Symposium (Plato) in the context of "Symposium"

Aphrodite (/ˌæfrəˈdaɪtiː/ , AF-rə-DY-tee) is an ancient Greek goddess associated with love, lust, beauty, pleasure, passion, procreation, and as her syncretised Roman counterpart Venus, desire, sex, fertility, prosperity, and victory. Aphrodite's major symbols include seashells, myrtles, roses, doves, sparrows, and swans. The cult of Aphrodite was largely derived from that of the Phoenician goddess Astarte, a cognate of the East Semitic goddess Ishtar, whose cult was based on the Sumerian cult of Inanna. Aphrodite's main cult centers were Cythera, Cyprus, Corinth, and Athens. Her main festival was the Aphrodisia, which was celebrated annually in midsummer. In Laconia, Aphrodite was worshipped as a warrior goddess. She was also the patron goddess of prostitutes, an association which led early scholars to propose the concept of sacred prostitution in Greco-Roman culture, an idea which is now generally seen as erroneous.

A major goddess in the Greek pantheon, Aphrodite featured prominently in ancient Greek literature. According to many sources, like Homer's Iliad and Sappho's Ode to Aphrodite, she is the daughter of Zeus and Dione. In Hesiod's Theogony, however, Aphrodite is born off the coast of Cythera from the foam (ἀφρός, aphrós) produced by Uranus's genitals, which his son Cronus had severed and thrown into the sea. In his Symposium, Plato asserts that these two origins actually belong to separate entities; Aphrodite Urania (a transcendent "Heavenly" Aphrodite, who "partakes not of the female but only of the male", with Plato describing her as inspiring love between men, but having nothing to do with the love of women) and Aphrodite Pandemos (Aphrodite common to "all the people" who Plato described as "wanton", to contrast her with the virginal Aphrodite Urania, who did not engage in sexual acts at all. Pandemos inspired love between men and women, unlike her older counterpart). The epithet Aphrodite Areia (the "Warlike") reveals her contrasting nature in ancient Greek religion. Aphrodite had many other epithets, each emphasizing a different aspect of the same goddess or used by a different local cult. Thus she was also known as Cytherea (Lady of Cythera) and Cypris (Lady of Cyprus), because both locations claimed to be the place of her birth. Sappho's Ode to Aphrodite is one of the earliest poems dedicated to the goddess and survives from the Archaic period nearly complete.

Platonism is the philosophy of Plato and philosophical systems closely derived from it, though later and contemporary Platonists do not necessarily accept all of Plato's own doctrines. Platonism has had a profound effect on Western thought. At the most fundamental level, Platonism affirms the existence of abstract objects, which are asserted to exist in a third realm distinct from both the sensible external world and from the internal world of consciousness, and is the opposite of nominalism. This can apply to properties, types, propositions, meanings, numbers, sets, truth values, and so on (see abstract object theory). Philosophers who affirm the existence of abstract objects are sometimes called Platonists; those who deny their existence are sometimes called nominalists. The terms "Platonism" and "nominalism" also have established senses in the history of philosophy. They denote positions that have little to do with the modern notion of an abstract object.

In a narrower sense, the term might indicate the doctrine of Platonic realism, a form of mysticism. The central concept of Platonism, a distinction essential to the Theory of Forms, is the distinction between the reality which is perceptible but unintelligible, associated with the flux of Heraclitus and studied by the likes of physical science, and the reality which is imperceptible but intelligible, associated with the unchanging being of Parmenides and studied by the likes of mathematics. Geometry was the main motivation of Plato, and this also shows the influence of Pythagoras. The Forms are typically described in dialogues such as the Phaedo, Symposium and Republic as perfect archetypes of which objects in the everyday world are imperfect copies. Aristotle's Third Man Argument is its most famous criticism in antiquity.

Aphrodite Pandemos (Ancient Greek: Πάνδημος, romanized: Pándēmos; "common to all the people") occurs as an epithet of the Greek goddess Aphrodite. This epithet can be interpreted in different ways. In Plato's Symposium, Pausanias of Athens describes Aphrodite Pandemos as the goddess of sensual pleasures, in opposition to Aphrodite Urania, or "the heavenly Aphrodite". At Elis, she was represented as riding on a ram by Scopas. Another interpretation is that of Aphrodite uniting all the inhabitants of a country into one social or political body. In this respect she was worshipped at Athens along with Peitho (persuasion), and her worship was said to have been instituted by Theseus at the time when he united the scattered townships into one great body of citizens. According to some authorities, it was Solon who erected the sanctuary of Aphrodite Pandemos, either because her image stood in the agora, or because the hetairai had to pay the costs of its erection. The worship of Aphrodite Pandemos also occurs at Megalopolis in Arcadia, and at Thebes. A festival in honour of her is mentioned by Athenaeus. The sacrifices offered to her consisted of white goats. Pandemos occurs also as a surname of Eros. According to Harpocration, who quotes Apollodorus, Aphrodite Pandemos has very old origins, "the title Pandemos was given to the goddess established in the neighborhood of the Old Agora because all the Demos (people) gathered there of old in their assemblies which they called agorai." To honour Aphrodite's and Peitho's role in the unification of Attica, the Aphrodisia festival was organized annually on the fourth of the month of Hekatombaion (the fourth day of each month was the sacred day of Aphrodite). The Synoikia that honoured Athena, the protectress of Theseus and main patron of Athens, also took place in the month of Hekatombaion.

Christine Downing comments that, "Pausanias's description of the love associated with Aphrodite Pandemos as dedicated only to sensual pleasure and therefore directed indifferently to women and men, and that associated with the Ouranian Aphrodite as "altogether male" and dedicated to the education of the soul of the beloved is actually an innovation—for Aphrodite Ourania was served in Corinth by prostitutes and Aphrodite Pandemos was the goddess as worshipped by the whole community."

Pausanias (/pɔːˈseɪniəs/; Ancient Greek: Παυσανίας; fl. c. 420 BC) was an ancient Athenian of the deme Kerameis, who was the lover of the poet Agathon.

Although Pausanias is given a significant speaking part in Plato's Symposium, very little is known about him. Ancient anecdotes tend to address only his relationship with Agathon and give us no information about his personal accomplishments. Around 407 BC he removed himself together with Agathon from Athens to the court of the Macedonian king Archelaus.

Agathon (/ˈæɡəθɒn/; Ancient Greek: Ἀγάθων; c. 448 – c. 400 BC) was an Athenian tragic poet whose works have been lost. He is best known for his appearance in Plato's Symposium, which describes the banquet given to celebrate his obtaining a prize for his first tragedy at the Lenaia in 416. He is also a prominent character in Aristophanes' comedy the Thesmophoriazusae.