Afrocentricity in the context of "Progressive rap"

Afrocentrism is a racialized worldview that is centered on the history of people of Black African descent or a view that favors it over non-African civilizations. It is in some respects a response to Eurocentric attitudes about African people and their historical contributions. It seeks to counter what it sees as mistakes and ideas perpetuated by the racist philosophical underpinnings of Western academic disciplines as they developed during and since Europe's Early Renaissance as justifying rationales for the enslavement of other peoples, in order to enable more accurate accounts of not only African but all people's contributions to world history. Afrocentricity deals primarily with self-determination and African agency and is a pan-African point of view for the study of culture, philosophy, and history.

What is today broadly called Afrocentrism evolved out of the work of African American intellectuals in the late nineteenth and early twentieth centuries, but flowered into its modern form due to the activism of African American intellectuals in the U.S. civil rights movement and in the development of African American studies programs in universities. However, following the development of universities in African colonies in the 1950s, African scholars became major contributors to African historiography. A notable pioneer is the professor Kenneth Dike, who became chairman of the Committee on African Studies at Harvard in the 1970s. In strict terms Afrocentrism, as a distinct historiography, reached its peak in the 1980s and 1990s. Today it is primarily associated with Cheikh Anta Diop, John Henrik Clarke, Ivan van Sertima and Molefi Kete Asante. Asante, however, describes his theories as Afrocentricity.