Testament of Orpheus in the context of "Orpheus (film)"

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⭐ Core Definition: Testament of Orpheus

Testament of Orpheus (French: Le testament d'Orphée) is a 1960 black-and-white film with a few seconds of color film spliced into it. Directed by and starring Jean Cocteau, who plays himself as an 18th-century poet, the film includes cameo appearances by Pablo Picasso, Jean Marais, Charles Aznavour, Jean-Pierre Leaud, and Yul Brynner. It is considered the final part of The Orphic Trilogy, following The Blood of a Poet (1930) and Orphée (1950).

One critic described it as a "wry, self-conscious re-examination of a lifetime's obsessions" with Cocteau placing himself at the center of the mythological and fictional world he spun throughout his books, films, plays and paintings. The film includes numerous instances of "double takes", including one scene where Cocteau, walking past himself, looks back to see himself in what was described by one scholar as "a retrospective on the Cocteau œuvre".

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👉 Testament of Orpheus in the context of Orpheus (film)

Orpheus (French: Orphée [ɔʁfe] ; also the title used in the UK) is a 1950 French romantic fantasy tragedy film directed by Jean Cocteau and starring Jean Marais. It is the central part of Cocteau's Orphic Trilogy, alongside The Blood of a Poet (1930) and Testament of Orpheus (1960). Set in contemporary Paris, the film is a variation on the Greek myth of Orpheus and Eurydice, and is partially based on Cocteau's 1926 play of the same title.

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Testament of Orpheus in the context of Jean Cocteau

Jean Maurice Eugène Clément Cocteau (UK: /ˈkɒkt/ KOK-toh, US: /kɒkˈt/ kok-TOH; French: [ʒɑ̃ mɔʁis øʒɛn klemɑ̃ kɔkto]; 5 July 1889 – 11 October 1963) was a French poet, playwright, novelist, designer, film director, visual artist and critic. He was one of the foremost avant-garde artists of the 20th century and highly influential on the Surrealist and Dadaist movements, among others. The National Observer suggested that "of the artistic generation whose daring gave birth to Twentieth Century Art, Cocteau came closest to being a Renaissance man".

He is most notable for his novels Le Grand Écart (1923), Le Livre blanc (1928), and Les Enfants Terribles (1929); the stage plays La Voix Humaine (1930), La Machine Infernale (1934), Les Parents terribles (1938), La Machine à écrire (1941), and L'Aigle à deux têtes (1946); and the films The Blood of a Poet (1930), Les Parents Terribles (1948), Beauty and the Beast (1946), Orpheus (1950), and Testament of Orpheus (1960), which alongside Blood of a Poet and Orpheus constitute the so-called Orphic Trilogy. He was described as "one of [the] avant-garde's most successful and influential filmmakers" by AllMovie. Cocteau, according to Annette Insdorf, "left behind a body of work unequalled for its variety of artistic expression".

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Testament of Orpheus in the context of The Blood of a Poet

The Blood of a Poet (French: Le Sang d'un poète, pronounced [lə sɑ̃ dœ̃ pɔɛt]) is a 1932 avant-garde film directed by Jean Cocteau, financed by Charles de Noailles and starring Enrique Riveros, a Chilean actor who had a successful career in European films. Photographer Lee Miller made her only film appearance in this movie, which features an appearance by the famed aerialist Barbette. It is the first part of The Orphic Trilogy, which is continued in Orphée (1950) and concludes with Testament of Orpheus (1960).

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Testament of Orpheus in the context of Orphic Trilogy

The Orphic Trilogy is a series of three French films written and directed by Jean Cocteau:

The Criterion Collection has released the trilogy as a DVD boxed set (which has since gone out-of-print).

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