Golden age of American animation in the context of "Disney Renaissance"

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⭐ Core Definition: Golden age of American animation

The golden age of American animation was a period that began with the popularization of sound synchronized cartoons in 1928, and gradually ended throughout in the early-1960s when theatrical animated cartoon film shorts started to lose popularity to the newer medium of television. Animated media from after the golden age, especially on television, were produced on cheaper budgets and with more limited techniques between in the late-1950s and in the mid-1980s.

Multiple highly-popular animated cartoon characters emerged from this period, including:

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👉 Golden age of American animation in the context of Disney Renaissance

The Disney Renaissance was a period from 1989 to 1999 during which Walt Disney Feature Animation returned to producing commercially and/or critically successful animated films. The ten feature films associated with this period are The Little Mermaid (1989), The Rescuers Down Under (1990), Beauty and the Beast (1991), Aladdin (1992), The Lion King (1994), Pocahontas (1995), The Hunchback of Notre Dame (1996), Hercules (1997), Mulan (1998), and Tarzan (1999).

The films were mostly musical adaptations of well-known stories, similar to the films produced by Walt Disney from the 1930s to 1960s. The resurgence allowed Disney's animated films to become a powerhouse of successes at the domestic and foreign box office, earning much greater profits.

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Golden age of American animation in the context of Walt Disney

Walter Elias Disney (/ˈdɪzni/ DIZ-nee; December 5, 1901 – December 15, 1966) was an American animator, film producer, voice actor, and entrepreneur. A pioneer of the American animation industry, he introduced several developments in the production of cartoons. As a film producer, he holds the record for most Academy Awards won (22) and nominations (59) by an individual. He was presented with two Golden Globe Special Achievement Awards and an Emmy Award, among other honors. Several of his films are included in the National Film Registry by the Library of Congress and have also been named as some of the greatest films ever by the American Film Institute.

Born in Chicago in 1901 and raised largely in Missouri, Disney developed an early interest in drawing. He took art classes as a boy and took a job as a commercial illustrator at the age of 18. He moved to California in the early 1920s and set up the Disney Brothers Studio (now the Walt Disney Company) with his brother Roy. With Ub Iwerks, he developed the character Mickey Mouse in 1928, his first highly popular success; he also provided the voice for his creation in the early years. As the studio grew, he became more adventurous, introducing synchronized sound, full-color three-strip Technicolor, feature-length cartoons and technical developments in cameras. The results, seen in features such as Snow White and the Seven Dwarfs (1937), Pinocchio, Fantasia (both 1940), Dumbo (1941), and Bambi (1942), furthered the development of animated film. New animated and live-action films followed after World War II, including Cinderella (1950), Sleeping Beauty (1959), and Mary Poppins (1964), the last of which received five Academy Awards.

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Golden age of American animation in the context of Looney Tunes

Looney Tunes is an American media franchise produced and distributed by Warner Bros. The franchise began as a series of animated short films that originally ran from 1930 to 1969, alongside its spin-off series Merrie Melodies, during the golden age of American animation. Following a revival in the late 1970s, new shorts were released theatrically as recently as 2014. The two series introduced a large cast of characters, including Bugs Bunny, Daffy Duck, Elmer Fudd and Porky Pig. The term Looney Tunes has since been expanded to also refer to the characters themselves.

Looney Tunes and Merrie Melodies were initially produced by Leon Schlesinger and animators Hugh Harman and Rudolf Ising from 1930 to 1933. Schlesinger assumed full production from 1933 until he sold his studio to Warner Bros. in 1944, after which it was renamed Warner Bros. Cartoons. The Looney Tunes title was inspired by that of Walt Disney's Silly Symphonies. The shorts initially showcased musical compositions owned by Warner's music publishing interests through the adventures of such characters as Bosko and Buddy. However, the shorts gained a higher profile upon the debuts of directors Tex Avery, Friz Freleng, Chuck Jones, Bob Clampett, and Robert McKimson, and voice actor Mel Blanc later in the decade. Porky Pig and Daffy Duck became the featured Looney Tunes characters, while Merrie Melodies featured one-shot cartoons and minor recurring characters.

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Golden age of American animation in the context of Bugs Bunny

Bugs Bunny is a cartoon character created in the late 1930s at Warner Bros. Cartoons (originally Leon Schlesinger Productions) and voiced originally by Mel Blanc. Bugs is best known for his featured roles in the Looney Tunes and Merrie Melodies series of animated short films, produced by Warner Bros. Early iterations of the character first appeared in Ben Hardaway's Porky's Hare Hunt (1938) and subsequent shorts before Bugs's definitive character traits debuted in Tex Avery's A Wild Hare (1940). Bob Givens, Chuck Jones, and Robert McKimson are credited for defining Bugs's visual design.

Bugs is an anthropomorphic gray-and-white rabbit or hare who is characterized by his flippant, insouciant personality, his Brooklyn accent, and his catchphrase "Eh... What's up, doc?". He is typically portrayed as a trickster, outwitting foes like Elmer Fudd and Yosemite Sam as well as various authority figures and criminals. He develops a friendly rivalry with Daffy Duck. Through his popularity during the golden age of American animation, Bugs became an American cultural icon and Warner Bros.' official mascot.

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Golden age of American animation in the context of Daisy Duck

Daisy Duck is an American cartoon character created by the Walt Disney Company. She is an anthropomorphic white duck that has large eyelashes and ruffled tail feathers around her lowest region to suggest a skirt. She is often seen wearing a hair bow, blouse and heeled shoes. The girlfriend of Donald Duck, Daisy was introduced in the short film Mr. Duck Steps Out (1940) and was incorporated into Donald's comic stories several months later. Carl Barks, the screenwriter and lead storyboard artist for the film, was inspired by the 1937 short, Don Donald, that featured a Latin character named Donna Duck, to revive the concept of a female counterpart for Donald.

Together with Mickey Mouse, Minnie Mouse, Donald Duck, Pluto and Goofy, Daisy is one of the "Sensational Six"— the biggest stars in the Disney universe. She became a highly popular cartoon character to emerge from the Golden age of American animation and she is considered a key mascot of the Walt Disney Company.

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Golden age of American animation in the context of Chips Ahoy (film)

Chips Ahoy is a Walt Disney-produced animated CinemaScope theatrical short. It was released to theaters on February 24, 1956, and was the second to last Disney cartoon to be distributed by RKO Radio Pictures. It is also the second to last regular Disney theatrical cartoon to feature Donald Duck in a starring role and the final appearance of Chip 'n' Dale in The Golden Age of Animation and their final appearance overall, until the 1959 Walt Disney Presents television special "The Adventures of Chip 'n' Dale". It was also re-released to theaters on July 24, 1985 to accompany The Black Cauldron.

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Golden age of American animation in the context of Animation in the United States in the television era

The television era of American animation was a period in the history of American animation that gradually started in the late 1950s with the decline of theatrical animated shorts and popularization of television animation, reached its peak during the 1970s, and ended around the mid-1980s. This era was characterized by low budgets, limited animation, an emphasis on television over the theater, and the general perception of cartoons being primarily for children.

The early-to-mid 20th century saw the success of Disney’s theatrical animated movies, along with Warner Bros.Looney Tunes and MGM’s Tom and Jerry cartoons. However, the state of animation began changing with the mid-century proliferation of television. By the 1970s and 1980s, studios had generally stopped producing the big-budget theatrical short animated cartoons that thrived in the golden age, but new television animation studios would thrive based on the economy and volume of their output. Many popular and famous animated cartoon characters emerged from this period, including Hanna-Barbera's Scooby-Doo, Josie and the Pussycats, Captain Caveman, and Hong Kong Phooey, Filmation's He-Man, DiC Entertainment's Inspector Gadget, and Marvel Productions' and Sunbow Productions' The Transformers. The period came to an end in the late 1980s as many entertainment companies revived their animation franchises and returned to making high-budget, successful works.

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Golden age of American animation in the context of Mel Blanc

Melvin Jerome Blanc (born Blank /blæŋk/; May 30, 1908 – July 10, 1989) was an American voice actor and radio personality whose career spanned over 60 years. During the Golden Age of Radio, he provided character voices and vocal sound effects for comedy radio programs, including those of Jack Benny, Abbott and Costello, Burns and Allen, The Great Gildersleeve, Judy Canova and his own short-lived sitcom.

Blanc became known worldwide for his work in the golden age of American animation as the voices of Bugs Bunny, Daffy Duck, Tweety, Sylvester the Cat, Yosemite Sam, Wile E. Coyote and the Road Runner, Speedy Gonzales, Marvin the Martian, Foghorn Leghorn, the Tasmanian Devil, Pepé Le Pew and numerous other characters from the Looney Tunes and Merrie Melodies theatrical cartoons. Blanc also voiced the Looney Tunes characters Porky Pig and Elmer Fudd after replacing their original performers, Joe Dougherty and Arthur Q. Bryan, respectively, although he occasionally voiced Elmer during Bryan's lifetime as well. He later voiced characters for Hanna-Barbera's television cartoons, including: Barney Rubble and Dino on The Flintstones, Mr. Spacely on The Jetsons, Secret Squirrel on The Atom Ant/Secret Squirrel Show, the title character of Speed Buggy, and Captain Caveman on Captain Caveman and the Teen Angels and The Flintstone Kids. He was also the voice of Gideon's hiccups in Pinocchio, his only appearance at Disney. Blanc was also the voice of Woody Woodpecker in the first four animated shorts from 1940 to 1941, his only appearance at Universal Pictures. He also provided the screams for Tom and Jerry in the short films from 1963 to 1967, in just 34 short films directed by Chuck Jones.

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Golden age of American animation in the context of Rudolf Ising

Rudolf Carl Ising (/ˈzɪŋ/ EYE-zing; August 7, 1903 – July 18, 1992) was an American animator best known for collaborating with Hugh Harman to establish the Warner Bros. and MGM Cartoon studios during the early years of the golden age of American animation. In 1940, Ising produced William Hanna and Joseph Barbera's first cartoon, Puss Gets the Boot, a cartoon featuring characters later known as Tom and Jerry.

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