Aladdin (1992 Disney film) in the context of "Michael Eisner"

The Disney Renaissance was a period from 1989 to 1999 during which Walt Disney Feature Animation returned to producing commercially and/or critically successful animated films. The ten feature films associated with this period are The Little Mermaid (1989), The Rescuers Down Under (1990), Beauty and the Beast (1991), Aladdin (1992), The Lion King (1994), Pocahontas (1995), The Hunchback of Notre Dame (1996), Hercules (1997), Mulan (1998), and Tarzan (1999).

The films were mostly musical adaptations of well-known stories, similar to the films produced by Walt Disney from the 1930s to 1960s. The resurgence allowed Disney's animated films to become a powerhouse of successes at the domestic and foreign box office, earning much greater profits.

Hercules is a 1997 American animated musical fantasy comedy film loosely based on the legendary hero Heracles (known in the film by his Roman name, Hercules), a son of Zeus in Greek mythology. Produced by Walt Disney Feature Animation, the film was directed by John Musker and Ron Clements, both of whom co-wrote the screenplay with Donald McEnery, Bob Shaw, and Irene Mecchi. Featuring the voices of Tate Donovan, Danny DeVito, James Woods, and Susan Egan, the film follows the titular Hercules, a demigod with super-strength raised among mortals, who must learn to become a true hero in order to earn back his godhood and place in Mount Olympus, while his evil uncle Hades plots his downfall.

Development of Hercules began in 1992 following a pitch adaptation of the Heracles mythological stories by animator Joe Haidar. Meanwhile, Clements and Musker re-developed their idea for Treasure Planet (2002) following the critical and commercial success of Aladdin (1992). Their project was removed from development in 1993, and Musker and Clements joined Hercules later that same year. Following an unused treatment by Haidar, Clements and Musker studied multiple interpretations of Greek mythology before abandoning Zeus's adulterous affair with Alcmene. The project underwent multiple story treatments and a first script draft was inspired by the screwball comedy films of the classic Hollywood era and popular culture of the 1990s. During production, McEnery, Shaw, and Mecchi were brought on board to revise Musker and Clements' script. British cartoonist Gerald Scarfe was recruited as production designer and produced over seven hundred visualization designs of the characters. Research trips to Greece and Turkey provided inspiration for the background designs. Animation for the film was done in California and Paris. Computer animation was used in several scenes, predominantly in the Hydra battle sequence. The production budget was $85 million.

Included in the list are charts of the top box-office earners, a chart of high-grossing animated films by the calendar year, a timeline showing the transition of the highest-grossing animated film record, and a chart of the highest-grossing animated film franchises and series. All charts are ranked by international theatrical box office performance where possible, excluding income derived from home video, broadcasting rights and merchandise.

Animated family films have performed consistently well at the box office, with Disney enjoying lucrative re-releases prior to the home video, who have produced films such as Aladdin and The Lion King, both of which were the highest-grossing animated film of all time upon their release. Disney Animation also enjoyed later success with the Frozen and Zootopia films, in addition to Pixar, of which the films from the Toy Story, Inside Out, Finding Nemo, and Incredibles franchises have been the best performers. Beyond Disney and Pixar, franchises Despicable Me, Shrek, Ice Age, Fengshen Cinematic Universe, Kung Fu Panda, Madagascar, and Doraemon have been met with the most success. Additionally, the current highest-grossing animated film is Ne Zha 2, a Chinese film that has grossed over $2 billion worldwide, the first-ever animated film to reach $2 billion worldwide.