Fédora in the context of "Sarah Bernhardt"

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⭐ Core Definition: Fédora

Fédora is a play by the French author Victorien Sardou. It opened at the Théâtre du Vaudeville in Paris on 11 December 1882, and ran for 135 performances. The first production starred Sarah Bernhardt. She wore a soft felt hat in that role which was soon a popular fashion for women; the hat became known as a fedora.

The premiere was headline news in Paris. Le Figaro devoted its whole front page to it in addition to further coverage inside. The Paris correspondent of The Era called Bernhardt's performance as Princess Fédora Romazoff "magnificent throughout … the most brilliant of her remarkable career". Pierre Berton played Loris Ipanoff, the only other major role, and was highly praised. The Era commented, "The other rôles are less than subsidiary. They are filled faultlessly by MM. Colombey, Tchileff; Vois, the Attaché; Boisselot, Michel; Mdlles. De Cléry and Depoix".

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👉 Fédora in the context of Sarah Bernhardt

Sarah Bernhardt (French: [saʁa bɛʁnɑʁt]; born Henriette-Rosine Bernard; 22 October 1844 – 26 March 1923) was a French stage actress who starred in some of the most popular French plays of the late 19th and early 20th centuries, including La Dame aux Camélias by Alexandre Dumas fils, Ruy Blas by Victor Hugo, Fédora and La Tosca by Victorien Sardou, and L'Aiglon by Edmond Rostand. She played female and male roles, including Shakespeare's Hamlet. Rostand called her "the queen of the pose and the princess of the gesture", and Hugo praised her "golden voice". She made several theatrical tours worldwide and was one of the early prominent actresses to make sound recordings and act in motion pictures.

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Fédora in the context of Victorien Sardou

Victorien Sardou (/sɑːrˈd/ sar-DOO, French: [viktɔʁjɛ̃ saʁdu]; 5 September 1831 – 8 November 1908) was a French dramatist. He is best remembered today for his development, along with Eugène Scribe, of the well-made play. He also wrote several plays that were made into popular 19th-century operas such as La Tosca (1887) on which Giacomo Puccini's opera Tosca (1900) is based, and Fédora (1882) and Madame Sans-Gêne (1893) that provided the subjects for the lyrical dramas Fedora (1898) and Madame Sans-Gêne (1915) by Umberto Giordano. His play Gismonda, from 1894, was also adapted into an opera of the same name by Henry Février.

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Fédora in the context of Fedora (opera)

Fedora is an opera in three acts by Umberto Giordano to an Italian libretto by Arturo Colautti, based on the 1882 play Fédora by Victorien Sardou. Along with Andrea Chénier and Siberia, it is one of the most notable works of Giordano.

It was first performed at the Teatro Lirico in Milan on 17 November 1898 conducted by the composer; Gemma Bellincioni created the role of Fedora with Enrico Caruso as her lover, Loris Ipanov.

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