Underground hip-hop in the context of "Common (rapper)"

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👉 Underground hip-hop in the context of Common (rapper)

Lonnie Rashid Lynn (born March 13, 1972), known professionally as Common (formerly known as Common Sense), is an American rapper and actor. The recipient of three Grammy Awards, an Academy Award, a Primetime Emmy Award, and a Golden Globe Award, he signed with the independent label Relativity Records at the age of 20. The label released his first three studio albums: Can I Borrow a Dollar? (1992), Resurrection (1994) and One Day It'll All Make Sense (1997). He maintained an underground following into the late 1990s, and achieved mainstream success through his work with the Black music collective Soulquarians.

After attaining a major label record deal, he released his fourth and fifth albums, Like Water for Chocolate (2000) and Electric Circus (2002), to continued acclaim and modest commercial response. He guest performed on fellow Soulquarian, Erykah Badu's 2003 single, "Love of My Life (An Ode to Hip-Hop)", which became his highest entry — at number nine — on the Billboard Hot 100 and won Best R&B Song at the 45th Annual Grammy Awards. He signed with fellow Chicago rapper Kanye West's record label GOOD Music, in a joint venture with Geffen Records to release his sixth and seventh albums Be (2005) and Finding Forever (2007); both were nominated for Best Rap Album Grammys, while the latter became his first to debut atop the Billboard 200 and contained the song "Southside" (featuring Kanye West), the recipient of Best Rap Performance by a Duo or Group at the 50th Annual Grammy Awards. His eighth album, Universal Mind Control (2008), was met with a critical decline and served as his final release with GOOD.

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Underground hip-hop in the context of Progressive rap

Progressive rap (or progressive hip-hop) is a broad subgenre of hip-hop that aims to progress the genre thematically with socially transformative ideas and musically with stylistic experimentation. Developing through the works of innovative US hip-hop acts during the 1980s and 1990s, it has also been known at various points as conscious, underground, and alternative hip-hop.

Progressive rap music critically examines social issues, political responsibility, and existential concerns, particularly in the context of African-American life and youth culture. Common themes include social injustice, inequality, status, identity, and religion, with discourses around ideologies such as Afrocentricity and Black religiosity. Unlike the genre's more commercially-dominant counterpart gangsta rap, prog-rap artists typically disavow intracultural violence and economic materialism in favor of constructive and educational responses such as consciousness, uplift, heritage, humor, and activism.

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Underground hip-hop in the context of Jean Grae

Tsidi Ibrahim (born November 26, 1976), known professionally as Jean Grae, is a musician and writer. She emerged in New York City's underground hip-hop scene and developed an international following. Throughout her music career, her distinctive style and lyricism gained recognition, with artists such as Talib Kweli, Jay-Z, and Black Thought of The Roots expressing admiration for her work.

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Underground hip-hop in the context of MF Doom

Daniel Dumile (/ˈdməl/ DOO-mə-lay; born Dumile Daniel Thompson; July 13, 1971 – October 31, 2020), also known by his stage name MF Doom or simply Doom (both mostly stylized in all caps), was a British-American rapper, songwriter, and record producer. Noted for his intricate wordplay, signature metal mask, and "supervillain" stage persona, he became a major figure of underground hip hop and alternative hip hop in the 2000s.

Dumile was born in London and raised in Long Beach, New York. He began his career in 1988 as a member of the trio KMD, performing as Zev Love X. The group disbanded in 1993 after the death of DJ Subroc, Dumile's brother. After a hiatus, Dumile reemerged in the late 1990s. He began performing at open mic events while wearing a metal mask resembling that of the Marvel Comics supervillain Doctor Doom, who is depicted on the cover of his 1999 debut solo album Operation: Doomsday. He adopted the MF Doom persona and rarely made unmasked public appearances thereafter.

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