Epic film in the context of "Star Wars"

Epic is a narrative genre characterised by its length, scope, and subject matter. The defining characteristics of the genre are mostly derived from its roots in ancient poetry (epic poems such as Homer's Iliad and Odyssey). An epic is not limited to the traditional medium of oral poetry, but has expanded to include modern mediums including film, theater, television shows, novels, and video games.

Epic poetry dates back millennia to works of literature predating Ancient Greece or the Hebrew Bible, such as the Epic of Gilgamesh. But critique and discourse has continuously arisen over this long period of time, with attempts to clarify what the core characteristics of the “epic” genre really are beginning only in the past two centuries as new mediums of storytelling emerged with developing technologies. Most significantly, the advent of the novel, such as classics like Tolstoy's War and Peace which began to be referred to as “epic novels”, caused critics to reconsider what can be called an “epic”. With this discussion, epic became a larger overarching genre under which many subgenres, such as epic poetry, epic novels, and epic films could fall under. However, the nebulous definitions assigned to even the long-standing ancient epics due to their ubiquitous presence across vastly differing cultures and traditions, are still a topic of discourse for today's literary academics, and have caused lingering difficulties in creating a definitive definition for the umbrella term of “epic” as a genre.

Troy is a 2004 epic historical action film directed by Wolfgang Petersen and written by David Benioff. Produced by units in Malta, Mexico and Britain's Shepperton Studios, the film features an ensemble cast led by Brad Pitt, Eric Bana, Sean Bean, Diane Kruger, Brian Cox, Brendan Gleeson, Rose Byrne, Saffron Burrows and Orlando Bloom. It is loosely based on Homer's Iliad in its narration of the entire story of the decade-long Trojan War—condensed into little more than a couple of weeks, rather than just the quarrel between Achilles and Agamemnon in the ninth year. Achilles leads his Myrmidons along with the rest of the Greek army invading the historical city of Troy, defended by Hector's Trojan army. The end of the film (the sack of Troy) is not taken from the Iliad, but rather from Quintus Smyrnaeus's Posthomerica, as the Iliad concludes with Hector's death and funeral.

Troy made over $497 million worldwide, making it the 60th highest-grossing film at the time of its release and Petersen's highest-grossing film. However, it received mixed reviews, with critics praising its entertainment value and the performances of Pitt and Bana while criticizing its story, which was deemed unfaithful to the Iliad. It received a nomination for Best Costume Design at the 77th Academy Awards and was the eighth highest-grossing film of 2004.

Cabiria is a 1914 Italian epic silent film, directed by Giovanni Pastrone and shot in Turin. The film is set in ancient Sicily, Carthage, and Cirta during the period of the Second Punic War (218–202 BC). It follows the story of an abducted little girl, Cabiria, and features an eruption of Mount Etna, religious rituals in Carthage, the alpine trek of Hannibal, Archimedes' defeat of the Roman fleet at the Siege of Syracuse and Scipio maneuvering in North Africa. Apart from being a classic on its own terms, the film is also notable for being the first film in which the long-running film character Maciste makes his debut. According to Martin Scorsese, in this work Pastrone invented the epic movie and deserves credit for many of the innovations often attributed to D.W. Griffith and Cecil B. DeMille. Among those was the extensive use of a moving camera, thus freeing the feature-length narrative film from "static gaze".

The historical background and characters in the story are taken from Livy's Ab Urbe Condita (written ca. 27–25 BC). In addition, the script of Cabiria was partially based on Gustave Flaubert's 1862 novel Salammbô and Emilio Salgari's 1908 novel Cartagine in fiamme (Carthage in Flames). It was the first film shown at the White House, having been viewed on the South Lawn, by the President, First Lady, Vice President, his wife, members of the Cabinet and their wives, due to the summer heat in June 1914.

A background actor or extra is a performer in a film, television show, stage, musical, opera, or ballet production who appears in a nonspeaking or nonsinging (silent) capacity, usually in the background (for example, in an audience or busy street scene). War films and epic films often employ background actors in large numbers: some films have featured hundreds or even thousands of paid background actors as cast members (hence the term "cast of thousands"). Likewise, grand opera can involve many background actors appearing in spectacular productions.

On a film or TV set, background actors are usually referred to as "supporting artists", "junior artists", "atmosphere", "background talent", "background performers", "background artists", "background cast members", "talent", "background friends", or simply "background", while the term "extra" is rarely used and is often considered derogatory. In a stage production, background actors are commonly referred to as "supernumeraries". A more archaic theatre term is "sword carriers". In opera and ballet, they are called either "extras" or "supers".

Quo Vadis (Latin for "Where are you going?") is a 1951 American religious epic historical film set in ancient Rome during the final years of Emperor Nero's reign, based on the 1896 novel of the same title by Polish Nobel Laureate author Henryk Sienkiewicz. Produced by Metro-Goldwyn-Mayer and filmed in Technicolor, it was directed by Mervyn LeRoy from a screenplay by S. N. Behrman, Sonya Levien, and John Lee Mahin. It is the fourth screen adaptation of Sienkiewicz's novel. The film stars Robert Taylor, Deborah Kerr, Leo Genn, and Peter Ustinov, and features Patricia Laffan, Finlay Currie, Abraham Sofaer, Marina Berti, Buddy Baer, and Felix Aylmer. Future Italian stars Sophia Loren and Bud Spencer appeared as uncredited extras. The score is by Miklós Rózsa and the cinematography by Robert Surtees and William V. Skall. The film was released by Metro-Goldwyn-Mayer on November 2, 1951.

The story, set between 64 and 68 AD, combines both historical and fictional events and characters, and compresses the key events of that period into the space of only a few weeks. Its main theme is the Roman Empire’s conflict with Christianity and persecution of Christians in the final years of the Julio-Claudian line. Unlike his illustrious and powerful predecessor, Emperor Claudius, Nero proved corrupt and destructive, and his actions eventually threatened to destroy Rome's previously peaceful social order. The title refers to an incident in the apocryphal Acts of Peter.

Epic commonly refers to:

• Epic poetry, a long narrative poem celebrating heroic deeds and events significant to a culture or nation
• Epic film, a genre of film defined by the spectacular presentation of human drama on a grandiose scale

Epic(s) or EPIC(s) may also refer to:

Jason and the Argonauts (working title: Jason and the Golden Fleece) is a 1963 epic fantasy adventure film loosely based on the 3rd century BC Greek epic poem The Argonautica by Apollonius Rhodius. Distributed by Columbia Pictures, it was produced by Charles H. Schneer, directed by Don Chaffey, and stars Todd Armstrong, Nancy Kovack, Gary Raymond, and Laurence Naismith.

Shot in Eastman Color, the film was made in collaboration with stop-motion animation visual effects artist Ray Harryhausen and is known for its various legendary creatures, notably the iconic fight scene featuring seven skeleton warriors. Although it was a box office disappointment during its initial release, the film was critically acclaimed and later considered a classic.

The Good, the Bad and the Ugly (Italian: Il buono, il brutto, il cattivo, lit. 'The good, the ugly, the bad') is a 1966 Italian epic spaghetti Western film directed by Sergio Leone and starring Clint Eastwood as "the Good", Lee Van Cleef as "the Bad", and Eli Wallach as "the Ugly". Its screenplay was written by Age & Scarpelli, Luciano Vincenzoni, and Leone (with additional screenplay material and dialogue provided by an uncredited Sergio Donati), based on a story by Vincenzoni and Leone. Director of photography Tonino Delli Colli was responsible for the film's sweeping widescreen cinematography, and Ennio Morricone composed the film's score. It was an Italian-led production with co-producers in Spain, West Germany, and the United States. Most of the filming took place in Spain, notably, though not exclusively, in the Tabernas Desert in Almería; in the Arlanza River valley near Hortigüela; and at the purpose-built Sad Hill Cemetery near Santo Domingo de Silos.

The film is known for Leone's use of long shots and close-up cinematography, as well as his distinctive use of violence, tension, and highly stylised gunfights. The plot revolves around three gunslingers competing to find a fortune in a buried cache of Confederate gold amid the violent chaos of the American Civil War (specifically the Battle of Glorieta Pass of the New Mexico campaign in 1862) while participating in many battles, confrontations, and duels along the way. The film was the third collaboration between Leone and Eastwood, and the second of those with Van Cleef.

Sergei Mikhailovich Eisenstein (22 January [O.S. 10 January] 1898 – 11 February 1948) was a Soviet film director, screenwriter, film editor and film theorist. Considered one of the greatest filmmakers of all time, he was a pioneer in the theory and practice of montage. He is noted in particular for his silent films Strike (1925), Battleship Potemkin (1925) and October (1928), as well as the historical epics Alexander Nevsky (1938) and Ivan the Terrible (1945/1958). In its decennial poll, the magazine Sight and Sound named his Battleship Potemkin the 54th-greatest film of all time.