The Lion King in the context of "List of highest-grossing animated films"

Michael Dammann Eisner (/ˈaɪznər/ EYEZ-nər; born March 7, 1942) is an American businessman and media proprietor who served as chairman and chief executive officer (CEO) of the Walt Disney Company from September 1984 to September 2005. Prior to Disney, Eisner was president of rival film studio Paramount Pictures from 1976 to 1984, and had brief stints at the major television networks NBC, CBS, and ABC.

Eisner's 21-year stint at Disney saw the revitalization of the company's poorly performing animation studios with successful films such as The Little Mermaid (1989), Beauty and the Beast (1991), Aladdin (1992), and The Lion King (1994), a period known as the Disney Renaissance. Eisner additionally broadened the company's media portfolio by leading the acquisitions of ABC, most of ESPN and The Muppets franchise. Eisner also led major investments and expansion of the company's theme parks both domestically and globally, including the openings of Disney-MGM Studios (now Disney's Hollywood Studios) in 1989, Euro Disney (now Disneyland Paris) in 1992, Disney's Animal Kingdom in 1998, Disney's California Adventure Park and Tokyo DisneySea in 2001, Walt Disney Studios Park in 2002 and Hong Kong Disneyland in 2005.

The Disney Renaissance was a period from 1989 to 1999 during which Walt Disney Feature Animation returned to producing commercially and/or critically successful animated films. The ten feature films associated with this period are The Little Mermaid (1989), The Rescuers Down Under (1990), Beauty and the Beast (1991), Aladdin (1992), The Lion King (1994), Pocahontas (1995), The Hunchback of Notre Dame (1996), Hercules (1997), Mulan (1998), and Tarzan (1999).

The films were mostly musical adaptations of well-known stories, similar to the films produced by Walt Disney from the 1930s to 1960s. The resurgence allowed Disney's animated films to become a powerhouse of successes at the domestic and foreign box office, earning much greater profits.

Live action is a form of cinematography or videography that uses photography instead of animation. Some works combine live action with animation to create a live-action animated feature film. Live action is used to define film, video games or similar visual media. Photorealistic animation, particularly modern computer animation, is sometimes erroneously described as "live action", as in the case of some media reports about Disney's remake of the traditionally animated The Lion King from 1994. According to the Cambridge English Dictionary, live action involves "real people or animals, not models, or images that are drawn, or produced by computer".

Films generate income from several revenue streams, including theatrical exhibition, home video, television broadcast rights, and merchandising. However, theatrical box-office earnings are the primary metric for trade publications in assessing the success of a film, mostly because of the availability of the data compared to sales figures for home video and broadcast rights, but also because of historical practice. Included on the list are charts of the top box-office earners (ranked by both the nominal and real value of their revenue), a chart of high-grossing films by calendar year, a timeline showing the transition of the highest-grossing film record, and a chart of the highest-grossing film franchises and series. All charts are ranked by international theatrical box-office performance where possible, excluding income derived from home video, broadcasting rights, and merchandise.

Traditionally, war films, musicals, and historical dramas have been the most popular genres, but franchise films have been among the best performers of the 21st century. There is strong interest in the superhero genre, with eleven films in the Marvel Cinematic Universe featuring among the nominal top-earners. The most successful superhero film, Avengers: Endgame, is also the second-highest-grossing film on the nominal earnings chart, and there are four films in total based on the Avengers comic books charting in the top twenty. Other Marvel Comics adaptations have also had success with the Spider-Man and X-Men properties, while films based on Batman and Superman from DC Comics have generally performed well. Star Wars is also represented in the nominal earnings chart with five films, while the Jurassic Park franchise features prominently. Although the nominal earnings chart is dominated by films adapted from pre-existing properties and sequels, it is headed by Avatar, which is an original work. Animated family films have performed consistently well, with Disney films enjoying lucrative re-releases prior to the home-video era. Disney also enjoyed later success with films such as Frozen and its sequel, and The Lion King (along with its computer-animated remake), as well as its Pixar division, of which Inside Out 2, Incredibles 2, and Toy Story 3 and 4 have been the best performers. Beyond Disney and Pixar animation, China's Ne Zha 2 (the highest-grossing animated film), and the Despicable Me and Shrek series have met with the most success.

The Hunchback of Notre Dame is a 1996 American animated medieval period musical film loosely based on the 1831 novel by Victor Hugo, and produced by Walt Disney Feature Animation. Directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy, Irene Mecchi, Jonathan Roberts, and the writing team of Bob Tzudiker and Noni White, the film stars Tom Hulce, Demi Moore, Tony Jay, and Kevin Kline, the film follows Quasimodo (Hulce), the deformed and confined bell-ringer of Notre Dame, and his yearning to explore the outside world and be accepted by society, against the wishes of his cruel, puritanical adoptive father Claude Frollo (Jay), who also wants to exterminate Paris' Romani population.

In 1993, David Stainton, then a development executive at Disney Feature Animation, conceived the idea to adapt Victor Hugo's Gothic novel into an animated feature. He subsequently pitched the idea to then-Disney Studios chairman Jeffrey Katzenberg. At Katzenberg's request, Trousdale, Wise, and Hahn joined the project in 1993. Murphy wrote the first draft of the script, and Mecchi and Roberts, who had rewritten the script for The Lion King (1994), were soon brought in. Additional rewrites were provided by Tzudiker and White. That same year, the production team embarked on a research trip to Paris to study the Notre-Dame cathedral and additional locations for the film. The musical score was composed by Alan Menken, with songs written by Menken and lyricist Stephen Schwartz.

The Lion King is a 2019 American musical drama film that is a photorealistically animated remake of the traditionally-animated 1994 film. Directed by Jon Favreau, written by Jeff Nathanson, and produced by Walt Disney Pictures and Fairview Entertainment, the film stars the voices of Donald Glover, Seth Rogen, Chiwetel Ejiofor, Alfre Woodard, Billy Eichner, John Kani, John Oliver, Florence Kasumba, Eric André, Keegan-Michael Key, JD McCrary, Shahadi Wright Joseph, with Beyoncé Knowles-Carter, and James Earl Jones (reprising his voice role as Mufasa for the final time). The story follows a young lion prince named Simba, who is exiled from his kingdom after his father Mufasa is murdered by his uncle Scar to seize the throne. As he grows up, Simba must decide whether to return home to confront Scar and reclaim his place as king.

Plans for a remake of 1994's The Lion King were confirmed in September 2016 following box office successes for Disney remakes such as The Jungle Book (2016). Favreau was inspired by certain roles of characters in the Broadway adaptation and developed upon elements of the original film's story. Much of the main cast signed on in early 2017, and principal photography began in mid-2017 on a blue screen stage in Los Angeles. The virtual reality tools utilized in The Jungle Book's cinematography were used to a greater degree during the filming of The Lion King. Composers Hans Zimmer, Elton John, and lyricist Tim Rice returned to compose the score alongside Knowles-Carter, who assisted John in the reworking of the soundtrack and wrote a new song for the film, "Spirit", which she also performed. With a production budget of $250–260 million, the film is one of the most expensive films ever made, as well as the most expensive Disney remake.