Ruy Blas in the context of "Sarah Bernhardt"

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⭐ Core Definition: Ruy Blas

Ruy Blas (French pronunciation: [ʁɥi blɑ]) is a tragic drama by Victor Hugo. It was the first play presented at the Théâtre de la Renaissance and opened on November 8, 1838. Though considered by many to be Hugo’s best drama, the play was initially met with only average success.

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👉 Ruy Blas in the context of Sarah Bernhardt

Sarah Bernhardt (French: [saʁa bɛʁnɑʁt]; born Henriette-Rosine Bernard; 22 October 1844 – 26 March 1923) was a French stage actress who starred in some of the most popular French plays of the late 19th and early 20th centuries, including La Dame aux Camélias by Alexandre Dumas fils, Ruy Blas by Victor Hugo, Fédora and La Tosca by Victorien Sardou, and L'Aiglon by Edmond Rostand. She played female and male roles, including Shakespeare's Hamlet. Rostand called her "the queen of the pose and the princess of the gesture", and Hugo praised her "golden voice". She made several theatrical tours worldwide and was one of the early prominent actresses to make sound recordings and act in motion pictures.

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Ruy Blas in the context of Ruy Blas and the Blase Roue

Ruy Blas and the Blasé Roué is a burlesque written by A. C. Torr (pen name of Fred Leslie) and Herbert F. Clark with music by Meyer Lutz. It is based on the Victor Hugo drama Ruy Blas. The piece was produced by George Edwardes. As with many of the Gaiety burlesques, the title is a pun.

After a tryout in Birmingham beginning on 3 September 1889, Ruy Blas and the Blasé Roué opened in London on 21 September 1889 at the Gaiety Theatre and ran for 289 performances. The cast included Nellie Farren, Fred Leslie, Marion Hood, Letty Lind, Sylvia Grey, Linda Verner, Blanche Massie, Alice Young, Charles Danby, Fred Storey and Ben Nathan. The piece toured in the British provinces and internationally, and was revised at least once during its run. It originally included a caricature of Henry Irving, in a scene in which some of the actors wore ballet girl costumes. Irving, never having seen the show, objected, and the Lord Chamberlain (Britain's theatrical censor, who also had not seen the show) prohibited the caricature.

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