Space opera in the context of "UFO religions"

Play Trivia Questions online!

or

Skip to study material about Space opera in the context of "UFO religions"

Ad spacer

⭐ Core Definition: Space opera

Space opera is a subgenre of science fiction that emphasizes outer space adventures set in a universe in which faster-than-light travel has become common. The plots often play out against a backdrop of space warfare, alien civilizations and galactic empires. The sub-genre is sometimes thought of as a futuristic homage to earlier adventure sagas, such as those found in mythology and chivalric romance.

The term does not refer to opera music, but instead originally referred to the melodrama, scope, and formulaic stories of operas, much as used in "soap opera", a melodramatic domestic drama, and "horse opera", a 1930s phrase for a clichΓ©d and formulaic Western film. Prototypes of space opera emerged in the early twentieth century, and the genre today enjoys great popularity in literature, film, comics, television, video games and board games.

↓ Menu

>>>PUT SHARE BUTTONS HERE<<<

πŸ‘‰ Space opera in the context of UFO religions

A UFO religion, also called a UFO cult or flying saucer cult or extraterrestrial religion, is any religion in which the existence of extraterrestrial (ET) entities and communication with them is a core belief. Typically, adherents of such religions believe the ETs to be interested in the welfare of humanity which either already is, or eventually will become, part of a pre-existing ET civilization. These religions have their roots in the tropes of early science fiction (especially space opera) and weird fiction writings, in ufology, and in the subculture of UFO sightings and alien abduction stories. Some historians consider the Aetherius Society, founded by George King, to be the first UFO religion, while others consider it to be "I AM" Activity.

↓ Explore More Topics
In this Dossier

Space opera in the context of Science fiction

Science fiction (often shortened to sci-fi or abbreviated SF) is the genre of speculative fiction that imagines advanced and futuristic scientific or technological progress. The elements of science fiction have evolved over time: from space exploration, extraterrestrial life, time travel, and robotics; to parallel universes, dystopian societies, and biological manipulations; and, most lately, to information technology, transhumanism (and posthumanism), and environmental challenges. Science fiction often specifically explores human responses to the consequences of these types of projected or imagined scientific advances.

The precise definition of science fiction has long been disputed among authors, critics, scholars, and readers. It contains many subgenres, including hard science fiction, which emphasizes scientific accuracy, and soft science fiction, which focuses on social sciences. Other notable subgenres are cyberpunk, which explores the interface between technology and society; climate fiction, which addresses environmental issues; and space opera, which emphasizes pure adventure in a universe in which space travel is common.

↑ Return to Menu

Space opera in the context of Star Wars (film)

Star Wars (also known as Star Wars: Episode IV – A New Hope) is a 1977 American epic space opera film written and directed by George Lucas, produced by Lucasfilm Ltd. and released by Twentieth Century-Fox. It is the first film in the Star Wars franchise and the fourth chronological chapter of the "Skywalker Saga". Set in a fictional galaxy under the rule of the tyrannical Galactic Empire, the film follows a resistance movement, called the Rebel Alliance, that aims to destroy the Empire's ultimate weapon, the Death Star. When the rebel leader Princess Leia is captured by the Galactic Empire, Luke Skywalker acquires stolen architectural plans for the Death Star and sets out to rescue her while learning the ways of a metaphysical power known as "the Force" from the Jedi Master Obi-Wan Kenobi. The cast includes Mark Hamill, Harrison Ford, Carrie Fisher, Peter Cushing, Alec Guinness, Anthony Daniels, Kenny Baker, Peter Mayhew, David Prowse, and James Earl Jones.

Lucas had the idea for a science fiction film in the vein of Flash Gordon around the time he completed his first film, THX 1138 (1971), and he began working on a treatment after the release of American Graffiti (1973). After numerous rewrites, principal photography began in March of 1976 in locations including Tunisia and Elstree Studios in Hertfordshire, England. Lucas formed the visual effects company Industrial Light & Magic to help create the film's visual effects. Star Wars suffered production difficulties: the cast and crew believed the film would be a failure, and it went $3 million over budget due to delays.

↑ Return to Menu

Space opera in the context of Imagination (magazine)

Imagination was an American fantasy and science fiction magazine first published in October 1950 by Raymond Palmer's Clark Publishing Company. The magazine was sold almost immediately to Greenleaf Publishing Company, owned by William Hamling, who published and edited it from the third issue, February 1951, for the rest of the magazine's life. Hamling launched a sister magazine, Imaginative Tales, in 1954; both ceased publication at the end of 1958 in the aftermath of major changes in US magazine distribution due to the liquidation of American News Company.

The magazine was more successful than most of the numerous science fiction titles launched in the late 1940s and early 1950s, lasting a total of 63 issues. Despite this success, the magazine had a reputation for low-quality space opera and adventure fiction, and modern literary historians refer to it in dismissive terms. Hamling consciously adopted an editorial policy oriented toward entertainment, asserting in an early issue that "science fiction was never meant to be an educational tour de force". Few of the stories from Imagination have received recognition, but it did publish Robert Sheckley's first professional sale, "Final Examination", in the May 1952 issue, and also printed fiction by Philip K. Dick, Robert A. Heinlein and John Wyndham.

↑ Return to Menu

Space opera in the context of Science fiction writer

Science fiction is a genre of speculative fiction that deals with imaginative, futuristic and scientific concepts. These concepts may include information technology and robotics, biological manipulations, space exploration, time travel, parallel universes, and extraterrestrial life. The genre often explores human responses to the consequences of projected or imagined scientific advances.

Science fiction is related to fantasy, horror, and superhero fiction, and it contains many subgenres. The genre's precise definition has long been disputed among authors, critics, scholars, and readers. Major subgenres include hard science fiction, which emphasizes scientific accuracy, and soft science fiction, which focuses on social sciences. Other notable subgenres are cyberpunk, which explores the interface between technology and society, climate fiction, which addresses environmental issues, and space opera, which emphasizes pure adventure in a universe in which space travel is common.

↑ Return to Menu

Space opera in the context of Star Wars

Star Wars is an American epic space opera media franchise created by George Lucas, which began with the eponymous 1977 film and quickly became a worldwide pop culture phenomenon. The franchise has been expanded into various films and other media, including television series, video games, novels, comic books, theme park attractions, and themed areas, comprising an all-encompassing fictional universe. Star Wars is one of the highest-grossing media franchises of all time.

The original 1977 film, retroactively subtitled Episode IV: A New Hope, was followed by the sequels Episode V: The Empire Strikes Back (1980) and Episode VI: Return of the Jedi (1983), forming the original Star Wars trilogy. Lucas later returned to the series to write and direct a prequel trilogy, consisting of Episode I: The Phantom Menace (1999), Episode II: Attack of the Clones (2002), and Episode III: Revenge of the Sith (2005). In 2012, Lucas sold his production company to Disney, relinquishing his ownership of the franchise. This led to a sequel trilogy, consisting of Episode VII: The Force Awakens (2015), Episode VIII: The Last Jedi (2017), and Episode IX: The Rise of Skywalker (2019).

↑ Return to Menu

Space opera in the context of George Lucas

George Walton Lucas Jr. (born May 14, 1944) is an American filmmaker and philanthropist. He created the Star Wars and Indiana Jones franchises and founded Lucasfilm, LucasArts, Industrial Light & Magic and THX. He served as chairman of Lucasfilm before selling it to the Walt Disney Company in 2012. Nominated for four Academy Awards, he is considered to be one of the most significant figures of the 20th-century New Hollywood movement, and a pioneer of the modern blockbuster. Despite this, he has remained an independent filmmaker for most of his career.

After graduating from the University of Southern California in 1967, Lucas moved to San Francisco and co-founded American Zoetrope with filmmaker Francis Ford Coppola. He wrote and directed THX 1138 (1971), based on his student short Electronic Labyrinth: THX 1138 4EB, which was a critical success but a financial failure. His next work as a writer-director was American Graffiti (1973), inspired by his youth in early 1960s Modesto, California, and produced through the newly founded Lucasfilm. The film was critically and commercially successful and received five Academy Award nominations, including Best Director and Best Picture. Lucas's next film, the epic space opera Star Wars (1977), later retitled A New Hope, had a troubled production but was a surprise hit, becoming the highest-grossing film at the time, winning six Academy Awards and sparking a cultural phenomenon. Lucas produced and co-wrote the sequels The Empire Strikes Back (1980) and Return of the Jedi (1983). With director Steven Spielberg, he created, produced, and co-wrote Indiana Jones films Raiders of the Lost Ark (1981), The Temple of Doom (1984), The Last Crusade (1989) and The Kingdom of the Crystal Skull (2008), and served as an executive producer, with a cursory involvement in pre and post-production, on The Dial of Destiny (2023).

↑ Return to Menu

Space opera in the context of Rogue One

Rogue One: A Star Wars Story is a 2016 American epic space opera film directed by Gareth Edwards and written by Chris Weitz and Tony Gilroy. Produced by Lucasfilm and distributed by Walt Disney Studios Motion Pictures, it is the first Star Wars anthology film and a prequel to Star Wars (1977). It stars Felicity Jones, Diego Luna, Ben Mendelsohn, Donnie Yen, Mads Mikkelsen, Alan Tudyk, Riz Ahmed, Jiang Wen, and Forest Whitaker. Set a week before the events of Star Wars, Rogue One follows rebels who steal the schematics for the Galactic Empire's ultimate weapon, the Death Star. It details the Rebel Alliance's first effective victory against the Empire, as referenced in the Star Wars opening crawl.

John Knoll, who served as the visual effects supervisor of the Star Wars prequel trilogy, pitched Rogue One's story as an episode of the unproduced television series Star Wars: Underworld in 2003. He pitched it again as a film following Disney's acquisition of Lucasfilm in 2012; Edwards was hired to direct in 2014. Edwards sought to differentiate Rogue One from previous Star Wars films and approach it as a war film, omitting the opening crawl and transitional screen wipes used in the main "Skywalker Saga" installments. Principal photography began at Pinewood Studios, Buckinghamshire, in early August 2015 and wrapped in February 2016. The film went through extensive reshoots in mid-2016. The score was composed by Michael Giacchino, rather than the Skywalker Saga composer John Williams. With an estimated production budget of $200–280.2 million, Rogue One is one of the most expensive films ever made.

↑ Return to Menu