Roman mythology

In ancient Roman religion and mythology, Pluto (Ancient Greek: Πλούτων, romanized: Ploútōn, Latin: Plūto or Plūton), also known as Dis Pater or Orcus, was the god of the dead and the king of the underworld. The name was originally an epithet or theonym for Hades in ancient Greek religion and mythology, although Pluto was more associated with wealth and never used as a synonym for the underworld itself, representing a more positive concept of the god who presides over the afterlife. He was the eldest son of Saturn (Cronus) and Ops (Rhea), as well as the brother of Jupiter (Zeus) and Neptune (Poseidon). Pluto later married Proserpina (Persephone) and shared many of Hades' attributes, such as the bident, the cap of invisibility, and the three-headed guard dog Cerberus.

While Pluto is commonly considered the Roman equivalent of Hades, the name Plouton was already used by the Greeks to designate Hades and was later adopted by the Romans for their god of the underworld, Dis Pater, which often means "Rich Father" and is perhaps a direct translation of Plouton. Pluto was also identified with the obscure god Orcus, name that the Romans adopted from the Etruscans and which, like Hades, was both for the god of the underworld and for the underworld as a place. On the other hand, Ploutōn was frequently conflated with Ploûtos, the Greek god of wealth, because mineral wealth was found underground and because, as a chthonic god, Pluto ruled the deep earth that contained the seeds needed for a bountiful harvest.

In ancient Roman mythology, Salacia (/səˈleɪʃə/ sə-LAY-shə, Latin: [saˈɫaːkia]) was the female divinity of the sea, worshipped as the goddess of salt water who presided over the depths of the ocean. Neptune was her consort. That Salacia was the consort of Neptune is implied by Varro, and is positively affirmed by Seneca, Augustine and Servius. She is identified with the Greek goddess Amphitrite, consort of Poseidon, or Tethys who was also a marine deity.

The god Neptune wanted to marry Salacia, but she was in great awe of her distinguished suitor, and to preserve her virginity, with grace and celerity she managed to glide out of his sight, and hid from him in the Atlantic Ocean. The grieving Neptune sent a dolphin to look for her and persuade the fair nymph to return and share his throne. Salacia agreed to marry Neptune and the King of the Deep was so overjoyed at these good tidings that the dolphin was awarded a place in the heavens, where he now forms a well known constellation Delphinus.

In Greek mythology and later Roman mythology, the Cyclopes (/saɪˈkloʊpiːz/ sy-KLOH-peez; Greek: Κύκλωπες, Kýklōpes, "Circle-eyes" or "Round-eyes"; singular Cyclops /ˈsaɪklɒps/ SY-klops; Κύκλωψ, Kýklōps) are giant one-eyed creatures. Three groups of Cyclopes can be distinguished. In Hesiod's Theogony, the Cyclopes are the three brothers, Brontes, Steropes, and Arges, who made Zeus's weapon, the thunderbolt. In Homer's Odyssey, they are an uncivilized group of shepherds, the brethren of Polyphemus encountered by Odysseus. A third group of Cyclopes reputedly built the Cyclopean walls of Mycenae and Tiryns.

In Cyclops, the fifth-century BC play by Euripides, a chorus of satyrs offers comic relief based on the encounter of Odysseus and Polyphemus. The third-century BC poet Callimachus makes the Hesiodic Cyclopes the assistants of smith-god Hephaestus, as does Virgil in the Latin epic Aeneid, where he seems to equate the Hesiodic and Homeric Cyclopes.

Etruscan religion comprises a set of stories, beliefs, and religious practices of the Etruscan civilization, heavily influenced by the mythology of ancient Greece, and sharing similarities with concurrent Roman mythology and religion. As the Etruscan civilization was gradually assimilated into the Roman Republic from the 4th century BC, the Etruscan religion and mythology were partially incorporated into ancient Roman culture, following the Roman tendency to absorb some of the local gods and customs of conquered lands. The first attestations of an Etruscan religion can be traced back to the Villanovan culture.

Vulcan (Latin: Vulcanus, in archaically retained spelling also Volcanus, both pronounced [wʊɫˈkaːnʊs]) is the god of fire including the fire of volcanoes, deserts, metalworking and the forge in ancient Roman religion and myth. He is often depicted with a blacksmith's hammer. The Vulcanalia was the annual festival held August 23 in his honor. His Greek counterpart is Hephaestus, the god of fire and smithery. In Etruscan religion, he is identified with Sethlans.

Vulcan belongs to the most ancient stage of Roman religion: Varro, the ancient Roman scholar and writer, citing the Annales Maximi, records that king Titus Tatius dedicated altars to a series of deities including Vulcan.

In Greek and Roman mythology, several goddesses are distinguished by their perpetual virginity. These goddesses included the Greek deities Hestia, Athena, and Artemis, along with their Roman equivalents, Vesta, Minerva, and Diana. In some instances, the inviolability of these goddesses was simply a detail of their mythology, while in other cases virginity was also associated with their worship and religious rites.

In Greek and Roman mythology, the Palladium or Palladion (Greek Παλλάδιον (Palladion), Latin Palladium) was a cult image of great antiquity on which the safety of Troy and later Rome was said to depend, the wooden statue (xoanon) of Pallas Athena that Odysseus and Diomedes stole from the citadel of Troy and which was later taken to the future site of Rome by Aeneas. The Roman story is related in Virgil's Aeneid and other works. Rome possessed an object regarded as the actual Palladium for several centuries; it was in the care of the Vestal Virgins for nearly all this time.

Since around 1600, the word palladium has been used figuratively to mean anything believed to provide protection or safety, and in particular in Christian contexts a sacred relic or icon believed to have a protective role in military contexts for a whole city, people or nation. Such beliefs first become prominent in the Eastern church in the period after the reign of the Byzantine Emperor Justinian I, and later spread to the Western church. Palladia were carried in procession around the walls of besieged cities and sometimes carried into battle.

Castor and Pollux (or Polydeuces) are twin half-brothers in Greek and Roman mythology, known together as the Dioscuri or Dioskouroi.

Their mother was Leda, but they had different fathers; Castor was the mortal son of Tyndareus, the king of Sparta, while Pollux was the divine son of Zeus, who seduced Leda in the guise of a swan. The pair are thus an example of heteropaternal superfecundation. Though accounts of their birth are varied, they are sometimes said to have been born from an egg, along with their twin sisters Helen of Troy and Clytemnestra.

In religion and folklore, hell is a location or state in the afterlife in which souls are subjected to punishment after death. Religions with a linear divine history sometimes depict hells as eternal, such as in some versions of Christianity and Islam, whereas religions with reincarnation usually depict a hell as an intermediary period between incarnations, as is the case in the Indian religions. Religions typically locate hell in another dimension or under Earth's surface. Other afterlife destinations include heaven, paradise, purgatory, limbo, and the underworld.

Other religions, which do not conceive of the afterlife as a place of punishment or reward, merely describe an abode of the dead, the grave, a neutral place that is located under the surface of Earth (for example, see Kur, Hades, and Sheol). Such places are sometimes equated with the English word hell, though a more correct translation would be "underworld" or "world of the dead". The ancient Mesopotamian, Greek, Roman, and Finnic religions include entrances to the underworld from the land of the living.