Battleship Potemkin in the context of "Sergei Eisenstein"

The Russian battleship Potemkin (Russian: Князь Потёмкин Таврический, romanized: Kniaz Potyomkin Tavricheskiy, "Prince Potemkin of Taurida") was a pre-dreadnought battleship built for the Imperial Russian Navy's Black Sea Fleet. She became famous during the Revolution of 1905, when her crew mutinied against their officers. This event later formed the basis for Sergei Eisenstein's 1925 silent film Battleship Potemkin.

After the mutineers sought asylum in Constanța, Romania, and after the Russians recovered the ship, her name was changed to Panteleimon. She accidentally sank a Russian submarine in 1909 and was badly damaged when she ran aground in 1911. During World War I, Panteleimon participated in the Battle of Cape Sarych in late 1914. She covered several bombardments of the Bosphorus fortifications in early 1915, including one where the ship was attacked by the Ottoman battlecruiser Yavuz Sultan Selim – Panteleimon and the other Russian pre-dreadnoughts present drove her off before she could inflict any serious damage. The ship was relegated to secondary roles after Russia's first dreadnought battleship entered service in late 1915. She was by then obsolete and was reduced to reserve in 1918 in Sevastopol.

Strike (Russian: Стачка, romanized: Stachka) is a 1925 Soviet silent propaganda film directed and edited by Sergei Eisenstein. Originating as one entry out of a proposed seven-part series titled "Towards Dictatorship of the Proletariat", Strike was a joint collaboration between the Proletcult Theatre and the film studio Goskino. As Eisenstein's first full-length feature film, it marked his transition from theatre to cinema, and his next film Battleship Potemkin emerged from the same film cycle.

Arranged in six parts, the film depicts a strike in 1903 by the workers of a factory in pre-revolutionary Russia, and their subsequent suppression. It is best known for a sequence towards the climax, in which the violent suppression of the strike is cross-cut with footage of cattle being slaughtered, and similar animal metaphors are used throughout the film to describe various individuals.