Apollo Belvedere in the context of "The Royal Academicians in General Assembly"

The study of Roman sculpture is complicated by its relation to Greek sculpture. Many examples of even the most famous Greek sculptures, such as the Apollo Belvedere and Barberini Faun, are known only from Roman Imperial or Hellenistic "copies". At one time, this imitation was taken by art historians as indicating a narrowness of the Roman artistic imagination, but, in the late 20th century, Roman art began to be reevaluated on its own terms: some impressions of the nature of Greek sculpture may in fact be based on Roman artistry.

The strengths of Roman sculpture are in portraiture, where they were less concerned with the ideal than the Greeks or Ancient Egyptians, and produced very characterful works, and in narrative relief scenes. Examples of Roman sculpture are abundantly preserved, in total contrast to Roman painting, which was very widely practiced but has almost all been lost. Latin and some Greek authors, particularly Pliny the Elder in Book 34 of his Natural History, describe statues, and a few of these descriptions match extant works. While a great deal of Roman sculpture, especially in stone, survives more or less intact, it is often damaged or fragmentary; life-size bronze statues are much more rare as most have been recycled for their metal.

The Minute Man is an 1874 sculpture by Daniel Chester French in Minute Man National Historical Park, Concord, Massachusetts. It was created between 1871 and 1874 after extensive research, and was originally intended to be made of stone. The medium was switched to bronze and it was cast from ten Civil War-era cannons appropriated by Congress.

The statue depicts a minuteman stepping away from his plow to join the patriot forces at the Battle of Concord, at the start of the American Revolutionary War. The young man has an overcoat thrown over his plow, and has a musket in his hand. Nineteenth-century art historians noticed that the pose resembles that of the Apollo Belvedere. Until the late twentieth century, it was assumed that the pose was transposed from the earlier statue. Based on Daniel Chester French's journals, modern art historians have shown that the Apollo Belvedere was only one of several statues that were used in the research for The Minute Man.

Classical sculpture (usually with a lower case "c") refers generally to sculpture from Ancient Greece and Ancient Rome, as well as the Hellenized and Romanized civilizations under their rule or influence, from about 500 BC to around 200 AD. It may also refer more precisely a period within Ancient Greek sculpture from around 500 BC to the onset of the Hellenistic style around 323 BC, in this case usually given a capital "C". The term "classical" is also widely used for a stylistic tendency in later sculpture, not restricted to works in a Neoclassical or classical style.

The main subject of Ancient Greek sculpture from its earliest days was the human figure, usually male and nude (or nearly so). Apart from the heads of portrait sculptures, the bodies were highly idealized but achieved an unprecedented degree of naturalism. In addition to freestanding statues, the term classical sculpture incorporates relief work, such as the frieze and metopes of the Parthenon.