Giotto in the context of "Renaissance"

Mendicant orders are primarily certain Catholic religious orders that have vowed for their male members a lifestyle of poverty, traveling, and living in urban areas for purposes of preaching, evangelization, and ministry, especially to less wealthy individuals. At their foundation these orders rejected the previously established monastic model, which prescribed living in one stable, isolated community where members worked at a trade and owned property in common, including land, buildings and other wealth. By contrast, the mendicants avoided owning property, did not work at a trade, and embraced a poor, often itinerant lifestyle. They depended for their survival on the goodwill of the people to whom they preached. The members of these orders are not called monks but friars.

The term "mendicant" is also used with reference to some non-Christian religions to denote holy persons committed to an ascetic lifestyle, which may include members of religious orders and individual holy persons.

In Christian tradition, the True Cross is the original wooden cross on which Jesus of Nazareth was crucified.

It is related by numerous historical accounts and legends that Helen, the mother of Roman emperor Constantine the Great, recovered the True Cross at the Holy Sepulchre in Jerusalem, when she travelled to the Holy Land in the years 326–328. The late fourth-century historians Gelasius of Caesarea and Tyrannius Rufinus wrote that while Helen was there, she discovered the hiding place of three crosses that were believed to have been used at the crucifixion of Jesus and the two thieves, Dismas and Gestas, who were executed with him. To one cross was affixed the titulus bearing Jesus' name, but according to Rufinus, Helen was unsure of its legitimacy until a miracle revealed that it was the True Cross. This event is celebrated on the liturgical calendar as the Feast of the Exaltation of the Cross (Roodmas) by the Oriental Orthodox, Eastern Orthodox, Persian, Roman Catholic, Lutheran, and Anglican churches.

Andrea del Castagno (Italian: [anˈdrɛːa del kaˈstaɲɲo]) or Andrea di Bartolo di Bargilla (pronounced [anˈdrɛːa di ˈbartolo di barˈdʒilla]; c. 1419 – 19 August 1457) was an Italian Renaissance painter in Florence, influenced chiefly by Masaccio and Giotto di Bondone. His works include frescoes in Sant'Apollonia in Florence and the painted equestrian monument of Niccolò da Tolentino (1456) in Florence Cathedral. He in turn influenced the Ferrarese school of Cosmè Tura, Francesco del Cossa and Ercole de' Roberti.

Giotto's Campanile (/ˌkæmpəˈniːli, -leɪ/, also US: /ˌkɑːm-/, Italian: [kampaˈniːle]) is a free-standing campanile (bell tower) that is part of the complex of buildings that make up Florence Cathedral on the Piazza del Duomo in Florence, Italy.

Standing adjacent to the Basilica of Santa Maria del Fiore and the Baptistry of St. John, the tower is one of the showpieces of Florentine Gothic architecture with its design by Giotto, its rich sculptural decorations and its polychrome marble encrustations.

The historic centre of Florence is part of quartiere 1 of the Italian city of Florence. This quarter was named a World Heritage Site by UNESCO in 1982.

Built on the site of an Etruscan settlement, Florence, the symbol of the Renaissance, rose to economic and cultural pre-eminence under the Medici in the 15th and 16th centuries. Its 600 years of extraordinary artistic activity can be seen above all in the 13th-century cathedral (Santa Maria del Fiore), the Church of Santa Croce, the Uffizi and the Pitti Palace, the work of great masters such as Giotto, Filippo Brunelleschi, Sandro Botticelli and Michelangelo.

Jules Michelet (French: [ʒyl miʃlɛ]; 21 August 1798 – 9 February 1874) was a French historian and writer, best known for his multi-volume work Histoire de France (History of France), which chronicles the history of France from its earliest origins to the French Revolution. Michelet was influenced by Giambattista Vico, particularly by his emphasis on the role of ordinary people and their customs in shaping historical narratives, which contrasted with the traditional focus on political and military elites. Michelet also drew inspiration from Vico's concept of the corsi e ricorsi—the cyclical nature of history—in which societies rise and fall in a recurring pattern.

In Histoire de France, Michelet coined the term ''Renaissance'' (French for "rebirth") to describe a cultural movement in Europe that marked a clear departure from the Middle Ages. Although the term was initially used by the Italian art historian Giorgio Vasari in 1550 to describe the revival of classical art beginning with Giotto, Michelet was the first historian to apply the French equivalent systematically to a broader historical era. His use of the term "Renaissance'' established the modern interpretation of this period as a time of renewed humanism, artistic flourishing, and intellectual transformation in "post-medieval" Europe.