Sculptures in the context of "The Royal Academicians in General Assembly"

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⭐ Core Definition: Sculptures

Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast.

Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. In addition, most ancient sculpture was painted, which has been lost.

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👉 Sculptures in the context of The Royal Academicians in General Assembly

The Royal Academicians in General Assembly is a 1795 oil painting by the English artist Henry Singleton. It depicts the assembled members of the British Royal Academy of Arts in the Council Chamber at Somerset House in London, then the headquarters of the academy. They are judging the various works of art produced by students of the academy. In his diary Joseph Farington noted disagreements amongst the Academicians about their respective placings in the picture. It includes many members who did not actually attend meetings including the two founding female members Angelica Kauffman and Mary Moser.

On the wall on the right is a self-portrait of the first president of the Royal Academy Joshua Reynolds who had died in 1792. Two subsequent presidents are shown in the crowd, his successor the American-born Benjamin West and the young Thomas Lawrence, then an associate of the Royal Academy. West sits on the Presidential throne while to his right in a yellow waistcoat is the architect William Chambers who had designed the building at Somerset House. The noted portraitist William Beechey is included, although he wasn't elected for another three years. There are a number of casts of sculptures on display behind the artists, including the Apollo Belvedere, Borghese Gladiator, Laocoön and His Sons, and Venus de' Medici. The paintings include portraits of George III and Queen Charlotte by Reynolds, Christ Blessing Little Children by West, Spring by Mary Moser, The Tribute Money by John Singleton Copley and Samson and Delilah by John Francis Rigaud.

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Sculptures in the context of Bronze sculpture

Bronze is the most popular metal for cast metal sculptures; a cast bronze sculpture is often called simply "a bronze". It can be used for statues, singly or in groups, reliefs, and small statuettes and figurines, as well as bronze elements to be fitted to other objects such as furniture. It is often gilded to give gilt-bronze or ormolu.

Common bronze alloys have the unusual and desirable property of expanding slightly just before they set, thus filling the finest details of a mould. Then, as the bronze cools, it shrinks a little, making it easier to separate from the mould. Their strength and ductility (lack of brittleness) is an advantage when figures in action poses are to be created, especially when compared to various ceramic or stone materials (such as marble sculpture). These qualities allow the creation of extended figures, as in Jeté, or figures that have small cross sections in their support, such as the equestrian statue of Richard the Lionheart.

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Sculptures in the context of Nan Hoover

Nan Hoover (May 12, 1931 – June 9, 2008) was a Dutch/American-expatriate artist who is known for her pioneering work in video art, photography and performance art. She spent almost four decades living and working in the Netherlands. She also used the mediums of drawing, painting, photography and film and created art objects and sculptures. One of the main themes of her art was light and motion. The rigorous, minimalist handling of her means as well as the intense concentration with which she performed within spaces of light and shadow are the most salient characteristics of her artistic work.

With her exploration of new media her artistic practice gained international recognition. Her performances and light installations were shown worldwide in museums, exhibition houses and in public spaces. In 1977 she participated in the documenta 6 and in 1987 the documenta 8 in Kassel. In 1984 Hoover participated in the Biennale di Venezia. She taught art at the San Francisco Art Institute in 1986, was professor for video and film at the Düsseldorf Art Academy from 1987 - 1997, taught mixed media at the Gerrit Rietveld Academy Amsterdam from 1998 – 1999, and held classes in video and performance at the International Summer Academy in Salzburg from 1994 - 1996 and in 2001.

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Sculptures in the context of Saint Louis Art Museum

The Saint Louis Art Museum (SLAM) is an art museum located in St. Louis, Missouri, United States. With paintings, sculptures, cultural objects, and ancient masterpieces from around the world, its three-story building stands in Forest Park in St. Louis, Missouri, where it is visited by up to a half million people every year. Admission is free through a subsidy from the cultural tax district for St. Louis City and County.

In addition to the featured exhibitions, the museum offers rotating exhibitions and installations. These include the Currents series, which features contemporary artists, as well as regular exhibitions of new media art and works on paper.

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