Socratic dialogue in the context of "Plato"

Socrates (/ˈsɒkrətiːz/; Ancient Greek: Σωκράτης, romanized: Sōkrátēs; c. 470 – 399 BC) was an ancient Greek philosopher from Classical Athens, perhaps the first Western moral philosopher, and a major inspiration on his student Plato, who largely founded the tradition of Western philosophy. An enigmatic figure, Socrates authored no texts and is known mainly through the posthumous accounts of classical writers, particularly his students Plato and Xenophon. These accounts are written as dialogues, in which Socrates and his interlocutors examine a subject in the style of question and answer; they gave rise to the Socratic dialogue literary genre. Contradictory accounts of Socrates make a reconstruction of his philosophy nearly impossible, a situation known as the Socratic problem. Socrates was a polarizing figure in Athenian society. In 399 BC, he was accused of impiety and corrupting the youth. After a trial that lasted a day, he was sentenced to death. As related by Plato, he was put to death by administration of poison after refusing offers from allies to help him escape.

Plato's dialogues are among the most comprehensive accounts of Socrates to survive from antiquity. They demonstrate the Socratic approach to areas of philosophy including epistemology and ethics. The Platonic Socrates lends his name to the concept of the Socratic method, and also to Socratic irony. The Socratic method of questioning, or elenchus, takes shape in dialogue using short questions and answers, epitomized by those Platonic texts in which Socrates and his interlocutors examine various aspects of an issue or an abstract meaning, usually relating to one of the virtues, and find themselves at an impasse, unable to define what they thought they understood. Socrates frequently proclaims his ignorance, saying that he is only sure that he does not know.

In Ancient Greece, the symposium (Ancient Greek: συμπόσιον, sympósion, from συμπίνειν, sympínein, 'to drink together') was the part of a banquet that took place after the meal, when drinking for pleasure was accompanied by music, dancing, recitals, or conversation. Literary works that describe or take place at a symposium include two Socratic dialogues, Plato's Symposium and Xenophon's Symposium, as well as a number of Greek poems, such as the elegies of Theognis of Megara. Symposia are depicted in Greek and Etruscan art that shows similar scenes.

In modern usage, it has come to mean an academic conference or meeting, such as a scientific conference. The Latin equivalent of a Greek symposium in Roman society is convivium.

Dialogue (sometimes spelled dialog in American English) is an interactive communication between two or more people, and a literary and theatrical form that depicts such an exchange. As a philosophical or didactic device, it is chiefly associated in the West with the Socratic dialogue as developed by Plato, but antecedents are also found in other traditions including Indian literature.

The Socratic method (also known as Socratic debate, the Socratic dialectic, or the method of Elenchus) is a form of argumentative dialogue in which an individual probes a conversation partner on a topic with questions and clarifications, until the partner is pressed to come to a conclusion on their own, or else their reasoning breaks down and they are forced to admit ignorance. Socratic dialogues between characters employing this method feature in many of the works of the ancient Greek philosopher Plato, where a fictionalized version of his real-life teacher Socrates debates various philosophical issues with a partner.

In Plato's dialogue "Theaetetus", Socrates describes his method as a form of "midwifery" because it is employed to help his interlocutors develop their understanding in a way analogous to a child developing in the womb. The Socratic method begins with commonly held beliefs and scrutinizes them by way of questioning to determine their internal consistency and their coherence with other beliefs and so to bring everyone closer to the truth.

The Symposium (Ancient Greek: Συμπόσιον, Symposion) is a Socratic dialogue by Plato, dated c. 385 – 370 BC. It depicts a friendly contest of extemporaneous speeches given by a group of notable Athenian men attending a banquet. The men include the philosopher Socrates, the general and statesman Alcibiades, and the comic playwright Aristophanes. The panegyrics are to be given in praise of Eros, the god of love and sex.

In the Symposium, Eros is recognized both as erotic lover and as a phenomenon capable of inspiring courage, valor, great deeds and works, and vanquishing man's natural fear of death. It is seen as transcending its earthly origins and attaining spiritual heights. The extraordinary elevation of the concept of love raises a question of whether some of the most extreme extents of meaning might be intended as humor or farce. Eros is almost always translated as "love," and the English word has its own varieties and ambiguities that provide additional challenges to the effort to understand the Eros of ancient Athens.

Phaedo (/ˈfiːdoʊ/; Ancient Greek: Φαίδων, Phaidōn) is a dialogue written by Plato, in which Socrates discusses the immortality of the soul and the nature of the afterlife with his friends in the hours leading up to his death. Socrates explores various arguments for the soul's immortality with the Pythagorean philosophers Simmias and Cebes of Thebes in order to show that there is an afterlife in which the soul will dwell following death. The dialogue concludes with a mythological narrative of the descent into Tarturus and an account of Socrates' execution.