Right hand of God in the context of "Session of Christ"

The Ascension of Jesus (anglicized from the Vulgate Latin: ascensio Iesu, lit. 'ascent of Jesus') is the Christian and Islamic belief that Jesus ascended to Heaven. Christian doctrine, as reflected in the major Christian creeds and confessional statements, holds that Jesus ascended after his resurrection, where he was exalted as Lord and Christ, sitting at the right hand of God. Islamic doctrine holds that Jesus directly ascended to heaven without dying or resurrecting.

The Gospels and other New Testament writings imply resurrection and exaltation as a single event. The ascension is "more assumed than described", and only Luke and Acts contain direct accounts of it, but with different chronologies.

In Christianity, heaven is traditionally the location of the throne of God and the angels of God, and in most forms of Christianity it is the abode of the righteous dead in the afterlife. In some Christian denominations it is understood as a temporary stage before the resurrection of the dead and the saints' return to the New Earth.

In the Book of Acts, the resurrected Jesus ascends to heaven where, as the Nicene Creed states, he now sits at the right hand of God and will return to earth in the Second Coming. According to Catholic, Eastern Orthodox, and Oriental Orthodox teaching, Mary, mother of Jesus, is said to have been assumed into heaven without the corruption of her earthly body; she is venerated as Queen of Heaven.

The Kingdom of God (and its related form the Kingdom of Heaven in the Gospel of Matthew) is one of the key elements of the teachings of Jesus in the New Testament. Drawing on Old Testament teachings, the Christian characterization of the relationship between God and humanity inherently involves the notion of the Kingship of God. The Old Testament refers to "God the Judge of all" and the notion that all humans will eventually "be judged" is an essential element of Christian teachings. Building on a number of New Testament passages, the Nicene Creed indicates that the task of judgment is assigned to Jesus.

The New Testament is written against the backdrop of Second Temple Judaism. The view of the kingdom developed during that time included the restoration of Israel to a Davidic Kingdom and the intervention of God in history via the Danielic Son of Man. The coming of the kingdom of God involved God finally taking back the reins of history, which he had allowed to slacken as pagan Empires had ruled the nations. Most Jewish sources imagine a restoration of Israel and either a destruction of the nations or a gathering of the nations to obedience to the One True God. Jesus stands firmly in this tradition. His association of his own person and ministry with the "coming of the kingdom" indicates that he perceives that God's great intervention in history has arrived and that he is the agent of that intervention. However, in the Parable of the Mustard Seed, Jesus seems to indicate that his own view on how the kingdom of God arrives differs from the Jewish traditions of his time. It is commonly believed that this multiple-attested parable suggests that the growth of the kingdom of God is characterized by a gradual process rather than an event, and that it starts small like a seed and gradually grows into a large firmly rooted tree. His suffering and death, however, seem to cast doubt upon this (how could God's appointed king be killed?) but his resurrection affirms his claim with the ultimate proof of only God having resurrection power over death. The claim includes his exaltation to the right hand of God and establishes him as "king". Jesus' predictions of his return make it clear that God's kingdom is not yet fully realized according to inaugurated eschatology but in the meantime the good news that forgiveness of sins is available through his name is to be proclaimed to the nations. Thus the mission of the Church begins and fills the time between the initial coming of the Kingdom, and its ultimate consummation with the Final Judgment.

Christ the King is a title of Jesus in Christianity referring to the idea of the Kingdom of God where Christ is described as being seated at the right hand of God. Many Christian denominations consider the kingly office of Christ to be one of the threefold offices: Christ is a prophet, priest, and king. The title "Christ the King" is frequently used as a name for churches, schools, seminaries, hospitals, and religious institutes.

The Hand of God, or Manus Dei in Latin, also known as Dextera domini/dei (the "right hand of God"), is a motif in Jewish and Christian art, especially of the Late Antique and Early Medieval periods, when depiction of Yahweh or God the Father as a full human figure was considered unacceptable. The hand, sometimes including a portion of an arm, or ending about the wrist, is used to indicate the intervention in or approval of affairs on Earth by God, and sometimes as a subject in itself. It is an artistic metaphor that is generally not intended to indicate that a hand was physically present or seen at any subject depicted. The Hand is seen appearing from above in a fairly restricted number of narrative contexts, often in a blessing gesture (in Christian examples), but sometimes performing an action. In later Christian works it tends to be replaced by a fully realized figure of God the Father, whose depiction had become acceptable in Western Christianity, although not in Eastern Orthodox or Jewish art. Though the hand of God has traditionally been understood as a symbol for God's intervention or approval of human affairs, it is also possible that the hand of God reflects the anthropomorphic conceptions of the deity that may have persisted in late antiquity.

The largest group of Jewish imagery from the ancient world, the 3rd century synagogue at Dura-Europos, has the hand of God in five different scenes, including the Sacrifice of Isaac, and no doubt this was one of the many iconographic features taken over by Christian art from what seems to have been a vigorous tradition of Jewish narrative art. Here and elsewhere it often represents the bath Kol (literally "daughter of a voice") or voice of God, a use also taken over into Christian art.