Thunderbolt in the context of "Jupiter (mythology)"

The Praetorian Guard (Latin: cohortes praetoriae) was the imperial guard of the Imperial Roman army that served various roles for the Roman emperor including being a bodyguard unit, counterintelligence, crowd control and gathering military intelligence.

During the Roman Republic, the Praetorian Guards were escorts for high-ranking political officials (senators and procurators) and were bodyguards for the senior officers of the Roman legions. In 27 BC, after Rome's transition from republic to empire, the first emperor of Rome, Augustus, designated the Praetorians as his personal security escort. For three centuries, the guards of the Roman emperor were also known for their palace intrigues, by whose influence upon imperial politics the Praetorians could overthrow an emperor and then proclaim his successor as the new caesar of Rome. In AD 312, Constantine the Great disbanded the cohortes praetoriae and destroyed their barracks at the Castra Praetoria.

In Greek mythology and later Roman mythology, the Cyclopes (/saɪˈkloʊpiːz/ sy-KLOH-peez; Greek: Κύκλωπες, Kýklōpes, "Circle-eyes" or "Round-eyes"; singular Cyclops /ˈsaɪklɒps/ SY-klops; Κύκλωψ, Kýklōps) are giant one-eyed creatures. Three groups of Cyclopes can be distinguished. In Hesiod's Theogony, the Cyclopes are the three brothers, Brontes, Steropes, and Arges, who made Zeus's weapon, the thunderbolt. In Homer's Odyssey, they are an uncivilized group of shepherds, the brethren of Polyphemus encountered by Odysseus. A third group of Cyclopes reputedly built the Cyclopean walls of Mycenae and Tiryns.

In Cyclops, the fifth-century BC play by Euripides, a chorus of satyrs offers comic relief based on the encounter of Odysseus and Polyphemus. The third-century BC poet Callimachus makes the Hesiodic Cyclopes the assistants of smith-god Hephaestus, as does Virgil in the Latin epic Aeneid, where he seems to equate the Hesiodic and Homeric Cyclopes.

Medicine in ancient Rome was highly influenced by ancient Greek medicine, but also developed new practices through knowledge of the Hippocratic Corpus combined with use of the treatment of diet, regimen, along with surgical procedures. This was most notably seen through the works of two of the prominent Greek physicians, Dioscorides and Galen, who practiced medicine and recorded their discoveries. This is contrary to two other physicians like Soranus of Ephesus and Asclepiades of Bithynia, who practiced medicine both in outside territories and in ancient Roman territory, subsequently. Dioscorides was a Roman army physician, Soranus was a representative for the Methodic school of medicine, Galen performed public demonstrations, and Asclepiades was a leading Roman physician. These four physicians all had knowledge of medicine, ailments, and treatments that were healing, long lasting and influential to human history. Medicine in Ancient Rome was one of the most important influences to the modern medicine we have now.

Ancient Roman medicine was divided into specializations such as ophthalmology and urology. To increase their knowledge of the human body, physicians used a variety of surgical procedures for dissection that were carried out using many different instruments including forceps, scalpels and catheters.

The Vajra (Sanskrit: वज्र, lit. 'Thunderbolt', IAST: Vajra, Standard Tibetan: dorje) is a legendary and ritualistic tool, symbolizing the properties of a diamond (indestructibility) and a thunderbolt (irresistible force). It is also described as a "ritual weapon". The use of the bell and vajra together as symbolic and ritual tools is found in all schools of Tibetan Buddhism.

The vajra is a round, symmetrical metal scepter with two ribbed spherical heads. The ribs may meet in a ball-shaped top, or they may be separate and end in sharp points. The vajra is considered inseparable from the bell, and both are sold in dharma stores only in matching sets. The bell is also metal with a ribbed spherical head. The bell also depicts the face of Dhatvisvari, a female buddha and the consort of Vairocana.

The Titanomachy (Ancient Greek: Τιτανομαχία, romanized: Titanomakhía, lit. 'Titan-battle', Latin: Titanomachia) is a lost epic poem, which is a part of Greek mythology. It deals with the struggle that Zeus and his siblings, the Olympian Gods, had in overthrowing their father Cronus and his divine generation, the Titans.

The poem was traditionally ascribed to Eumelus of Corinth (8th century BC), a semi-legendary bard of the Bacchiad ruling family in archaic Corinth, who was treasured as the traditional composer of the Prosodion, the processional anthem of Messenian independence that was performed on Delos.