Henry Singleton (painter) in the context of "The Royal Academicians in General Assembly"

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⭐ Core Definition: Henry Singleton (painter)

Henry Singleton (19 October 1766 – 15 September 1839) was an English painter and miniaturist.

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👉 Henry Singleton (painter) in the context of The Royal Academicians in General Assembly

The Royal Academicians in General Assembly is a 1795 oil painting by the English artist Henry Singleton. It depicts the assembled members of the British Royal Academy of Arts in the Council Chamber at Somerset House in London, then the headquarters of the academy. They are judging the various works of art produced by students of the academy. In his diary Joseph Farington noted disagreements amongst the Academicians about their respective placings in the picture. It includes many members who did not actually attend meetings including the two founding female members Angelica Kauffman and Mary Moser.

On the wall on the right is a self-portrait of the first president of the Royal Academy Joshua Reynolds who had died in 1792. Two subsequent presidents are shown in the crowd, his successor the American-born Benjamin West and the young Thomas Lawrence, then an associate of the Royal Academy. West sits on the Presidential throne while to his right in a yellow waistcoat is the architect William Chambers who had designed the building at Somerset House. The noted portraitist William Beechey is included, although he wasn't elected for another three years. There are a number of casts of sculptures on display behind the artists, including the Apollo Belvedere, Borghese Gladiator, Laocoön and His Sons, and Venus de' Medici. The paintings include portraits of George III and Queen Charlotte by Reynolds, Christ Blessing Little Children by West, Spring by Mary Moser, The Tribute Money by John Singleton Copley and Samson and Delilah by John Francis Rigaud.

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Henry Singleton (painter) in the context of Pub

A pub (short for public house) is, in several countries, a drinking establishment licensed to serve alcoholic drinks for consumption on the premises. The term first appeared in England in the late 17th century to differentiate private houses from those open to the public as alehouses, taverns, and inns. Today, there is no strict definition, but the Campaign for Real Ale (CAMRA) states a pub has four characteristics:

  1. is open to the public without membership or residency
  2. serves draught beer or cider without requiring food be consumed
  3. has at least one indoor area not laid out for meals
  4. allows drinks to be bought at a bar (i.e., not only table service)

The history of pubs can be traced to taverns in Roman Britain, and through Anglo-Saxon alehouses, but it was not until the early 19th century that pubs, as they are today, first began to appear. The model also became popular in countries and regions of British influence, where pubs are often still considered to be an important aspect of their culture. In many places, especially in villages, pubs are the focal point of local communities. In his 17th-century diary, Samuel Pepys described the pub as "the heart of England"; pubs have been established in other countries in modern times.

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Henry Singleton (painter) in the context of List of Royal Academicians

This is a partial list of Royal Academicians (post-nominal: RA), academicians of the Royal Academy of Arts in London. A full list is available on the web pages of the Royal Academy Collections.

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