Political hip-hop in the context of "Progressive rap"

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⭐ Core Definition: Political hip-hop

Political hip hop (also known as political rap and conscious hip-hop) is a subgenre of hip hop music that emerged in the 1980s as a form of political expression and activism. It typically addresses sociopolitical issues through lyrics, aiming to inspire action, promote social change, or convey specific political viewpoints. The genre draws inspiration from earlier politically conscious artists, such as The Last Poets and Gil Scott-Heron, as well as movements like the Black Power movement and the Black Panther Party from the 1960s and 1970s.

Notable early political hip hop artists include KRS-One and Boogie Down Productions, as well as Public Enemy, both of whom were influential in establishing political rap in the late 1980s with albums that addressed social and political concerns. Other artists, often labeled as part of the "conscious rap" movement, such as X-Clan, Poor Righteous Teachers, Paris, and Disposable Heroes of Hiphoprisy, followed in subsequent years, expanding the genre's focus on political messages.

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👉 Political hip-hop in the context of Progressive rap

Progressive rap (or progressive hip-hop) is a broad subgenre of hip-hop that aims to progress the genre thematically with socially transformative ideas and musically with stylistic experimentation. Developing through the works of innovative US hip-hop acts during the 1980s and 1990s, it has also been known at various points as conscious, underground, and alternative hip-hop.

Progressive rap music critically examines social issues, political responsibility, and existential concerns, particularly in the context of African-American life and youth culture. Common themes include social injustice, inequality, status, identity, and religion, with discourses around ideologies such as Afrocentricity and Black religiosity. Unlike the genre's more commercially-dominant counterpart gangsta rap, prog-rap artists typically disavow intracultural violence and economic materialism in favor of constructive and educational responses such as consciousness, uplift, heritage, humor, and activism.

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Political hip-hop in the context of Alternative hip hop

Alternative hip-hop (also known as alternative rap or backpack rap) is a subgenre of hip-hop defined by artists who reject the genre's traditional stereotypes, particularly those popularized by old-school hip-hop and gangsta rap. Originally emerging in the mid-to-late 1980s, the style was spearheaded by the Native Tongues collective in the East Coast which included acts like the Jungle Brothers, De La Soul, A Tribe Called Quest, X Clan, Brand Nubian, Pete Rock & CL Smooth, Monie Love, Queen Latifah and later Busta Rhymes and Mos Def. These artists emphasized positive-minded, good-natured Afrocentric lyrics, while pioneering and popularizing the use of eclectic sampling and jazz-influenced beats in hip-hop, drawing influences from political, progressive and conscious hip-hop artists such as Grandmaster Flash and Public Enemy.

During the 1990s, the alternative hip-hop movement expanded with West Coast artists such as the Pharcyde, Digital Underground, Souls of Mischief, Del the Funky Homosapien, Jurassic 5, Styles of Beyond and Freestyle Fellowship as well as certain Southern acts which included Arrested Development, Goodie Mob, and Outkast. The commercial and cultural momentum of the movement was impeded by the rise and popularity of West Coast gangsta rap, though experienced a degree of mainstream recognition through the success of the Fugees, De La Soul, A Tribe Called Quest, Outkast and Arrested Development. The Native Tongues movement inspired later alt rap artists such as the Roots, Lupe Fiasco, Digable Planets, Common, Little Brother, Black Eyed Peas, Dead Prez, Camp Lo, Jean Grae, Nappy Roots, Black Star, J Dilla, Lauryn Hill, MF Doom, Pharrell Williams, and Kanye West.

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Political hip-hop in the context of Yasiin Bey

Yasiin Bey (/jæˈsn ˈb/ yass-EEN BAY; born Dante Terrell Smith; December 11, 1973), formerly known as Mos Def (/ˌms ˈdɛf/ MOHSS DEF), is an American rapper, singer, and actor. A prominent figure in conscious hip hop, he is recognized for his use of wordplay and commentary on social and political issues, such as police brutality, American exceptionalism, and the status of African Americans in the United States.

After embarking on his career in 1994, he joined his siblings in the short-lived rap group Urban Thermo Dynamics (UTD) and guest appeared on albums by Da Bush Babees and De La Soul. In 1996, he and fellow Brooklyn-based rapper Talib Kweli formed the duo Black Star, whose debut album Mos Def & Talib Kweli Are Black Star (1998) spawned the singles "Definition" and "Respiration" (featuring Common). His debut solo album, Black on Both Sides (1999) was met with critical acclaim, along with his fourth album The Ecstatic (2009). Bey's 2000 single, "Oh No" (with Pharoahe Monch featuring Nate Dogg) remains his sole entry on the Billboard Hot 100 as a solo act. In 2014, About.com listed him 14th on its "50 Greatest Rappers of All Time".

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Political hip-hop in the context of The Fugees

Fugees (/ˈfz/) are an American hip hop group formed in South Orange, New Jersey, in 1990. The trio of Wyclef Jean, Pras Michel, and Lauryn Hill were known for their fusion of hip-hop, reggae, R&B, and funk; their socially conscious lyrics; and use of live instrumentation during their performances. Their sound stood apart during the gangsta rap-dominated era, as they became one of the most significant alternative hip hop acts. Their name, derived from "refugees", referenced Jean's immigrant background, Michel's Haitian heritage, and themes of resilience in their music, which occasionally incorporated Haitian Creole.

After signing with Ruffhouse Records, an imprint of Columbia Records, in 1993, Fugees released their debut album Blunted on Reality (1994). Initially met by modest sales, it gained traction as they built a reputation in local clubs and talent shows. Producer Salaam Remi remixed their songs "Nappy Heads" and "Vocab", with the former charting on the Billboard Hot 100, helping them gain underground recognition. Their second album, The Score (1996), was a massive commercial success, spawning the hit singles "Fu-Gee-La", "Ready or Not", and their reimagined version of "Killing Me Softly", which topped the charts in over 20 countries worldwide. The album peaked at number one on the Billboard 200, was certified 7× Platinum by the Recording Industry Association of America (RIAA), and was nominated for Album of the Year at the Grammy Awards, making it only the second rap album to receive the honor. According to The New York Times, its success placed the Fugees "at the forefront of pop music".

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