in the context of The Virgin and Child with Saint Anne (Leonardo)

The Virgin and Child with Saint Anne (Italian: Sant'Anna, la Vergine e il Bambino con l'agnellino) is an unfinished oil painting by High Renaissance artist Leonardo da Vinci, dated to c. 1501–1519. It depicts Saint Anne, her daughter the Virgin Mary and the infant Jesus. Christ is shown grasping a sacrificial lamb symbolizing his Passion. The painting was commissioned as the high altarpiece for the Church of Santissima Annunziata in Florence and its theme had long preoccupied Leonardo.

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Unfinished creative work in the context of La Scapigliata

La Scapigliata (Italian for 'The Lady with Dishevelled Hair') is an unfinished painting generally attributed to the Italian High Renaissance artist Leonardo da Vinci, and dated c. 1506–1508. Painted in oil, umber, and white lead pigments on a small poplar wood panel, its attribution remains controversial, with several experts attributing the work to a pupil of Leonardo. The painting has been admired for its captivating beauty, mysterious demeanor, and mastery of sfumato.

There is no real consensus on the subject, date, history, or purpose of the painting. It shows an unidentified woman gazing downward while her hair fills the frame behind her. Many theories regarding the subject have been proposed: that it is a sketch for an uncompleted painting of Saint Anne; a study for the London version of the Virgin of the Rocks or Leonardo's lost painting of Leda and the Swan; or a painting left deliberately unfinished for its aesthetic value.

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Unfinished creative work in the context of Tintin and Alph-Art

Tintin and Alph-Art (French: Tintin et l'Alph-Art) is the unfinished twenty-fourth and final volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. Left incomplete on Hergé's death, the manuscript was posthumously published in 1986. The story revolves around Brussels' modern art scene, where the young reporter Tintin discovers that a local art dealer has been murdered. Investigating further, he encounters a conspiracy of art forgery, masterminded by a religious teacher named Endaddine Akass.

Reflecting his own fascination for modern art, Hergé began work on Tintin and Alph-Art in 1978. However, it was left unfinished at the time of his death in March 1983. At this point it consisted of around 150 pages of pencil-drawn notes, outlines and sketches – not yet rendered in Hergé's trademark ligne claire drawing style – with no ending having been devised for the story. Hergé's colleague Bob de Moor offered to complete the story for publication, and while Hergé's widow Fanny Vlamynck initially agreed, she changed her decision, citing the fact that her late husband had not wanted anyone else to continue The Adventures of Tintin.

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Unfinished creative work in the context of Phoenix (manga)

Phoenix (火の鳥, Hi no Tori; "Bird of Fire") is an unfinished manga series written and illustrated by Osamu Tezuka. Tezuka considered Phoenix his "life's work"; it consists of 12 parts, each of which tells a separate, self-contained story and takes place in a different era. The plots go back and forth from the remote future to prehistoric times. The story was never completed, having been cut short by Tezuka's death in 1989.

Several of the stories have been adapted into anime and a live-action film, along with a musical production by the Takarazuka Revue. As of 2008, the entire manga series is available in English-language translations.

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