Romance film in the context of "Mogambo"

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⭐ Core Definition: Romance film

Romance films involve romantic love stories recorded in visual media for broadcast in theatres or on television that focus on passion, emotion, and the affectionate romantic involvement of the main characters. Typically their journey through dating, courtship or marriage is featured. These films focus on the search for romantic love as the main plot focus. Occasionally, romance lovers face obstacles such as finances, physical illness, various forms of discrimination, psychological restraints, or family resistance. As in all quite strong, deep, and close romantic relationships, the tensions of day-to-day life, temptations (of infidelity), and differences in compatibility enter into the plots of romantic films.

Romantic films often explore the essential themes of love at first sight, young and mature love, unrequited love, obsession, sentimental love, spiritual love, forbidden love, platonic love, sexual and passionate love, sacrificial love, explosive and destructive love, and tragic love. Romantic films serve as great escapes and fantasies for viewers, especially if the two leads finally overcome their difficulties, declare their love, and experience their "happily ever after", often implied by a reunion and final kiss. In romantic television series, such romantic relationships may develop over many episodes or different characters may become intertwined in different romantic arcs.

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👉 Romance film in the context of Mogambo

Mogambo is a 1953 Technicolor adventure/romantic drama film directed by John Ford and starring Clark Gable, Ava Gardner, and Grace Kelly, and featuring Donald Sinden.

It was shot on location in colonial British East Africa, Tanganyika, Uganda Protectorate, and French Congo, with a musical soundtrack consisting almost entirely of traditional music recorded in Congo.

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Romance film in the context of Period piece

A historical drama (also period drama, period piece or just period) is a dramatic work set in the past, usually used in the context of film and television, which presents historical events and characters with varying degrees of fiction such as creative dialogue or scenes which compress separate events. The biographical film is a type of historical drama which generally focuses on a single individual or well-defined group. Historical dramas can include romances, adventure films, and swashbucklers.

Historical drama differs from historical fiction, which generally presents fictional characters and events during historical events. A period piece may be set during a vast era such as the Middle Ages, or a specific period such as the Roaring Twenties, or the recent past.

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Romance film in the context of Marriage Italian Style

Marriage Italian Style (Italian: Matrimonio all'italiana [matriˈmɔːnjo allitaˈljaːna]) is a 1964 romantic comedy-drama film directed by Vittorio De Sica, starring Sophia Loren and Marcello Mastroianni.

The film was adapted by Leonardo Benvenuti, Renato Castellani, Piero De Bernardi, and Tonino Guerra from the play Filumena Marturano by Eduardo De Filippo. Filumena Marturano had previously been adapted as a 1950 Argentine film.

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Romance film in the context of Beauty and the Beast (1946 film)

Beauty and the Beast (French: La Belle et la Bête – also the UK title) is a 1946 French surrealist romantic fantasy film directed by French poet and filmmaker Jean Cocteau. Starring Josette Day as Belle and Jean Marais as the Beast, it is an adaptation of the 1757 story Beauty and the Beast, written by Jeanne-Marie Leprince de Beaumont and published as part of a fairy tale anthology.

The plot of Cocteau's film revolves around Belle's father, who is sentenced to death for picking a rose from the Beast's garden. Belle offers to go back to the Beast in her father's place. The Beast falls in love with her and proposes marriage on a nightly basis, which she refuses. Belle eventually becomes more drawn to the Beast, who tests her by letting her return home to her family, and telling her that if she does not return to him within a week, he will die of grief.

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Romance film in the context of Orpheus (film)

Orpheus (French: Orphée [ɔʁfe] ; also the title used in the UK) is a 1950 French romantic fantasy tragedy film directed by Jean Cocteau and starring Jean Marais. It is the central part of Cocteau's Orphic Trilogy, alongside The Blood of a Poet (1930) and Testament of Orpheus (1960). Set in contemporary Paris, the film is a variation on the Greek myth of Orpheus and Eurydice, and is partially based on Cocteau's 1926 play of the same title.

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Romance film in the context of Circle of Friends (1995 film)

Circle of Friends is a 1995 romantic drama film directed by Irish filmmaker Pat O'Connor, and based on the 1990 novel of the same name written by Maeve Binchy.

The movie was well received by critics and was a box office success.

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Romance film in the context of New York, I Love You

New York, I Love You is a 2008 American romantic comedy-drama anthology film consisting of eleven short films, each by a different director. The shorts all relate in some way to the subject of love and are set among the five boroughs of New York City. The film is a sequel of sorts to the 2006 film Paris, je t'aime, which had the same structure, and is the second installment in the Cities of Love franchise, created and produced by Emmanuel Benbihy.

The film stars an ensemble cast, among them Bradley Cooper, Shia LaBeouf, Natalie Portman, Anton Yelchin, Hayden Christensen, Orlando Bloom, Irrfan Khan, Rachel Bilson, Chris Cooper, Andy García, Christina Ricci, John Hurt, Cloris Leachman, Robin Wright, Julie Christie, Maggie Q, Ethan Hawke, James Caan, Shu Qi, and Eli Wallach.

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