Adventure film in the context of "Mogambo"

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⭐ Core Definition: Adventure film

The adventure film is a broad genre of film. Some early genre studies found it no different than the Western film or argued that adventure could encompass all Hollywood genres. Commonality was found among historians Brian Taves and Ian Cameron in that the genre required a setting that was both remote in time and space to the film audience and that it contained a positive hero who tries to make right in their world. Some critics such as Taves limit the genre to naturalistic settings, while Yvonne Tasker found that would limit films such as Raiders of the Lost Ark (1981) from the genre. Tasker found that most films in the genre featured narratives located within a fantasy world of exoticized setting, which are often driven by quests for characters seeking mythical objects or treasure hunting. The genre is closely associated with the action film, and is sometimes used interchangeably or in tandem with that genre.

The setting and visuals are key elements of adventure films. This ranged from early technical showcases such as The Lost World (1925) and King Kong (1933). These films set up exotic locations as both beautiful and dangerous. This would be a continuing trend for Hollywood adventure films. The other major Hollywood style was the historical adventure typified by early films in the style of The Black Pirate (1926) and The Mark of Zorro (1920) which feature less intense violence. Historical adventure was a popular Hollywood staple until the mid-1950s. While the historical adventure film would be parodied or presented as highly camp, special effects-driven adventure films began to dominate the market towards the late 1970s, with films such as Star Wars (1977) and Raiders of the Lost Ark (1981). This trend continued into the 21st century.

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Adventure film in the context of Epic films

Epic films have large scale, sweeping scope, and spectacle. The term is slightly ambiguous, sometimes designating a film genre and at other times simply big-budget films. Like epics in the classical literary sense, it is often focused on a heroic character. An epic's ambitious nature helps to set it apart from other genres such as the period piece or adventure film.

Epic historical films would usually take a historical or a mythical event and add an extravagant setting, lavish costumes, an expansive musical score, and an ensemble cast, which would make them extremely expensive to produce. The most common subjects of epic films are royalty and important figures from various periods in world history.

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Adventure film in the context of Period piece

A historical drama (also period drama, period piece or just period) is a dramatic work set in the past, usually used in the context of film and television, which presents historical events and characters with varying degrees of fiction such as creative dialogue or scenes which compress separate events. The biographical film is a type of historical drama which generally focuses on a single individual or well-defined group. Historical dramas can include romances, adventure films, and swashbucklers.

Historical drama differs from historical fiction, which generally presents fictional characters and events during historical events. A period piece may be set during a vast era such as the Middle Ages, or a specific period such as the Roaring Twenties, or the recent past.

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Adventure film in the context of A Trip to the Moon

A Trip to the Moon (French: Le Voyage dans la Lune [lə vwajaʒ dɑ̃ la lyn], transl. "The Journey to the Moon") is a 1902 French science-fiction adventure trick film written, directed and produced by Georges Méliès. Inspired by the Jules Verne novel From the Earth to the Moon (1865) and its sequel Around the Moon (1870), the film follows a group of astronomers who travel to the Moon in a cannon-propelled capsule, explore the Moon's surface, escape from an underground group of Selenites (lunar inhabitants), and return to Earth with a captive Selenite. Méliès leads an ensemble cast of French theatrical performers as the main character Professor Barbenfouillis.

Although the film disappeared into obscurity (after Méliès's retirement from the film industry) it was rediscovered around 1930, when Méliès's importance to the history of cinema was beginning to be recognised by film devotees. An original hand-colored print was discovered in 1993, and restored in 2011.

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Adventure film in the context of Jason and the Argonauts (1963 film)

Jason and the Argonauts (working title: Jason and the Golden Fleece) is a 1963 epic fantasy adventure film loosely based on the 3rd century BC Greek epic poem The Argonautica by Apollonius Rhodius. Distributed by Columbia Pictures, it was produced by Charles H. Schneer, directed by Don Chaffey, and stars Todd Armstrong, Nancy Kovack, Gary Raymond, and Laurence Naismith.

Shot in Eastman Color, the film was made in collaboration with stop-motion animation visual effects artist Ray Harryhausen and is known for its various legendary creatures, notably the iconic fight scene featuring seven skeleton warriors. Although it was a box office disappointment during its initial release, the film was critically acclaimed and later considered a classic.

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Adventure film in the context of Douglas Fairbanks in Robin Hood

Robin Hood is a 1922 silent adventure film starring Douglas Fairbanks and Wallace Beery. It was the first motion picture ever to have a Hollywood premiere, held at Grauman's Egyptian Theatre on October 18, 1922. The movie's full title, under which it was copyrighted, is Douglas Fairbanks in Robin Hood. It was one of the most expensive films of the 1920s, with a budget estimated at one million dollars (equivalent to $18.79 million in 2024). The film was a smash hit and generally received favorable reviews.

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Adventure film in the context of The Lost World (1925 film)

The Lost World is a 1925 American silent fantasy giant monster adventure film, directed by Harry O. Hoyt and written by Marion Fairfax, adapted from Arthur Conan Doyle's 1912 novel of the same name.

Produced and distributed by First National Pictures, a major Hollywood studio at the time, the film stars Wallace Beery as Professor Challenger and features pioneering stop motion special effects by Willis O'Brien, a forerunner of his work on King Kong (1933). Doyle appears in a frontispiece to the film, absent from some extant prints.

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Adventure film in the context of King Kong (1933 film)

King Kong is a 1933 American pre-Code adventure horror monster film directed and produced by Merian C. Cooper and Ernest B. Schoedsack, with special effects by Willis H. O'Brien and music by Max Steiner. Produced and distributed by RKO Radio Pictures, King Kong is the first film in the self-titled franchise, combining live action sequences with stop-motion animation using rear-screen projection. The idea for the film came when Cooper decided to create a motion picture about a giant gorilla struggling against modern civilization. The film stars Fay Wray, Robert Armstrong, and Bruce Cabot. The film follows a giant ape dubbed Kong who feels affection for a beautiful young woman offered to him as a sacrifice.

King Kong premiered in New York City on March 2, 1933, to many rave reviews, with praise for its stop-motion animation and musical score. During its initial run, the film earned a profit of $650,000, which increased to $2,847,000 by the time of its re-release in 1952. Various scenes were deleted by censors, and in 1970, they were restored. Later, in 1991, the film was deemed "culturally, historically and aesthetically significant" by the Library of Congress and selected for preservation in the National Film Registry. In 2010, the film was ranked by Rotten Tomatoes as the greatest horror film of all time and the fifty-sixth greatest film of all time. Various new editions of the film have also been released. A sequel, entitled Son of Kong, was made the same year as the original film, and several more films have been made, including two remakes in 1976 and 2005, respectively. The characters and story have since entered the public domain; the film's copyright is set to expire in 2029 in the US. Analysis of the film has included such topics as racial stereotypes, Ann's relationship with the other characters, and the struggle between nature and civilization.

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