Sanskrit language

Ravana (Sanskrit: रावण, romanized: Rāvaṇa, lit. 'roaring') is the principal antagonist of the ancient Hindu epic Ramayana and its several other versions. He is traditionally depicted as a ten-headed rakshasa (demon) king of Lanka. In the Ramayana, Ravana is described as the eldest son of sage Vishrava and Kaikasi. He abducted Rama's wife, Sita, and took her to his kingdom of Lanka, where he held her in the Ashoka Vatika. Rama, with the support of vanara King Sugriva and his army of vanaras, launched a rescue operation for Sita against Ravana in Lanka. Ravana was subsequently slain, and Rama rescued his beloved wife Sita.

Ravana was well-versed in the six shastras and the four Vedas, including the Shiva Tandava Stotra. Ravana is also considered to be the most revered devotee of Shiva. Images of Ravana are often seen associated with Shiva at temples. He also appears in the Buddhist Mahayana text Laṅkāvatāra Sūtra, in Buddhist Jatakas, as well as in Jain Ramayanas. In Vaishnava scriptures, he is depicted as one of Vishnu's cursed doorkeepers.

Shakuntala (Sanskrit: शकुन्तला, romanized: Śakuntalā) is a heroine in ancient Indian literature, best known for her portrayal in the ancient Sanskrit play Abhijnanashakuntalam (The Recognition of Shakuntala), written by the classical poet Kalidasa in the 4th or 5th century AD. Her story, however, originates in the Hindu epic, the Mahabharata (c. 400 BC - 400 AD), where she appears in the Adi Parva ("The Book of Beginnings"). In both narratives, Shakuntala is the daughter of the sage Vishwamitra and the celestial nymph Menaka. Abandoned at birth, she is raised by the sage Kanva in a forest hermitage. She later falls in love with King Dushyanta and becomes the mother of Bharata, a celebrated emperor of India.

In the Mahabharata, Shakuntala introduces herself to Dushyanta when he visits her hermitage during a hunting expedition in the absence of her foster father, Kanva. The two fall in love and secretly marry according to the Gandharva tradition (a love marriage), consummating their union in the forest. Afterward, Dushyanta returns to his palace life and gradually forgets about Shakuntala. Years later, she approaches him with their son, Bharata, but he hesitates to acknowledge them. Outspoken and fearless, Shakuntala rebukes him forcefully until a celestial voice intervenes to confirm the truth, compelling Dushyanta to accept her and their son.

The Rigveda or Rig Veda (Sanskrit: ऋग्वेद, IAST: ṛgveda, from ऋच्, "praise" and वेद, "knowledge") is an ancient Indian collection of Vedic Sanskrit hymns (sūktas). It is one of the four sacred canonical Hindu texts (śruti) known as the Vedas. Only one Shakha of the many survive today, namely the Śakalya Shakha. Much of the contents contained in the remaining Shakhas are now lost or are not available in the public forum.

The Rigveda is the oldest known Vedic Sanskrit text. Its early layers are among the oldest extant texts in any Indo-European language. Most scholars believe that the sounds and texts of the Rigveda have been orally transmitted with precision since the 2nd millennium BCE, through methods of memorisation of exceptional complexity, rigour and fidelity, though the dates are not confirmed and remain contentious until concrete evidence surfaces. Philological and linguistic evidence indicates that the bulk of the Rigveda Samhita was composed in the northwestern region of the Indian subcontinent (see Rigvedic rivers), most likely between c. 1500 and 1000 BCE, although a wider approximation of c. 1900–1200 BCE has also been given.

The Nāṭya Shāstra (Sanskrit: नाट्य शास्त्र, Nāṭyaśāstra) is a Sanskrit treatise on the performing arts. The text is attributed to sage Bharata, and its first complete compilation is dated to between 200 BCE and 200 CE, but estimates vary between 500 BCE and 500 CE.

The text consists of 36 chapters with a cumulative total of 6,000 poetic verses describing performance arts. The subjects covered by the treatise include dramatic composition, structure of a play and the construction of a stage to host it, genres of acting, body movements, make up and costumes, role and goals of an art director, the musical scales, musical instruments and the integration of music with art performance.

Buddhacharita (Sanskrit: बुद्धचरितम्, romanized: Buddhacaritam; transl. Acts of the Buddha) is an epic poem in the Sanskrit mahakavya style on the life of Gautama Buddha by Aśvaghoṣa of Sāketa (modern Ayodhya), composed in the early second century CE.

The author has prepared an account of the Buddha's life and teachings which, unlike other treatments such as Mahavastu (“Great Story”) and Lalitavistara (“Full Description of the Play [of the Buddha]”), is not only artistically arranged but also restrained in the description of the miracles of Gautam Buddha. His work also reflects a vast knowledge of Indian mythology and pre-Buddhist philosophy, as well as a court poet's interest in love, war, and statecraft.

The Vedas (/ˈveɪdəz/ or /ˈviːdəz/; Sanskrit: वेदः, romanized: Vēdaḥ, lit. 'knowledge'), sometimes collectively called the Veda, are a large body of religious texts originating in ancient India. Composed in Vedic Sanskrit, the texts constitute the oldest layer of Sanskrit literature and the oldest scriptures of Hinduism.

There are four Vedas: the Rigveda, the Yajurveda, the Samaveda and the Atharvaveda. Each Veda has four subdivisions – the Samhitas (mantras and benedictions), the Brahmanas (commentaries on and explanation of rituals, ceremonies and sacrifices – Yajñas), the Aranyakas (text on rituals, ceremonies, sacrifices and symbolic-sacrifices), and the Upanishads (texts discussing meditation, philosophy and spiritual knowledge). Some scholars add a fifth category – the Upāsanās (worship). The texts of the Upanishads discuss ideas akin to the heterodox śramana traditions. The Samhitas and Brahmanas describe daily rituals and are generally meant for the Brahmacharya and Gr̥hastha stages of the Chaturashrama system, while the Aranyakas and Upanishads are meant for the Vānaprastha and Sannyasa stages, respectively.

Varna (Sanskrit: वर्ण, romanized: varṇa, Hindi pronunciation: ['ʋəɾɳə]), in the context of Hinduism, refers to a social class within a hierarchical traditional Hindu society. The ideology of varna is epitomized in texts like Manusmriti, which describes and ranks four varnas, and prescribes their occupations, requirements and duties, or Dharma.

• Brahmins: Vedic scholars, priests or teachers.
• Kshatriyas: Rulers, administrators or warriors.
• Vaishyas: Agriculturalists, farmers or merchants.
• Shudras: Artisans, labourers or servants.

This quadruple division is a form of social stratification, quite different from the more nuanced system of Jātis, which correspond to the term "caste".

Sagala, Sakala (Sanskrit: साकला), or Sangala (Ancient Greek: Σάγγαλα) was a city in Punjab, which is generally identified as the predecessor of the modern city of Sialkot that is located in what is now Pakistan's northern Punjab province. The city was the capital of the Madra kingdom and it was razed in 326 BC during the Indian campaign of Alexander the Great. In the 2nd century BC, Sagala was made capital of the Indo-Greek kingdom by Menander I. Menander embraced Buddhism after extensive debating with a Buddhist monk, as recorded in the Buddhist text Milinda Panha. Sagala became a major centre for Buddhism under his reign, and prospered as a major trading centre.

The Devi Mahatmya or Devi Mahatmyam (Sanskrit: देवीमाहात्म्यम्, romanized: devīmāhātmyam, lit. 'Glory of the Goddess') is a Hindu philosophical text describing the Goddess, known as Adi Parashakti or Durga, as the supreme divine ultimate reality and creator of the universe. It is part of the Mārkanḍeya Purāna (chapters 81 to 93).

The Devi Mahatmyam is also known as the Durgā Saptashatī (दुर्गासप्तशती), Śata Chandī (शत् चंडी) and Chandi Path (चंडी पाठ). The text contains 700 verses that are arranged into 13 chapters. It is one of the most important texts in Shaktism, along with Devi-Bhagavata Purana and Devi Upanishad. The text is also one of the earliest extant complete manuscripts from the Hindu traditions which describes reverence and worship of the feminine aspect of God.

The Kabul River (Pashto: د کابل سیند, romanized: Də Kābəl Sind; Dari: دریای کابل, romanized: Daryā-yi Kābul), anciently known as the Kubha (Sanskrit: कुभा, romanized: Kubhā) and Cophen (Ancient Greek: Κωφήν, romanized: Kōphḗn; /ˈkoʊfeɪn/), is a 700-kilometre-long (430 mi) river that emerges in the Sanglakh Range of the Hindu Kush mountains in the northeastern part of Maidan Wardak Province, Afghanistan. It is separated from the watershed of the Helmand River by the Unai Pass. The Kabul River empties into the Indus River near Attock, Pakistan. It is the main river in eastern Afghanistan and the Khyber Pakhtunkhwa province of Pakistan.