Douglas Fairbanks in the context of "Adventure film"

⭐ In the context of adventure film, what is a key element that historically distinguished the subgenre of 'historical adventure' from later, special effects-driven adventure films?

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⭐ Core Definition: Douglas Fairbanks

Douglas Elton Fairbanks Sr. (born Douglas Elton Thomas Ullman; May 23, 1883 – December 12, 1939) was an American actor and filmmaker best known for being the first actor to play the masked Vigilante Zorro and other swashbuckling roles in silent films. One of the biggest stars of the silent era, Fairbanks was referred to as "The King of Hollywood". He was also a founding member of United Artists as well as the Motion Picture Academy and hosted the 1st Academy Awards in 1929.

Born in Denver, Colorado, Fairbanks started acting from an early age and established himself as an accomplished stage actor on Broadway by the late 1800s. He made his film debut in 1915 and quickly became one of the most popular and highest paid actors in Hollywood. In 1919, he co-founded United Artists alongside Charlie Chaplin, Mary Pickford and D. W. Griffith. Fairbanks married Pickford in 1920 and the couple came to be regarded as "Hollywood royalty". Primarily a comedic actor early in his career, he moved into the adventure genre with the 1920 film The Mark of Zorro and found further success in films including Robin Hood (1922) and The Thief of Bagdad (1924).

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👉 Douglas Fairbanks in the context of Adventure film

The adventure film is a broad genre of film. Some early genre studies found it no different than the Western film or argued that adventure could encompass all Hollywood genres. Commonality was found among historians Brian Taves and Ian Cameron in that the genre required a setting that was both remote in time and space to the film audience and that it contained a positive hero who tries to make right in their world. Some critics such as Taves limit the genre to naturalistic settings, while Yvonne Tasker found that would limit films such as Raiders of the Lost Ark (1981) from the genre. Tasker found that most films in the genre featured narratives located within a fantasy world of exoticized setting, which are often driven by quests for characters seeking mythical objects or treasure hunting. The genre is closely associated with the action film, and is sometimes used interchangeably or in tandem with that genre.

The setting and visuals are key elements of adventure films. This ranged from early technical showcases such as The Lost World (1925) and King Kong (1933). These films set up exotic locations as both beautiful and dangerous. This would be a continuing trend for Hollywood adventure films. The other major Hollywood style was the historical adventure typified by early films in the style of The Black Pirate (1926) and The Mark of Zorro (1920) which feature less intense violence. Historical adventure was a popular Hollywood staple until the mid-1950s. While the historical adventure film would be parodied or presented as highly camp, special effects-driven adventure films began to dominate the market towards the late 1970s, with films such as Star Wars (1977) and Raiders of the Lost Ark (1981). This trend continued into the 21st century.

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Douglas Fairbanks in the context of United Artists

United Artists (UA) is an American film production and distribution company owned by Amazon MGM Studios. In its original operating period, it was founded on February 5, 1919 by Charlie Chaplin, D. W. Griffith, Mary Pickford and Douglas Fairbanks as a venture premised on allowing actors to control their own financial and artistic interests rather than being dependent upon commercial studios.

After numerous ownership and structural changes and revamps, United Artists was acquired by media conglomerate Metro-Goldwyn-Mayer (MGM) in 1981 for a reported $350 million ($1.2 billion today). On September 22, 2014, MGM acquired a controlling interest in One Three Media and Lightworkers Media and merged them to revive the television production unit of United Artists as United Artists Media Group (UAMG). MGM itself acquired UAMG on December 14, 2015, and folded it into their own television division.

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Douglas Fairbanks in the context of Douglas Fairbanks in Robin Hood

Robin Hood is a 1922 silent adventure film starring Douglas Fairbanks and Wallace Beery. It was the first motion picture ever to have a Hollywood premiere, held at Grauman's Egyptian Theatre on October 18, 1922. The movie's full title, under which it was copyrighted, is Douglas Fairbanks in Robin Hood. It was one of the most expensive films of the 1920s, with a budget estimated at one million dollars (equivalent to $18.79 million in 2024). The film was a smash hit and generally received favorable reviews.

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Douglas Fairbanks in the context of The Black Pirate

The Black Pirate is a 1926 American silent color adventure film directed by Albert Parker, starring Douglas Fairbanks, Billie Dove, Donald Crisp, Sam De Grasse, and Anders Randolf.

After the first natural color films appeared in 1922, Douglas Fairbanks envisioned a color pirate film. However, he waited to start production until 1925. Once Technicolor had improved its filming and printing capacity, Fairbanks took financial risks due to the added costs and fragility of the film process. He also hesitated because color was rumored to distract from the narrative and strain viewers’ eyes.

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Douglas Fairbanks in the context of The Mark of Zorro (1920 film)

The Mark of Zorro is a 1920 American silent Western romance film starring Douglas Fairbanks and Noah Beery. This genre-defining swashbuckler adventure was the first movie version of The Mark of Zorro. Based on the 1919 story The Curse of Capistrano by Johnston McCulley, which introduced the masked hero, Zorro, the screenplay was adapted by Fairbanks (as "Elton Thomas") and Eugene Miller.

The film was produced by Fairbanks for his own production company, Douglas Fairbanks Pictures Corporation, and was the first film released through United Artists, the company formed by Fairbanks, Mary Pickford, Charlie Chaplin, and D. W. Griffith.

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Douglas Fairbanks in the context of 1st Academy Awards

The 1st Academy Awards ceremony, presented by the Academy of Motion Picture Arts and Sciences (AMPAS) and hosted by AMPAS president Douglas Fairbanks, honored the best films from 1 August 1927 to 31 July 1928 and took place on May 16, 1929, at a private dinner held at the Hollywood Roosevelt Hotel in Los Angeles, California. Tickets cost $5 ($92 in 2024, considering inflation); 270 people attended the event, which lasted 15 minutes. It is the only Academy Awards ceremony not broadcast on either radio or television; a radio broadcast was introduced for the 2nd Academy Awards.

During the ceremony, AMPAS presented Academy Awards – later to be colloquially known as "Oscars" – in 12 categories. The winners had been announced three months ahead of the ceremony. Some nominations did not reference a specific film, such as Ralph Hammeras and Nugent Slaughter, who were nominated for Engineering Effects, a category that was dropped the following year – along with those for Unique and Artistic Production, Best Director (Comedy), and Best Title Writing. Unlike later ceremonies, an actor could be awarded for multiple films: Emil Jannings won Best Actor for his work in both The Way of All Flesh and The Last Command, while Best Actress winner Janet Gaynor was honored for three films. Charlie Chaplin and Warner Brothers each received an honorary award. Jannings, a Swiss-born performer who gained fame in Berlin, had been notified in advance of his victory; he subsequently posed for pictures with his statuette before leaving for Germany.

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Douglas Fairbanks in the context of Mary Pickford

Gladys Louise Smith (April 8, 1892 – May 29, 1979), known professionally as Mary Pickford, was a Canadian American film actress and producer. A pioneer in the American film industry with a Hollywood career that spanned five decades, Pickford was one of the most popular actresses of the silent film era. Beginning her film career in 1909, Pickford became Hollywood's first millionaire by 1916, and, at the height of her career, had complete creative control of her films and was one of the most recognizable women in the world. Due to her popularity, unprecedented international fame, and success as an actress and businesswoman, she was known as the "Queen of the Movies". She was a significant figure in the development of film acting and is credited with having defined the ingĂ©nue type in cinema, a persona that also earned her the nickname "America's Sweetheart".

In 1919, she co-founded United Artists alongside Charlie Chaplin, Douglas Fairbanks, and D. W. Griffith, and was also one of the 36 founders of the Academy of Motion Picture Arts and Sciences in 1927. She was awarded the second Academy Award for Best Actress for her first sound film role in Coquette (1929) and received an Academy Honorary Award in 1976 in consideration of her contributions to American cinema. In 1999, the American Film Institute named Pickford as the 24th-greatest female star of Classical Hollywood Cinema.

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Douglas Fairbanks in the context of Swashbuckler film

A swashbuckler film is characterised by swordfighting and adventurous heroic characters, known as swashbucklers. While morality is typically clear-cut, heroes and villains alike often, but not always, follow a code of honor. Some swashbuckler films have romantic elements, most frequently a damsel in distress. Both real and fictional historical events often feature prominently in the plot.

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Douglas Fairbanks in the context of The Thief of Bagdad (1924 film)

The Thief of Bagdad is a 1924 American silent fantasy adventure film directed by Raoul Walsh and starring Douglas Fairbanks, and written by Achmed Abdullah and Lotta Woods. Adapted from One Thousand and One Nights, the film tells the story of a thief who falls in love with the daughter of the Caliph of Baghdad. In 1996, the film was selected for preservation in the United States National Film Registry by the Library of Congress as "culturally, historically, or aesthetically significant".

Fairbanks considered this to be the favorite of his films, according to his son. The imaginative gymnastics suited the athletic star, whose "catlike, seemingly effortless" movements were as much dance as gymnastics. Along with his earlier The Mark of Zorro (1920) and Robin Hood (1922), the film marked Fairbanks's transformation from genial comedy to a career in "swashbuckling" roles. The film, strong on special effects (flying carpet, magic rope and fearsome monsters) and featuring massive Arabian-style sets, also proved to be a stepping stone for Anna May Wong, who portrayed a treacherous Mongol slave.

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