Tintin (character) in the context of "Tintin and Alph-Art"

Georges Prosper Remi (French: [ʒɔʁʒ pʁɔspɛʁ ʁəmi]; 22 May 1907 – 3 March 1983), known by the pen name Hergé (/ɛərˈʒeɪ/ air-ZHAY; French: [ɛʁʒe] ), from the French pronunciation of his reversed initials RG, was a Belgian comic strip artist. He is best known for creating The Adventures of Tintin, the series of comic albums that are considered one of the most popular European comics of the 20th century. He was also responsible for two other well-known series, Quick & Flupke (1930–1940) and The Adventures of Jo, Zette and Jocko (1936–1957). His works were executed in his distinctive ligne claire drawing style.

Born to a lower-middle-class family in Etterbeek, Brussels, Hergé began his career by contributing illustrations to Scouting magazines, developing his first comic series, The Adventures of Totor, for Le Boy-Scout Belge in 1926. Working for the conservative Catholic newspaper Le Vingtième Siècle, he created The Adventures of Tintin in 1929 on the advice of its editor Norbert Wallez. Revolving around the actions of boy reporter Tintin and his dog Snowy, the series' early instalments – Tintin in the Land of the Soviets, Tintin in the Congo, and Tintin in America – were designed as conservative propaganda for children. Domestically successful, after serialisation the stories were published in book form, with Hergé continuing the series and also developing both the Quick & Flupke and Jo, Zette and Jocko series for Le Vingtième Siècle. Influenced by his friend Zhang Chongren, from 1934 Hergé placed far greater emphasis on conducting background research for his stories, resulting in increased realism from The Blue Lotus onward. Following the German occupation of Belgium in 1940, Le Vingtième Siècle was closed, but Hergé continued his series in Le Soir, a popular newspaper controlled by the Nazi administration.

The Adventures of Totor, Chief Scout of the Cockchafers (French: Les Aventures de Totor, C.P. des hannetons) is the first comic strip series by the Belgian cartoonist and author Hergé, who later came to notability as the author of The Adventures of Tintin series. It was serialised monthly from July 1926 to summer 1929 in Belgian scouting magazine Le Boy Scout Belge, with a nine month break in 1927. The plot synopsis revolved around the eponymous Totor, a Belgian boy scout who travels to visit his aunt and uncle in Texas, United States. Once there, he comes across hostile Native American tribes and gangsters, each of whom he outwits, before returning to Belgium.

Like the Bécassine comics, which were common in Western Europe at the time, the series is a text comic, consisting of pictures with separate captions, although Hergé had begun to experiment with the use of speech bubbles throughout, something influenced by American comics. In 1929, Hergé created the character of Tintin for the new story, Tintin in the Land of the Soviets, which would be largely based on Totor. Literary critics have expressed mixed views on the narrative and artwork.

Snowy (French: Milou [milu]) is a fictional character in The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. Snowy is a white Wire Fox Terrier who is a companion to Tintin, the series' protagonist. Snowy made his debut on 10 January 1929 in the first installment of Tintin in the Land of the Soviets, which was serialised in Le Petit Vingtième until May 1930.

Snowy is modeled in part on a Fox Terrier at a café that Hergé used to frequent. Milou, Snowy's original French name, was the nickname of Hergé's first girlfriend.

Tintin in the Land of the Soviets (French: Tintin au pays des Soviets) is the first volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. Commissioned by the conservative Belgian newspaper Le Vingtième Siècle as anti-communist satire for its children's supplement Le Petit Vingtième, it was serialised weekly from January 1929 to May 1930 before being published in a collected volume by Éditions du Petit Vingtième in 1930. The story tells of young Belgian reporter Tintin and his dog Snowy, who are sent to the Soviet Union to report on Stalin's government. Knowing of his intentions, however, the secret police of the OGPU are sent to hunt him down.

Bolstered by publicity stunts, Land of the Soviets was a commercial success in Belgium, and also witnessed serialisation in France and Switzerland. Hergé continued The Adventures of Tintin with Tintin in the Congo, and the series became a defining part of the Franco-Belgian comics tradition. Damage to the original plates prevented republication of the book for several decades, while Hergé later expressed embarrassment at the crudeness of the work. As he began to redraw his earlier Adventures in second, colour versions from 1942 onward, he decided against doing so for Land of the Soviets; it was the only completed Tintin story that Hergé did not reproduce in colour. Growing demand among fans of the series resulted in the production of unauthorised copies of the book in the 1960s, with the first officially sanctioned republication appearing in 1969, after which it was translated into several other languages, including English. Critical reception of the work has been largely negative, and several commentators on The Adventures of Tintin have described Land of the Soviets as one of Hergé's weakest works.

Tintin in the Congo (French: Tintin au Congo; French pronunciation: [tɛ̃tɛ̃ o kɔ̃go]) is the second volume of The Adventures of Tintin, the comics series by Belgian comic strip artist Hergé. Commissioned by the conservative Belgian newspaper Le Vingtième Siècle for its children's supplement Le Petit Vingtième, it was serialised weekly from May 1930 to June 1931 before being published in a collected volume by Éditions de Petit Vingtième in 1931. The story tells of young Belgian reporter Tintin and his dog Snowy, who are sent to the Belgian Congo to report on events in the country. Amid various encounters with the native Congolese people and wild animals, Tintin unearths a criminal diamond smuggling operation run by the American gangster Al Capone.

Following on from Tintin in the Land of the Soviets and bolstered by publicity stunts, Tintin in the Congo was a commercial success within Belgium and was also serialised in France. Hergé continued The Adventures of Tintin with Tintin in America in 1932, and the series subsequently became a defining part of the Franco-Belgian comics tradition. In 1946, Hergé re-drew and coloured Tintin in the Congo in his distinctive ligne-claire style for republication by Casterman, with further alterations made at the request of his Scandinavian publisher for a 1975 edition.

Tintin in America (French: Tintin en Amérique) is the third volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. Commissioned by the conservative Belgian newspaper Le Vingtième Siècle for its children's supplement Le Petit Vingtième, it was serialized weekly from September 1931 to October 1932 before being published in a collected volume by Éditions du Petit Vingtième in 1932. The story tells of young Belgian reporter Tintin and his dog Snowy who travel to the United States, where Tintin reports on organized crime in Chicago. Pursuing a gangster across the country, he encounters a tribe of Blackfoot Native Americans before defeating the Chicago crime syndicate.

Following the publication of Tintin in the Congo, Hergé researched a story set in the United States, desiring to reflect his concerns regarding the treatment of American Indian communities by the U.S. government. Bolstered by a publicity stunt, Tintin in America was a commercial success in Belgium and was soon republished in France. Hergé continued The Adventures of Tintin with Cigars of the Pharaoh, and the series became a defining part of the Franco-Belgian comics tradition. In 1945, Tintin in America was re-drawn and colored in Hergé's ligne-claire style for republication by Casterman, with further alterations made at the request of his American publisher for a 1973 edition. The critical reception of the work has been mixed, with commentators on The Adventures of Tintin arguing that although it represents an improvement on the preceding two installments, it still reflects many of the problems that were visible in them. The story was adapted for both the 1976–77 West End play Tintin's Great American Adventure and the 1991 Ellipse/Nelvana animated series The Adventures of Tintin, which aired as the series finale.

The Blue Lotus (French: Le Lotus bleu) is the fifth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. Commissioned by the conservative Belgian newspaper Le Vingtième Siècle for its children's supplement Le Petit Vingtième, it was serialised weekly from August 1934 to October 1935 before being published in a collected volume by Casterman in 1936. Continuing where the plot of the previous story, Cigars of the Pharaoh, left off, the story tells of young Belgian reporter Tintin and his dog Snowy, who are invited to China in the middle of the 1931 Japanese invasion, where Tintin reveals the machinations of Japanese spies and uncovers a drug-smuggling ring.

In creating The Blue Lotus, Hergé exhibited a newfound emphasis on accuracy and documentation in his portrayal of foreign societies. He was heavily influenced by his close friend Zhang Chongren, a Chinese student studying in Belgium, and the work both satirises common European misconceptions about China as well as criticising the actions of the Japanese invaders. The Blue Lotus was a commercial success in Belgium and was soon serialised in France and Switzerland, while news of the book led the Chinese political leader Chiang Kai-shek to invite Hergé to visit China. Hergé continued The Adventures of Tintin with The Broken Ear, while the series itself became a defining part of the Franco-Belgian comics tradition. In 1946, The Blue Lotus was partially re-drawn and coloured by the cartoonist and his team of assistants; during this process a number of minor plot elements were changed. The adventure introduces the recurring characters J.M. Dawson and Chang Chong-Chen. The story was adapted for a 1991 episode of the Ellipse/Nelvana animated series The Adventures of Tintin. Critical analysis of the story has been positive, with various commentators considering it to be one of Hergé's finest works.