Publishing in the context of "Horace Liveright"

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👉 Publishing in the context of Horace Liveright

Horace Brisbin Liveright (pronounced "LIVE-right," anglicized by Horace's father from the German Liebrecht; 10 December 1884 – 24 September 1933) was an American publisher and stage producer. With Albert Boni, he founded the Modern Library and Boni & Liveright publishers. He published the books of numerous influential American and British authors. Turning to theatre, he produced the successful 1927 Broadway play Dracula, with Béla Lugosi and Edward Van Sloan in the roles they would make famous in the 1931 film by the same name.

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Publishing in the context of Roger Chartier

Roger Chartier, (French: [ʁɔʒe ʃaʁtje]; born December 9, 1945, in Lyon), is a French historian and historiographer who is part of the Annales school. He works on the history of books, publishing and reading. He teaches at the École des Hautes Études en Sciences Sociales in Paris, the Collège de France, and the University of Pennsylvania.

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Publishing in the context of Mass media

Mass media refers to the forms of media that reach large audiences via mass communication. It includes broadcast media, digital media, print media, social media, streaming media, advertising, and events.

Mass media encompasses news, advocacy, entertainment, and public service announcements, and intersects with the study of marketing, propaganda, public relations, political communication, journalism, art, drama, computing, and technology. The influence of mass media on individuals and groups has also been analysed from the standpoint of anthropology, economics, history, law, philosophy, psychology, and sociology.

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Publishing in the context of Publication

To publish is to make content available to the general public. While specific use of the term may vary among countries, it is usually applied to text, images, or other audio-visual content, including paper (newspapers, magazines, catalogs, etc.). Publication means the act of publishing, and also any copies issued for public distribution.

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Publishing in the context of Sidebar (publishing)

In publishing, sidebar is a term for information placed adjacent to an article in a printed or Web publication, graphically separate but with contextual connection.

The term has long been used in newspaper and magazine page layout. It is often used as the title of legal groups' publications in the US as a pun on "the bar", a term for the legal profession: The Federal Bar Association, Montgomery Bar Association of Norristown Pennsylvania, and the Westmoreland Bar Association are 3 examples.

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Publishing in the context of Footnote

In publishing, a note is a brief text in which the author comments on the subject and themes of the book and names supporting citations. In the editorial production of books and documents, typographically, a note is usually several lines of text at the bottom of the page, at the end of a chapter, at the end of a volume, or a house-style typographic usage throughout the text. Notes are usually identified with superscript numbers or a symbol.

Footnotes are informational notes located at the foot of the thematically relevant page, whilst endnotes are informational notes published at the end of a chapter, the end of a volume, or the conclusion of a multi-volume book. Unlike footnotes, which require manipulating the page design (text-block and page layouts) to accommodate the additional text, endnotes are advantageous to editorial production because the textual inclusion does not alter the design of the publication. However, graphic designers of contemporary editions of the Bible often place the notes in a narrow column in the page centre, between two columns of biblical text.

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Publishing in the context of Article (publishing)

An article or piece is a written work published in a print or electronic medium, for the propagation of news, research results, academic analysis or debate.

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Publishing in the context of Imprint (trade name)

An imprint of a publisher is a trade name under which it publishes a work. A single publishing company may have multiple imprints, often using the different names as brands to market works to various demographic consumer segments.

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Publishing in the context of Boni & Liveright

Boni & Liveright (pronounced "BONE-eye" and "LIV-right") is an American trade book publisher established in 1917 in New York City by Albert Boni and Horace Liveright. Over the next sixteen years the firm, which changed its name to Horace Liveright, Inc., in 1928 and then Liveright, Inc., in 1931, published over a thousand books. Before its bankruptcy in 1933 and subsequent reorganization as Liveright Publishing Corporation, Inc., it had achieved considerable notoriety for editorial acumen, brash marketing, and challenge to contemporary obscenity and censorship laws. Their logo is of a cowled monk.

It was the first American publisher of William Faulkner, Ernest Hemingway, Sigmund Freud, E. E. Cummings, Jean Toomer, Hart Crane, Lewis Mumford, Anita Loos, and the Modern Library series. In addition to being the house of Theodore Dreiser and Sherwood Anderson throughout the 1920s, it notably published T. S. Eliot's The Waste Land, Isadora Duncan's My Life, Nathanael West's Miss Lonelyhearts, Djuna Barnes's Ryder, Ezra Pound's Personae, John Reed's Ten Days That Shook the World, and Eugene O'Neill's plays. In his biography of Horace Liveright, Firebrand, author Tom Dardis noted B&L was "the most magnificent yet messy publishing firm this century has seen." In 1974 Liveright's remaining backlist was bought by W. W. Norton & Company. Norton revived the name as an imprint in 2012 as Liveright Publishing Corporation.

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