Prince Hamlet in the context of "Sarah Bernhardt"

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⭐ Core Definition: Prince Hamlet

Prince Hamlet is the title character and protagonist of William Shakespeare's tragedy Hamlet (1599–1601). He is the Prince of Denmark, nephew of the usurping Claudius, and son of King Hamlet, the previous King of Denmark. At the beginning of the play, he is conflicted whether, and how, to avenge the murder of his father, and struggles with his own sanity along the way. By the end of the tragedy, Hamlet has caused the deaths of Polonius, Laertes, Claudius, and Rosencrantz and Guildenstern, two acquaintances of his from childhood. He is also indirectly involved in the deaths of his love Ophelia (drowning) and of his mother Gertrude (mistakenly poisoned by Claudius).

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👉 Prince Hamlet in the context of Sarah Bernhardt

Sarah Bernhardt (French: [saʁa bɛʁnɑʁt]; born Henriette-Rosine Bernard; 22 October 1844 – 26 March 1923) was a French stage actress who starred in some of the most popular French plays of the late 19th and early 20th centuries, including La Dame aux Camélias by Alexandre Dumas fils, Ruy Blas by Victor Hugo, Fédora and La Tosca by Victorien Sardou, and L'Aiglon by Edmond Rostand. She played female and male roles, including Shakespeare's Hamlet. Rostand called her "the queen of the pose and the princess of the gesture", and Hugo praised her "golden voice". She made several theatrical tours worldwide and was one of the early prominent actresses to make sound recordings and act in motion pictures.

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Prince Hamlet in the context of Lord Chamberlain's Men

The Lord Chamberlain's Men was an English company of actors, or a "playing company" (as it then would likely have been described), for which William Shakespeare wrote during most of his career. Richard Burbage played most of the lead roles, including Hamlet, Othello, King Lear, and Macbeth. Formed at the end of a period of flux in the theatrical world of London, it had become, by 1603, one of the two leading companies of the city and was subsequently patronized by James I.

It was founded during the reign of Elizabeth I of England around 1594 under the patronage of Henry Carey, 1st Baron Hunsdon, then the Lord Chamberlain, who was in charge of court entertainments. After Carey's death on 23 July 1596, the company came under the patronage of his son, George Carey, 2nd Baron Hunsdon, for whom it was briefly known as Lord Hunsdon's Men. When George Carey in turn became Lord Chamberlain on 17 March 1597, it reverted to its previous name. The company became the King's Men in 1603 when King James ascended the throne and became the company's patron. The company held exclusive rights to perform Shakespeare's plays.

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Prince Hamlet in the context of Hamlet

The Tragedy of Hamlet, Prince of Denmark, often shortened to Hamlet (/ˈhæmlɪt/), is a tragedy written by William Shakespeare sometime between 1599 and 1601. It is Shakespeare's longest play. Set in Denmark, the play depicts Prince Hamlet and his attempts to exact revenge against his uncle, Claudius, who has murdered Hamlet's father in order to seize his throne and marry Hamlet's mother.

Hamlet is considered among the "most powerful and influential tragedies in the English language", with a story capable of "seemingly endless retelling and adaptation by others." It is widely considered one of the greatest plays of all time. Three different early versions of the play are extant: the First Quarto (Q1, 1603); the Second Quarto (Q2, 1604); and the First Folio (F1, 1623). Each version includes lines and passages missing from the others. Many works have been pointed to as possible sources for Shakespeare's play, from ancient Greek tragedies to Elizabethan dramas.

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Prince Hamlet in the context of Soliloquy

A soliloquy (/səˈlɪl.ə.kwi, sˈlɪl.-/, from Latin solus 'alone' and loqui 'to speak', pl.soliloquies) is a speech in drama in which a character speaks their thoughts aloud, typically while alone on stage. It serves to reveal the character's inner feelings, motivations, or plans directly to the audience, providing information that would not otherwise be accessible through dialogue with other characters. They are used as a narrative device to deepen character development, advance the plot, and offer the audience a clearer understanding of the psychological or emotional state of the speaker. Soliloquies are distinguished from monologues by their introspective nature and by the absence or disregard of other characters on the stage.

The soliloquy became especially prominent during the Elizabethan and Jacobean periods, when playwrights used it as a means to explore complex human emotions and ethical dilemmas. William Shakespeare employed soliloquies extensively in his plays, using them to convey pivotal moments of decision, doubt, or revelation. Notable examples include Hamlet's "To be, or not to be" speech, which reflects on life and death, and Macbeth's contemplation of the consequences of regicide. Although the use of soliloquy declined in later theatrical traditions with the rise of realism, it has continued to appear in various forms across different genres, including film and television.

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Prince Hamlet in the context of Ophelia

Ophelia (/ˈfliə/) is a character in William Shakespeare's drama Hamlet (1599–1601). She is a young noblewoman of Denmark, the daughter of Polonius, sister of Laertes and potential wife of Prince Hamlet. Due to Hamlet's actions, Ophelia ultimately becomes mad and drowns.

Ophelia, and Hamlet's mother, Queen Gertrude, are the only two female characters in the play.

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Prince Hamlet in the context of King Claudius

King Claudius is a fictional character and the main antagonist of William Shakespeare's tragedy Hamlet. He is the brother to King Hamlet, second husband to Gertrude and uncle and later stepfather to Prince Hamlet. He obtained the throne of Denmark by murdering his brother with poison and then marrying the late king's widow. He is loosely based on the Jutish chieftain Feng who appears in Chronicon Lethrense and in Saxo Grammaticus' Gesta Danorum. There has never been an actual Danish king of that name.

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Prince Hamlet in the context of Ghost (Hamlet)

The ghost of Hamlet's father is a character from William Shakespeare's play Hamlet. In the stage directions, he is referred to as "Ghost". His name is also Hamlet, and he is referred to as King Hamlet to distinguish him from the Prince, his son and the protagonist of the story.

He is loosely based on a legendary Jutish chieftain named Horwendill, who appears in Chronicon Lethrense and in Saxo Grammaticus' Gesta Danorum. According to oral tradition, the Ghost was originally played on stage by Shakespeare himself.

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Prince Hamlet in the context of Gertrude (Hamlet)

In William Shakespeare's play Hamlet, Gertrude is Hamlet's mother and Queen of Denmark. Her relationship with Hamlet is somewhat turbulent, since he resents her marrying her husband's brother Claudius after he murdered the king (young Hamlet's father, King Hamlet). Gertrude reveals no guilt in her marriage with Claudius after the recent murder of her husband, and Hamlet begins to show signs of jealousy towards Claudius. According to Hamlet, she scarcely mourned her husband's death before marrying Claudius.

Her name may derive from Gertrude of Bavaria, who was Queen of Denmark in the late 12th century.

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Prince Hamlet in the context of Benedict Cumberbatch

Benedict Timothy Carlton Cumberbatch (born 19 July 1976) is an English actor. He has received various accolades, including a BAFTA TV Award, a Primetime Emmy Award and a Laurence Olivier Award, in addition to nominations for two Academy Awards and four Golden Globes. In 2014, Time magazine named him one of the 100 most influential people in the world, and in 2015, he was appointed a CBE for services to performing arts and charity.

Cumberbatch studied drama at the Victoria University of Manchester and obtained a Master of Arts in classical acting at the London Academy of Music and Dramatic Art. He began acting in Shakespearean theatre productions before making his West End debut in Richard Eyre's revival of Hedda Gabler in 2005. Since then, he has starred in Royal National Theatre productions of After the Dance (2010) and Frankenstein (2011), winning the Laurence Olivier Award for Best Actor for the latter. In 2015, he played the title role in Hamlet at the Barbican Theatre.

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